Film-makers need to trust the audience

Scarecrow and The King of Marvin Gardens – quirky, unstylised films made in the 60s and 70s that refused to smooth their rough edges. This bravery, Adam Mars-Jones argues, is what film-makers are missing today

Cannes film festival diary: day 10

Xan Brooks: As a memorable if wet festival draws to a close, and Blue is the Warmest Colour emerges as a tentative Palme d'Or frontrunner, The Immigrant seems to capture the prevailing mood of fatigue

Diane Keaton: five best moments

The Hollywood heavyweight returns with a family farce this week. Here's a look at some of her most memorable on-screen moments.