Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership

The web giant announced that Artificial, a biopic about the controversial tech executive, ‘will be better served if it were released by a different studio’

Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media

California first lady’s Miss Representation: Rise Up studies the backlash against women in the era of algorithms and deepfakes

Toy Story 5 review – Pixar franchise needs new batteries

A sinister new tablet threatens the honest-to-goodness toys’ existence, but Buzz, Woody and Jessie’s big tech moral battle feels compromised

‘Why would you put a toxic product into the hands of a young child?’: director turned activist Beeban Kidron on why big tech needs its ‘tobacco moment’

In her work as an online safety campaigner, the baroness and Bridget Jones director has seen things she can never unsee – and she’s furious at the tech overlords doing nothing to stop the abuse

The Guardian view on the analogue resurgence: the shock of the old

Editorial: Long-abandoned formats such as cassettes and VHS tapes are finding new life as consumers seek a digital detox

‘This is honest art. Like Dostoevsky’: Tim Allen and Tom Hanks on Toy Story 5, tech peril and the joy of rusty nails

Pixar’s new film tells young viewers that technology has stolen their childhood and that parents need to wise up fast. Its stars answer your questions on the series’ radical new message

First trailer for Aaron Sorkin’s Facebook sequel The Social Reckoning

Oscar winner Mikey Madison and Jeremy Strong to star in film focused on fallout from whistleblower Frances Haugen

Martin Scorsese accused of ‘throwing artists under bus’ with AI storyboards

The director defends investment in and use of AI-generated storyboards, saying the immediacy of communicating his vision to cast and crew is ‘creatively freeing’

‘The CGI would have cost millions. I spent $2,000.’ Is Dreams of Violets AI slop – or the future of film-making?

It should have taken years, but Ash Koosha made a drama about Iran’s anti-government protests in weeks – and now it’s the first AI-made movie to screen at a major film festival. It could transform indie film-making, claims the director

To YouTube and beyond: how online gen Z directors stormed Hollywood

Record-breaking box office for Backrooms and Obsession has opened the door for twentysomething YouTube creators as the industry rethinks what audiences want

Ghost in the Machine review – entertaining AI polemic dives into its dark history in race politics and eugenics

The roots of AI in rightwing ideology is examined in Valerie Veatch’s enjoyable doc, including an array of colourful, often crazed, figures

Kane Parsons becomes youngest film-maker to open at No 1 in the US with Backrooms

Backrooms stunned industry observers by taking $81m in its first weekend, a record for studio A24

From Backrooms to Paul McCartney: your complete entertainment guide to the week ahead

A horror film takes on the internet craze for user-generated paranormal tales, and Macca returns with his most affecting songs in years

‘Like a billionaire on acid’: Star Wars director Gareth Edwards comes out in favour of AI

Speaking at Amazon’s AI on the Lot event, the Rogue One film-maker Gareth Edwards said ‘it’ll do anything you ask’ and ‘it’s going to be better than CGI’

Backrooms review – Kane Parsons’ icily disturbing horror rewrites the genre rulebook

Debut from 20-year-old director examines memory, reality and fear after Chiwetel Ejiofor accesses an infinite series of hidden rooms that all feel creepily askew