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An AI version of Milton’s Paradise Lost is fundamentally unworthy of one of the great works of art

Pulp Fiction co-writer Roger Avary wants to bring the epic poem to the big screen using the power of artificial intelligence. It can’t be any good

Is Jeff Bezos the real villain of The Devil Wears Prada 2?

The film’s villain is a conniving tech oligarch seeking to buy his way into fashion’s inner circle. Sound familiar?

Cannes AI film festival raises eyebrows – and questions about future

While emerging technology is banned from the Palme d’Or, an upstart movement is gaining investment and attention

‘In two years, nobody will care’ if actors are AI or not, predicts La Haine director

Mathieu Kassovitz, who is currently working on an AI-enabled film, also dismisses concerns over copyright

Why are respected film-makers suddenly embracing AI?

From Soderbergh to Aronofsky, esteemed Hollywood directors are starting to find ways to include artificial intelligence in the production of their films

Screenmaxxing: why Hollywood is supersizing the big screen experience

With Imax more popular than ever, a new way to watch movies – HDR by Barco – has been quietly rolling out but what difference does it really make?

First trailer released for western starring AI version of Val Kilmer

Footage of As Deep As the Grave screened in the US, featuring an authorised visual deepfake of the actor who died in 2025

Creator of AI actor Tilly Norwood says she received death threats over project

Eline van der Velden says she developed her ‘digital twin’ to provoke discussion but backlash from some has been worse than expected

Val Kilmer set to be be resurrected with AI for new film

As Deep As the Grave, the true story of 1920s archeologists, will bring late actor back with support from his estate

‘Like a DVD in the present tense’: are we ready for film distribution via USB drives?

As big tech continues to dominate the film industry, Video StoreAge is a uniquely crafted company that works with film-makers to sell independent films on USB drives

Breaking Social review – Rutger Bregman leads an irresistible rallying cry for global activism

Fredrik Gertten travels the world meeting activists who have had enough of corruption, kleptocracy and structural inequality – while Bregman’s nuggets of wisdom are a joy

Molly vs the Machines review – a powerful story of love, loss and the dangers of social media

Before she took her own life at 14, Molly Russell accessed thousands of harmful posts on Instagram and Pinterest. A new documentary recreates the inquest where her father was told the images were safe

Dust review – timely fictionalisation of a tech-bro dotcom bust that blighted rural Belgium

The drama about two startup innovators defeated by their egotistical overreach feels as if it presages these AI times

TikTok creator ByteDance vows to curb AI video tool after Disney threat

Videos created by new Seedance 2.0 generator go viral, including one of Tom Cruise and Brad Pitt fighting

‘It’s over for us’: release of new AI video generator Seedance 2.0 spooks Hollywood

An AI clip featuring Tom Cruise and Brad Pitt fighting has caused concern among industry figures

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← Older posts

  • Flogging a wooden horse: how faithful will Christopher Nolan’s Odyssey be?
  • Flogging a wooden horse: how faithful will Christopher Nolan’s Odyssey be?
  • Flogging a wooden horse: how faithful will Christopher Nolan’s Odyssey be?
  • Flogging a wooden horse: how faithful will Christopher Nolan’s Odyssey be?
  • ‘We laced Nicole into her corset and her rib broke again’: Moulin Rouge at 25 – an oral history by cast and crew
  • ‘We laced Nicole into her corset and her rib broke again’: Moulin Rouge at 25 – an oral history by cast and crew
  • Iron Maiden: Burning Ambition review – on-brand fan pleaser is a metal hymn of praise
  • Jimpa review – Olivia Colman and John Lithgow show up for indulgent queer family drama
  • Sydney film festival 2026: nine of the best movies and one free event
  • Best TV shows and movies streaming in Australia this month
  • The Parallax View: remember when Hollywood made potent political cinema?
  • Blake Lively and Justin Baldoni’s legal trainwreck has taught us this: never go to court. Ever
  • Sweary first trailer for young Anthony Bourdain biopic
  • Our Land review – right-to-roam campaigners offer bacchanalian antics and a heartfelt message
  • An AI version of Milton’s Paradise Lost is fundamentally unworthy of one of the great works of art
  • The Odyssey: new trailer for Christopher Nolan’s classical Greek epic released online
  • Is Jeff Bezos the real villain of The Devil Wears Prada 2?
  • Surrender review – Josh Duhamel hunts smirking serial killer in 90s throwback thriller
  • Preemptive Listening review – artist’s film about sirens is buzzing with sonic ideas
  • Blake Lively and Justin Baldoni settle lawsuit over acrimonious It Ends With Us production
  • Kokuho review – passionately male Cain-and-Abel kabuki epic of gender-crossing actors
  • The Devil Wears Prada 2: bitchy one-liners, devious double-crossing and Lady Gaga – discuss with spoilers
  • Self Driver review – cabbie who signs up for sinister app offers Travis Bickle take on the gig economy
  • ‘As reassuring as a warm hug’: why Donnie Darko is my feelgood movie
  • Breakwater review – troubled souls cross class and age barriers in nicely judged debut feature
  • Rise of the Conqueror review – Gladiator meets throat singing as Mongol hordes ride out
  • The Devil Wears Prada 2 struts to stunning $233m opening weekend at box office
  • When I was seven, Jack Nicholson vomited cherry juice on me – it certainly beat doing schoolwork
  • ‘Men are so frightened of being too cuddly or affectionate’: Danny Dyer on going from hardman to heart-throb in Rivals
  • The Devil Wears Prada is back – and oh, those fat jokes are wearing thin

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