BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts

Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classic

Sam Rockwell voices the gumshoe who becomes embroiled with Scarlett Johansson’s femme fatale in this big-hearted and beautifully designed fantasy spectacular

‘I just wasn’t going to give up’: the fight to free the longest-serving political prisoner in the US

Leonard Peltier was imprisoned for 49 years before his sentence was commuted. A new Netflix documentary exposes the ‘corrupt’ system that allowed it to happen

14th review – Ava DuVernay’s galvanizing documentary is a remarkable achievement

New York film festival: the director has made a fascinating and troubling companion piece to her Netflix documentary 13th, which takes a fiery look at American injustice

In the Shadows review – true tale of Ramla Ali’s remarkable rise through the boxing ranks is a knockout

Jasmine Jobson goes the distance as the British-Somalian boxer battling pain from her past and her family’s disapproval in a heavyweight, tick-the-boxes production

Tenzing review – reconstruction of first summit of Everest puts Sherpa at the centre of the story

Genden Phuntsok brings charm and innocence to his portrayal of Tenzing Norgay, while Tom Hiddleston is suitably frank as Edmund Hillary

Other Mommy review – Jessica Chastain’s demonic double horror isn’t nightmarish enough

There’s some effectively unnerving imagery and a cleverly icy dual lead performance but this kept-from-critics shocker is a bit of a jumble

Animals review – Ben Affleck’s dull Netflix thriller is lacking in bark and bite

Actor-director’s listless LA-set crime thriller makes for a surprisingly anonymous effort and one that feels very similar to many other, better films

Matchbox: the Movie review – as pointless as a film based on a toy car could be

John Cena and Jessica Biel collect paychecks in a soulless and synthetic slab of corporate product that hints at what we can expect from the Paramount-Warner merger

Big Girls Don’t Cry review – a New Zealand teenager finds herself in tender coming-of-age tale

Writer-director Paloma Schneideman’s wonderful film follows a 14-year-old in 2006 who pretends to be someone else in a chat room, with real-world consequences

The Uprising review – Paul Greengrass turns revolutionary rage into a Robin Hood origin myth

Andrew Garfield’s fictional ploughman joins the historical heroes of the 1381 Peasants’ Revolt in a dirt-caked, docudrama-style film with disconcertingly silly moments

The Social Reckoning review – Aaron Sorkin’s jittery sequel with all-new evil puppet Zuckerberg

Jeremy Strong’s slow-talking Facebook founder turns into a cameo, background to a thriller about a whistleblower that somehow never mentions Trump

24 Hour Party People review – daring metatextual paean to the Manchester music scene

Michael Winterbottom’s freewheeling 2002 film about Tony Wilson, champion of post-punk bands, couldn’t have starred anyone but Steve Coogan

Artificial review – Luca Guadagnino takes on OpenAI in muddled tech satire

The origin story of Sam Altman’s company is reimagined as a campy comedy starring Andrew Garfield

V/H/S/Mixtape review – murderous puppets pull the strings in mixed bag of gory music-themed mini-movies

Metal band Gwar host this instalment of the horror series, which serves up darkly humorous movie morsels that would struggle to frighten a toddler

The Craft review – cult high-school horror a reminder of the fearless 90s

The 30th-anniversary rerelease of this classic tackles the sensitivities of teenage anxiety with energy and confidence

Post navigation

← Older posts

  • Juliet Stevenson: ‘Do I have a nemesis? Where do we start? Putin, Musk, Trump, Erdoğan, Modi, Netanyahu’
  • Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classic
  • Amélie allowed me to embrace my neurodivergence
  • ‘I just wasn’t going to give up’: the fight to free the longest-serving political prisoner in the US
  • From The Social Reckoning to Harriet Kemsley: your complete entertainment guide to the week ahead
  • 14th review – Ava DuVernay’s galvanizing documentary is a remarkable achievement
  • In the Shadows review – true tale of Ramla Ali’s remarkable rise through the boxing ranks is a knockout
  • Stark warning – does new footage in Avengers: Endgame reveal the truth about Doctor Doom?
  • Tenzing review – reconstruction of first summit of Everest puts Sherpa at the centre of the story
  • Other Mommy review – Jessica Chastain’s demonic double horror isn’t nightmarish enough
  • Lost generation: the AI threat to Britain’s next great directors
  • The new Darth Vader: how tech execs became the film villains of our age
  • Gromit finally gets a voice … and it’s Martin Freeman
  • How do human beings explain taking part in genocide? NAZA provides a chilling look
  • Matchbox the Movie to Poor Things: the seven best films to watch on TV this week
  • ‘Is death necessary?’: why Peter Greenaway’s assisted dying drama is stuck in post-production hell
  • Animals review – Ben Affleck’s dull Netflix thriller is lacking in bark and bite
  • Film shoot appearing to echo Renee Good killing roils Montana town
  • Matchbox: the Movie review – as pointless as a film based on a toy car could be
  • Israel promotes film that mimics NAZA documentary
  • Good night, and good lick: what can we expect from George Clooney’s restaurant?
  • Can Ali G: Who Iz I? save character comedy cinema?
  • Molly Russell’s father to tell UK cinemagoers: ‘Instagram helped kill my daughter’
  • Britons kept in dark about scale of climate crisis, say viewers of ‘first-of-its-kind’ emergency briefing
  • ‘He punched a polar bear on the nose!’ Ninety glorious years of Brian Blessed – by Emma Thompson, Adrian Lester and more
  • Big Girls Don’t Cry review – a New Zealand teenager finds herself in tender coming-of-age tale
  • The Uprising review – Paul Greengrass turns revolutionary rage into a Robin Hood origin myth
  • Will the Zuckerberg, Musk and Altman movies make a dent on tech giant evangelism?
  • The Social Reckoning review – Aaron Sorkin’s jittery sequel with all-new evil puppet Zuckerberg
  • Eva Marie Saint obituary

Contact www.brillfilms.com   Terms of Use