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The Digger disaster: what an epic movie flop means for Tom Cruise and Hollywood

Unprecedented folly of misjudgment, bad timing and spectacular hubris is predicted to lose $245m. How did this happen?

Cult venue Prince Charles cinema ‘saved’ after lease renewal signed

The much-loved central London institution, which has been threatened with closure since January 2025, secures 25-year lease without break clause with current landlords

Wallace & Gromit maker Aardman falls short of return to profit

Animation studio narrows annual loss to £1.1m amid ‘challenging market’ in children’s content

Jessie Buckley suggests film industry gives too much weight to Oscar campaigns

The actor, who won the Academy Award for best actress this year, was speaking at the BFI and Chanel film-maker awards

How we lost our appetite for eat-the-rich satire

Tom Cruise’s latest film could lose $250m (£190m) – could one reason be that audiences are tired of Hollywood telling them what they already know about the super-rich

Digger on course for $245m loss after box office collapse

Estimates suggest the eco satire starring Tom Cruise could join the list of top turkeys, including Cutthroat Island and The Marvels

Lost generation: the AI threat to Britain’s next great directors

Commercials once launched careers from Ridley Scott to Guy Ritchie, now automated production is cutting costs – and the chance to learn by doing

Goodbye Warner, hello Skydance: how will the major merger really impact Hollywood?

After a windier road than expected, Paramount and Warners are now one, under the banner of Skydance, and the film industry is set for a shake-up

Paramount completes $111bn acquisition of Warner Bros to form new media empire Skydance

David Ellison and ex-Mattel CEO Ynon Kreiz to oversee both film studios, HBO Max, CNN and CBS News as co-executives

Gaza documentary NAZA beats Avengers Endgame: Encore to top Italian box office

Award-winning, Guardian-produced film focused on Israel’s mass killing of civilians extends run after sold-out screenings

Global release announced for acclaimed Gaza documentary NAZA

Theatrical rollout across 56 territories planned for documentary about Israel’s mass killing of civilians in Gaza before film will stream on Guardian website

‘I’m a writer but then nobody’s perfect’: how Billy Wilder conquered Hollywood

From émigré roots to a titan of modern cinema, penning classics such as Double Indemnity, Some Like It Hot and The Apartment, a new retrospective celebrates the father of film noir’s incredible career

Boorman and the Devil review – enjoyable re-evaluation of the disaster that was Exorcist II: The Heretic

John Boorman generously details the mortifying experience of making a sequel to 1973 hit horror The Exorcist, which was widely and unfairly panned

‘This should be condemned by any thinking human’: film industry rallies behind NAZA directors

Backing comes after Yuval Abraham and Rachel Szor were threatened with having their citizenship revoked and accused of treason

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  • Elizabeth Holmes documentary You Can See Everything debuts with huge $15m opening weekend
  • Ali G answers his critics: ‘Me ain’t the first intellectual to get haterz’
  • Jonathan Glazer was ‘shocked into silence’ by NAZA documentary
  • 7 Miles Out review – Carol Morley’s funny-poignant self-portrait of teenage kicks in Stockport
  • Selma Blair ‘did not intend to harm anyone’ during airplane incident, representatives say
  • ‘Sometimes it’s not perfect, but it works’: film-maker Charles Burnett on his chronicling of Black working-class life
  • ‘You can’t make this stuff up’: why we remain fascinated by Elizabeth Holmes
  • The hill I will die on: Cinemas have been getting away with lies. Films should begin on time
  • The Digger disaster: what an epic movie flop means for Tom Cruise and Hollywood
  • The Influencer Project to Melanie C: your complete entertainment guide to the week ahead
  • Masterplan review – Stanley Tucci is wasted in Amazon’s smooth-brained heist caper
  • The Guardian view on Winnie-the-Pooh: now we are 100
  • Look Back review – Kore-eda’s ode to friendship, manga and artistic success
  • ‘Tough to watch, impossible to ignore’: reviewers on NAZA documentary
  • How to dress a tech oligarch: The Social Reckoning’s costume designer on Zuckerberg’s style evolution
  • I’ve debated with Israel’s most fervent defenders – NAZA debunks their talking points
  • An open book: how to make a great film adaptation, from The Shining to Trainspotting
  • ‘Opening the lid of a horrible secret’: Jamaicans confront enslavement with taboo-busting stories on screen
  • The Disciple: A Wu-Tang Fable review – Netflix doc on ‘secret album’ is strictly for super fans
  • Tenzing to Goodfellas: the seven best films to watch on TV this week
  • Calling the shots: what NAZA says about perpetrator cinema
  • Dogmatic Nordic liberals v eastern family values: culture-clash drama Fjord touches nerves in Norway and Romania
  • Victoria Beckham, ‘duck face’ and onesies: nine things Zoolander predicted about fashion
  • The Face of Horror review – a future cult classic delights with playful spin on Hammer horror
  • Klara and the Sun review – Taika Waititi’s manic pixie dream robot sci-fi is a sentimental mess
  • Street Fighter review – nostalgia only goes so far in junky fighting game movie
  • Cult venue Prince Charles cinema ‘saved’ after lease renewal signed
  • ‘Stranger than stranger-than-fiction’: how Lance Oppenheim made the year’s two buzziest films
  • ‘Don’t do this!’ Why Paul McCartney cares about looking shorter than John Lennon in Sam Mendes’ Beatles films
  • Your full attention: Jesse Eisenberg’s 10 best film performances – ranked!

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