Minions & Monsters review – a smart premise descends into more of the same

The hugely successful, gibberish-heavy franchise travels back to old Hollywood for an adventure that swaps out nifty ideas for repetitive chaos

The Invite review – Seth Rogen adds zest and bite to fruity dinner party comedy

Olivia Wilde directs and stars alongside Penélope Cruz and Edward Norton in bizarrely moving tale, with Rogen’s levity keeping the outrageous plot points in check

Not a Pretty Picture review – Martha Coolidge’s recreation of her rape remains shockingly powerful

Fifty years after its release, Coolidge’s dramatisation of the key moments before and after her rape is still absolutely essential

Executioner review – sleazy MP hams it up with sex worker in darkly comic blackmail thriller

Based on actor-director Peter Benedict’s own play this tiny-budget thriller has the feel of a stagey recording as the double-crosses pile up higher than an MP’s promises

Black Box: Flight 298 review – there’s a beastie in the hold in airborne conspiracy horror

Low-budget chiller leans heavily on tinfoil-hat paranoia to build its reasonably effective suspense

The Last Assassins review – shades of Blade Runner in dystopian thriller shrouded in silty-green murk

Athena Park flees futuristic marauders in a post-apocalyptic tale that looks handsome but very familiar

Fragments of Ice review – fascinating chronicle of Soviet collapse through the lens of a Ukrainian ice skater

Film-maker Maria Stoianova mines her father’s video diaries from the 1980s and 90s to document the decline of communism – and his obsession with western shopping malls

Brassed Off review – stirring tale of coal and cornets moves Yorkshire audience to tears

In a cavernous venue seemingly designed for a colliery-based story, Amy Leach directs Paul Allen’s adaptation of the 1996 film

Glastonbury the Movie review – thirty years on, the sunset of a hippy dream in all its glory

Coinciding with a fallow year for the festival, these scenes filmed in 1993 record a youth culture innocent of camera phones and low on corporate hype

Strung review – far-fetched thriller awkwardly mixes Blumhouse and Tyler Perry

There are flashes of low-rent fun to be had here but a busy script makes it feel like a limited series inelegantly cut down to movie length

The Mission review – a surgeon saves lives in war-torn Gaza in a visceral portrait of human endurance

Mohammad Tahir and his colleagues operate through bombing and blackouts in barely functional hospitals – but there are moments of relief amid the documentary’s tragedy and gore

Pride review – solidarity between gay activists and miners in a magnificent musical

The director and writer of the hit 2014 film deliver a stage celebration of togetherness in the face of adversity

Little Brother review – Netflix comedy is neither weird or funny enough for star Eric André

The surreal comedian struggles to sell a middling and mostly conventional film about an uptight realtor whose life is upturned by an unpredictable figure from his past

Jackass: Best and Last review – kings of gross-out comedy’s final, funny farewell

So-called final outing for Johnny Knoxville and his daring, stunt-hungry pals might be close to a greatest hits reel, but there are enough laughs to warrant the nostalgia

A Better Tomorrow review – firefights aplenty and unapologetic melodrama in John Woo’s blood-drizzled crime classic

Spectacular shootouts and even broad comedy are packed into this Woo’s fierce 1986 thriller of vengeance and loyalty