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Mad Rush review – an intricate phone scam isn’t quite enough to drive this very Melbourne movie

In Hollywood’s hands this would be a pulse-pounding thriller, but Maddelin McKenna’s lithe feature debut is all about street-level authenticity

James: Getting Away With It review – hippies, hardnuts and dreamers unite

Auto-hagiography it may be – most of the interviewees were in the band at some point – but this portrait of the seminal Manchester indie group is charming stuff

The End of Tom Six review – Human Centipede director delivers one last freaky flick

Now living with multiple sclerosis, Six rants about the masturbation film distributors won’t touch and the money mystery behind his horror hit

Hellcat review – woman imprisoned in camper van in nasty survival horror

A woman wakes up in a trailer as it speeds along in this effective and icky thriller, though you do end up wondering when you (and she) will ever get out

The Wrong Girls review – Kristen Stewart fumbles through forgettable stoner comedy

First time director Dylan Meyer’s female twist on the genre is let down by silly stereotypes and jokes that land with a thud

Don’t Say Good Luck review – high-school musical weepie puts Sunny Sandler in the spotlight

A mother’s illness threatens to overshadow a stagestruck teen’s big break in a school production

The End of Oak Street review – suburban dino-survival romp is more turkey than T-rex

The director of It Follows returns after the terrible Under the Silver Lake with a sub-Spielberg pastiche of big-lizard horror and domestic unrest

Steal This Story, Please! review – Amy Goodman, stalwart of the American left, shows her teeth

This comprehensive documentary about the Democracy Now! radio show host and seasoned investigative reporter takes in a massacre in East Timor, the actions of oil giants and a flustered Bill Clinton as it reflects her vital work

Chum review – daft shark attack movie with wedding guests running gamut of toothy undersea beast

Producer-star Alice Eve seems to be laughing along with the audience in this deeply silly high-concept thriller

Songs of Forgotten Trees review – sensitive, ambiguous drama of female intimacy in Mumbai

A sex worker and a call centre employee forge an ambiguous relationship in a film of strong feelings

Never Had a Chance review – a slice of gritty British Asian life with a side of drug dealing and addiction

Two likely lads in their 20s deal with problematic lives that dramatically intersect in this persuasive London drama

Momo and the Time Thieves review – kids’ fantasy jaunt sticks the boot into capitalism

This new adaptation of Michael Ende’s 1973 fantasy novel contains some neat parables for our digitally nihilistic age, but even a mystical tortoise can’t save it it from monotony

Nimrods review – Green Day’s early years inspire teenage kicks in amiable punk road movie

San Francisco’s pop-punk pioneers Green Day loom large in this fun, puppyish film about a scrappy band desperate to meet their idols

The Pout-Pout Fish review – Nick Offerman is best thing in kids cartoon adventure on the high seas

Offerman leads a talented cast, but this preschool picture book spinoff fails to inspire

This Is Ballroom review – pulsating documentary tells story of Brazilian ballroom

Paris is Burning gets a South American update in a film that shows the Brazilian scene as a space of solidarity and tension

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  • Seam me up, Scotty! After 60 years, Star Trek has had a muppet takeover. About time too
  • Penny Lane Is Dead review – Aussie slasher comedy zips from Neighbours to nasty
  • Zip Wire review – cancer-curing scientist is on the hook for cable-dangle thriller
  • Guardian-produced Gaza documentary from Oscar-winning Israeli directors of No Other Land to screen at Venice film festival
  • Post your questions for Alex Winter
  • The Visitor review – existential Lithuania-set homecoming drama leaves everything in limbo
  • Marching in the Dark review – rural Indian widows show stunning resilience as they battle poverty and taboos
  • ‘A bit like meditation’: why Saw is my feelgood movie
  • Disciples review – fresh-faced boys are sucked into a nightmare of extremism in India
  • On Different Grounds review – Cupid’s-conspiracy romcom brings Nollywood and Bollywood together
  • Mark Ruffalo fires back at Paramount Skydance after it accuses him of using ‘antisemitic tropes’
  • Aardman’​s Peter Lord and David Sproxton: ‘At the Oscars, I went to the gents and had a pee with Jack Nicholson!’
  • Drive-in cinemas are rare these days. But the last one in Melbourne’s north still draws a faithful crowd
  • Meghan Markle’s casting in The Gentlemen reportedly withdrawn after UK backlash
  • ‘Embryonic’: lost novel by French film-maker Éric Rohmer is republished
  • Stand By Me at 40: Rob Reiner’s seminal coming-of-age saga remains a bittersweet triumph
  • Dirty Dancer review – Swayze stan is like a whirlwind as she replays 80s favourite
  • ‘Digging the grave of my profession’: the Hollywood creatives training AI to do their jobs
  • From Teenage Sex and Death at Camp Miasma to Brandon Flowers: your complete entertainment guide to the week ahead
  • David Harbour has blown Tony Stark’s cover in Avengers: Doomsday. It might just be what Marvel needs
  • ‘We’re barely above porn’: why would a film-maker choose to make a deliberately bad ‘mockbuster’?
  • Meghan as the next Bond? Five roles that almost certainly don’t lie behind UK return
  • Who Killed Marilyn? review – dismal attempt to solve mystery of Monroe with Pixie Lott
  • The Odyssey becomes highest grossing R-rated film of all time
  • H Is for Hawk to Doctor Strange: the seven best films to watch on TV this week
  • Anthony Hopkins: Life Is a Dream album review – easy on the ear melodies written from the heart
  • ‘It is the riskiest film I’ve ever made’: Pedro Almodóvar on being the villain in his own movie
  • Spa Weekend review – female answer to The Hangover spreads the slush with the massage oil
  • Man arrested over Nord Stream bombing was consultant on film about it starring Sean Penn
  • French Girls review – scrappy Australian film made for $28,000 reveals refreshing new talents

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