The Last One for the Road review – ageing-boozer tragicomedy offers drunken antics on the road to Venice

Two optimistic drinkers bumble around with a lovelorn student in tow in a depressing yet funny, faintly baffling tragicomedy

Life Support review – quietly devastating medics’ eye view of the war in Gaza

In the absence of foreign media, doctors are valuable witnesses to the Israel-Hamas conflict in Daniele Rugo’s documentary

Call of My Life review – bright and breezy Nigerian call-centre romcom is just right for summer

Uzoamaka Power’s broken-hearted, lovable worker falls for a charming customer in this delightful, deftly written tale

The Guest review – Trine Dyrholm pulls out all the stops as a bipolar mother in dysfunctional family drama

Writer-director Mads Mengel’s film about a seaside christening disrupted by a previously shunned relative is shot in the spirit of Dogme 95

Robert Richardson: The White Devil review – tempestuous DoP’s relationship with A-list directors laid bare

Intimate documentary interviews Scorsese, Tarantino and Stone as well as Richardson’s family – with staggering home movie footage, too

Couples Weekend review – Alexandra Daddario annd Josh Gad lead spicy comedy of marital melee

Two couples start to fall apart during a midwinter break, involving a lot of shouty dialogue that’s neither realistic nor funny

Shoot the People review – a powerful portrait of a talented yet controversial photographer

Misan Harriman was catapulted into a new career after turning his camera to anti-racist demonstrations – though the shadow of more recent criticism looms

A Place in the Sun review – subversive exposé of picture-postcard luxury in the Canary Islands

Documentary intersperses pastel scenes of spotless tourist resorts with candid interviews with the asylum seekers who labour to keep them pristine

The Story of Documentary Film (The 1980s) review – Mark Cousins educates and intrigues once more

The film-maker and critic traces a decade of documentaries, from the fall of the Berlin Wall to Michael Moore, via Klaus Barbie and The Wombles

Calendar Girls: The Musical review – heartfelt and hilarious, with nimbly handled nudity

This celebratory show by Tim Firth and Gary Barlow delivers emotional openness alongside cracking jokes

Birds of War review – war journalists find love among the ruins

This documentary tells the story of the long-distance relationship between a BBC correspondent in London and a photographer on the ground in Syria with charm and humanity

The Guilty review – Russell Tovey is commanding in cop thriller that fills you with dread

Tovey plays a lone officer in a control room dragged into a mysterious case in this gripping drama directed by Punchdrunk’s Felix Barrett

Nirvanna the Band the Show the Movie review – two goofballs in search of a gig roll back the years

Channelling Bill and Ted, slacker buddies accidentally travel back to 2008, but open up a psychic wound which threatens their band’s existence

Enola Holmes 3 review – Netflix mystery franchise is starting to lose steam

Millie Bobby Brown returns, along with the creative team behind Adolescence, for an often thoughtful yet ultimately lesser threequel

Citizen Vigilante review – Armie Hammer returns to obliterate the imaginary woke piñata of Europe-stan

Low-budget film-maker Uwe Boll sets Hammer up for a further fall from grace by cannibalising all manner of tired tropes in this incoherent schlocker