Andrew Pulver: Mads Mikkelsen makes a principled avenging warrior in this handsome 16th-century-set tale of a man wronged – which could certainly use picking up the pace a little
Scarecrow and The King of Marvin Gardens – quirky, unstylised films made in the 60s and 70s that refused to smooth their rough edges. This bravery, Adam Mars-Jones argues, is what film-makers are missing today
Xan Brooks: As a memorable if wet festival draws to a close, and Blue is the Warmest Colour emerges as a tentative Palme d'Or frontrunner, The Immigrant seems to capture the prevailing mood of fatigue
Neil Jordan is the man behind such classics as Company of Wolves, Michael Collins, Angel and many more. As his new film, Byzantium, sinks its teeth into cinema crowds, send him a question – he'll be in the thread at lunchtime on Tuesday 28 May
Open thread: with Shane Meadows' documentary Made of Stone arriving next month, we'd like to hear your suggestions for the Madchester legends' ultimate track