BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Jeremy Thomas, British producer of The Last Emperor and Sexy Beast, dies aged 77

An outstanding figure in the UK film industry, Thomas was noted for collaborations with directors including Bernardo Bertolucci and David Cronenberg

The Odyssey and Spider-Man propel record-breaking summer box office worldwide

The biggest May to September of all time was recorded in US cinemas, with the UK enjoying a 56% rise in audiences, outstripped by an 88% lift in the Middle East and Africa

‘An embodiment of white fears’: how zombies went from Haitian spiritual tradition to Hollywood monsters

Maya Annik Bedward’s fascinating new documentary goes beyond reductive imagery to place the zombie and vodou in their true historical context

‘He’s a good man’: George Clooney defends Mark Ruffalo in Paramount-Warner Bros merger row

‘I worry whenever big companies are consolidating,’ Clooney said at Venice film festival, supporting Ruffalo’s right to criticise the deal amid antisemitism accusations

Todd Haynes and Wallace Shawn among signatories of letter backing Mark Ruffalo amid antisemitism charge

More than 170 Jewish artists, also including Joel Coen, Hannah Einbinder and Miranda July, have supported the actor after he criticized Paramount

‘Not just Hollywood crap’: Mike Leigh on the East End communist who brought world cinema to the UK

A new season celebrates Contemporary Films and its founder Charles Cooper, who bet on Britain taking to Ingmar Bergman, Yasujiro Ozu, Satyajit Ray – and a young Mike Leigh

Summer box office 2026: what can we learn from the hits and misses?

It was a bumper season for Hollywood, almost back to pre-pandemic levels, with Tom Holland blockbusters winning out, but there was still a string of disappointments

Big tech goes to Hollywood: is Silicon Valley ready for a silver-screen reckoning?

Its moguls are ripe subjects for drama, and there is huge anticipation for forthcoming features The Social Reckoning and Artificial. But other projects have failed as the film industry is increasingly colonised by IT empires

‘Digging the grave of my profession’: the Hollywood creatives training AI to do their jobs

Amid a jobs slump, award-winning writers, directors and producers taking on sometimes lucrative temp work teaching AI skills such as screenwriting and production

The Odyssey becomes highest grossing R-rated film of all time

Christopher Nolan’s epic has achieved $1.35bn at the global box office, overtaking 2024’s Deadpool & Wolverine

UK cinemas look at banning Meta smart glasses over piracy fears

Trade body says local chains would have to balance concerns with potential benefits of AI-enabled technology

Tom Holland set to earn $100m from Spider-Man: Brand New Day

In a year that’s seen the British actor star in the season’s two biggest blockbusters – and marry his co-star from both – he is reportedly earning a huge pay packet thanks to box-office bonuses

‘I’ve always been fond of hairy creatures!’ Visual effects maestro Rick Baker on a monstrously good career

Rick Baker helped define Hollywood’s creature features with his wild makeup effects skills. From Locarno, he talks Gremlins, his love of simians– and why AI will never replace expert design

‘I see the incredible promise’: on set of an AI film shoot as new studios embrace controversial tech

Amid fears for jobs, some film-makers say AI could enable them to bypass studio giants and take more creative risks

Edinburgh international film festival showcases a Scottish industry in rude health

This year’s festival is superpowered by a strong year for Scottish cinema, showing it can thrive under the ‘four dimensional perpetual catch-22’ of global ambitions

Post navigation

← Older posts
Newer posts →

  • Elizabeth Holmes documentary You Can See Everything debuts with huge $15m opening weekend
  • Ali G answers his critics: ‘Me ain’t the first intellectual to get haterz’
  • Jonathan Glazer was ‘shocked into silence’ by NAZA documentary
  • 7 Miles Out review – Carol Morley’s funny-poignant self-portrait of teenage kicks in Stockport
  • Selma Blair ‘did not intend to harm anyone’ during airplane incident, representatives say
  • ‘Sometimes it’s not perfect, but it works’: film-maker Charles Burnett on his chronicling of Black working-class life
  • ‘You can’t make this stuff up’: why we remain fascinated by Elizabeth Holmes
  • The hill I will die on: Cinemas have been getting away with lies. Films should begin on time
  • The Digger disaster: what an epic movie flop means for Tom Cruise and Hollywood
  • The Influencer Project to Melanie C: your complete entertainment guide to the week ahead
  • Masterplan review – Stanley Tucci is wasted in Amazon’s smooth-brained heist caper
  • The Guardian view on Winnie-the-Pooh: now we are 100
  • Look Back review – Kore-eda’s ode to friendship, manga and artistic success
  • ‘Tough to watch, impossible to ignore’: reviewers on NAZA documentary
  • How to dress a tech oligarch: The Social Reckoning’s costume designer on Zuckerberg’s style evolution
  • I’ve debated with Israel’s most fervent defenders – NAZA debunks their talking points
  • An open book: how to make a great film adaptation, from The Shining to Trainspotting
  • ‘Opening the lid of a horrible secret’: Jamaicans confront enslavement with taboo-busting stories on screen
  • The Disciple: A Wu-Tang Fable review – Netflix doc on ‘secret album’ is strictly for super fans
  • Tenzing to Goodfellas: the seven best films to watch on TV this week
  • Calling the shots: what NAZA says about perpetrator cinema
  • Dogmatic Nordic liberals v eastern family values: culture-clash drama Fjord touches nerves in Norway and Romania
  • Victoria Beckham, ‘duck face’ and onesies: nine things Zoolander predicted about fashion
  • The Face of Horror review – a future cult classic delights with playful spin on Hammer horror
  • Klara and the Sun review – Taika Waititi’s manic pixie dream robot sci-fi is a sentimental mess
  • Street Fighter review – nostalgia only goes so far in junky fighting game movie
  • Cult venue Prince Charles cinema ‘saved’ after lease renewal signed
  • ‘Stranger than stranger-than-fiction’: how Lance Oppenheim made the year’s two buzziest films
  • ‘Don’t do this!’ Why Paul McCartney cares about looking shorter than John Lennon in Sam Mendes’ Beatles films
  • Your full attention: Jesse Eisenberg’s 10 best film performances – ranked!

Contact www.brillfilms.com   Terms of Use