Five decades ago, a fan picked up a set of the director’s meticulous storyboards for just $50 – including the lost Spellbound dream sequence by Salvador Dalí in which Ingrid Bergman turns into ants
Classic heist caper The Lavender Hill Mob is getting a cinema rerelease. But which of these 40s and 50s film fancies are slyly subversive, and which have dated less well?
Each year the ceremony becomes slicker – and safer – no matter how much more diverse, creative and bold the films being feted are, says the Guardian’s Coco Khan
Despite its doomy story, three-hour length – and some remarkable competition – Christopher Nolan’s film dominated the Academy Awards. We examine the campaign behind the slowburner which blew Barbie away
Gough, who is resuming her Olivier award-winning role in People, Places and Things, calls on those in positions of power to become allies for colleagues
An earlier time, an embarrassment of superstars and Ryan Gosling’s live turn will, it’s hoped, boost viewers. But it’s not clear the audience is coming back
Elena Avdija’s revelatory and nuanced documentary shines a light on the incredibly brave performers who face physical and emotional battles on and off screen