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‘Meaningless as a laptop screensaver’: reviewers slate Musk’s AI-made Odyssey film

Tesla tycoon launched Grok project after criticising Christoper Nolan’s diverse casting for his Homeric blockbuster

Elon Musk’s AI Odyssey review – the dullest, most pointless riposte possible to Christopher Nolan’s brilliant epic

It is hardly a shock that Grok AI’s interpretation of Homer is as meaningless as a laptop screensaver. The only surprise would be if Musk accepted defeat graciously. Which he won’t

In You Can See Everything, it’s Elizabeth Holmes’s partner who makes for 2026’s timeliest villain

Nathan Fielder’s conversation-igniting film on the Theranos founder finds its darkest moments in her deceptive, Charlie Kirk-loving fiance Billy Evans

‘I’d consider replacing one of my children’: Taika Waititi on robot kids, his cheese-o-meter and Klara and the Sun

The director has turned Kazuo Ishiguro’s acclaimed novel about an ailing adolescent and her glitchy robot friend into a thought-provoking film. What do the pair think this story says about tech, love and grief?

‘I’m always being real’: what on earth persuades disgraced people like Elizabeth Holmes to let the cameras in?

With You Can See Everything, Holmes joins other such high-profile subjects as Lance Armstrong, Imelda Marcos and Anthony Weiner to allow film-makers to document their lives. But do they ever come out well?

Hollywood AI-listers: is the technology ready to rival flesh-and-blood film stars?

As a freaky Val Kilmer doppelganger stars in a new western and faux starlet Tilly Norwood is set for her feature debut, experts are split on whether mainstream adoption is a long way down the line – or just around the corner

‘You can’t make this stuff up’: why we remain fascinated by Elizabeth Holmes

The entrepreneur turned fraudster is the subject of an Oscar-tipped new documentary that takes an unusual look at her strange legacy

How to dress a tech oligarch: The Social Reckoning’s costume designer on Zuckerberg’s style evolution

Susan Lyall worked with actor Jeremy Strong to research the Meta CEO’s favorite Nikes and luxury sweaters

The Social Reckoning isn’t as angry or as potent as a Facebook drama should be

Aaron Sorkin’s attempt to return to the success of The Social Network is a strangely dated and incomplete look at a world that needs a sharper eye

Alex Gibney says Universal ‘wavered’ over releasing Elon Musk documentary

The revelation comes after the four-hour film’s Venice premiere drew a string of criticisms and insults from the founder of SpaceXAI

Digger on course for $245m loss after box office collapse

Estimates suggest the eco satire starring Tom Cruise could join the list of top turkeys, including Cutthroat Island and The Marvels

The new Darth Vader: how tech execs became the film villains of our age

Jeremy Strong’s portrayal of Mark Zuckerberg in The Social Reckoning shows how public opinion has changed around billionaire CEOs since The Social Network’s release

Molly Russell’s father to tell UK cinemagoers: ‘Instagram helped kill my daughter’

In ad to be shown before The Social Reckoning, Ian Russell will say ‘too little has changed’ since death of Molly, 14

The Social Reckoning review – Aaron Sorkin’s jittery sequel with all-new evil puppet Zuckerberg

Jeremy Strong’s slow-talking Facebook founder turns into a cameo, background to a thriller about a whistleblower that somehow never mentions Trump

Artificial review – Luca Guadagnino takes on OpenAI in muddled tech satire

The origin story of Sam Altman’s company is reimagined as a campy comedy starring Andrew Garfield

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← Older posts

  • Elke Sommer obituary
  • John Leeson obituary
  • The downfall of Russell Brand: from Big Brother and Hollywood to convicted rapist
  • Raise the Red Lantern review – Gong Li gives a decade-defining performance in an addictively ruthless masterpiece
  • I Play Rocky review – Anthony Ippolito adds knockout sweetness to the story of Stallone’s Hollywood triumph
  • Jimmy review – simple-minded James Stewart biopic is too straightforward
  • Think of England review – far-fetched tale of state-sponsored second world war porn turns deadly serious
  • Being Heumann review – stirring biopic of a pioneering disability rights campaigner
  • A Dog’s Perfect Christmas review: Netflix kicks off holiday movie season with a whimper
  • Tinto Brass, director of Caligula and maestro of Euro erotica, dies aged 93
  • ‘He lent me his RSC Oberon cape for my school play’: Patrick Stewart remembered by readers
  • Ramayana: Rise of a Legend review – India’s most expensive film ever becomes spectacular, huge-scale epic
  • Callum Turner emerges as James Bond favourite as Pierce Brosnan endorses actor: ‘He’s so strong’
  • Crawlers review – killer-spiders movie offers giant-arachnid action alongside anticapitalist commentary
  • Merry Christmas Aubrey Flint review – Dickensian festive Britpic decorated by selection box of familiar faces
  • Amazing Grace review – blazing Hannah Walters struggles to save a lonely caller at the end of his tether
  • Judi Dench says Daniel Craig ordered her death. James Bond just got a lot scarier
  • Peter Medak obituary
  • China’s first AI-generated film is a flop. Some still see it as the future of cinema
  • Best TV shows and movies streaming in Australia this month
  • Mum, I’m Alien Pregnant review – slime and silliness in amusing New Zealand comedy horror
  • Andrew Scott drama Elsinore leads British independent film award nominations
  • ‘His voice was too queer – so they silenced him’: how Spain’s national poet Lorca finally became a gay icon
  • Ghost Town review – the phantoms and lost souls haunting a Japanese city after the 2011 earthquake
  • Carrie at 50: Brian De Palma’s fiery masterpiece still has the power
  • Manipulation review – preposterous Da Vinci Code-esque thriller like being trapped in a Ferrero Rocher ad
  • New Group review – schoolkids build human pyramids in bizarre Japanese horror-satire on conformity
  • Dustin Hoffman says filming The Graduate was ‘a terrible experience’ due to Mike Nichols’ ‘sadism’
  • ‘Screams on the level of a Taylor Swift concert’: horny romp Wicker gets the 4DX treatment
  • One in a Million review – deeply moving film about displacement, freedom and the upheaval of starting again

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