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In an era of frictionless digital experiences, there’s something magical about obsolete technology

DVDs and CDs signalled the beginning of the end for physical media but now have pride of place among technologies that are forgotten but not quite gone

Iron Lung review – YouTuber Markiplier crash lands with big-screen sci-fi horror

Online gaming legend Mark Fischbach writes, directs and stars in this feature about a convict on a vague intergalactic mission – but his barebones production has nothing to show

Requiem for a film-maker: Darren Aronofsky’s AI revolutionary war series is a horror

The once-lauded director of Black Swan and The Wrestler has drowned himself in AI slop with an embarrassing new online series

‘This train isn’t going to stop’: shocking Sundance film shows promises and perils of AI

The AI Doc: Or How I Became an Apocaloptimist, co-directed by Daniel Roher, delves into the world of AI through the lens of personal anxiety

Mercy review – Chris Pratt takes on AI judge Rebecca Ferguson in ingenious sci-fi thriller

It is the year 2029 and an LA cop finds himself accused of murdering his wife. He has 90 minutes to clear his name before robo-justice sends him down

Cosmic Princess Kaguya! review – trippy anime adapted from Japanese folk dives into virtual reality popworld

Emojis explode all over the screen in this hyperactive adaptation of a Japanese folk tale about a princess who has run away from the moon

Matthew McConaughey trademarks ‘All right, all right, all right’ catchphrase in bid to beat AI fakes

The Oscar winner intends to combat misuse of the famous line from Dazed and Confused by creating ‘a clear perimeter around ownership’

Clickbait review – gripping drama about the human cost of moderating the internet

A social media content moderator becomes obsessed with a violent video in this restrained, unsettling workplace thriller starring Lili Reinhart

‘Move fast, break stuff’: how tech bros became Hollywood’s go-to baddie in 2025

From Stanley Tucci’s imperious tech titan to Lex Luthor’s distractingly hot CEO and Elon Musk-esque blowhards, films this year took us inside the billionaire mindset

UK actors vote to refuse to be digitally scanned in pushback against AI

Equity says vote signals strong opposition to AI use and readiness to disrupt productions unless protections are secured

Oscars to move over to YouTube starting in 2029

Exclusive global rights to the year’s biggest night in film will move to the video platform for a four-year period

Amanda Seyfried says she will not apologise for calling Charlie Kirk ‘hateful’ after his shooting

The Housemaid actor received backlash in September when she left a comment on Instagram after the rightwing activist was killed

Disney to invest $1bn in OpenAI, allowing characters in Sora video tool

Agreement comes amid anxiety in Hollywood over impact of AI on the industry, expression and rights of creators

James Cameron says AI actors are ‘horrifying to me’

Avatar director, known for his advocacy of new technology, told interviewer generative AI performance puts ‘all human experience into a blender’

‘Extra challenging during a difficult time’: Robert Redford’s daughter criticises AI tributes to the late actor

Amy Redford thanks fans for ‘love and support’ but takes issue with ‘AI versions of funerals, tributes and quotes from members of my family that are fabrications’

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  • Flogging a wooden horse: how faithful will Christopher Nolan’s Odyssey be?
  • ‘We laced Nicole into her corset and her rib broke again’: Moulin Rouge at 25 – an oral history by cast and crew
  • Iron Maiden: Burning Ambition review – on-brand fan pleaser is a metal hymn of praise
  • Jimpa review – Olivia Colman and John Lithgow show up for indulgent queer family drama
  • Sydney film festival 2026: nine of the best movies and one free event
  • Best TV shows and movies streaming in Australia this month
  • The Parallax View: remember when Hollywood made potent political cinema?
  • Blake Lively and Justin Baldoni’s legal trainwreck has taught us this: never go to court. Ever
  • Sweary first trailer for young Anthony Bourdain biopic
  • Our Land review – right-to-roam campaigners offer bacchanalian antics and a heartfelt message
  • An AI version of Milton’s Paradise Lost is fundamentally unworthy of one of the great works of art
  • The Odyssey: new trailer for Christopher Nolan’s classical Greek epic released online
  • Is Jeff Bezos the real villain of The Devil Wears Prada 2?
  • Surrender review – Josh Duhamel hunts smirking serial killer in 90s throwback thriller
  • Preemptive Listening review – artist’s film about sirens is buzzing with sonic ideas
  • Blake Lively and Justin Baldoni settle lawsuit over acrimonious It Ends With Us production
  • Kokuho review – passionately male Cain-and-Abel kabuki epic of gender-crossing actors
  • The Devil Wears Prada 2: bitchy one-liners, devious double-crossing and Lady Gaga – discuss with spoilers
  • Self Driver review – cabbie who signs up for sinister app offers Travis Bickle take on the gig economy
  • ‘As reassuring as a warm hug’: why Donnie Darko is my feelgood movie
  • Breakwater review – troubled souls cross class and age barriers in nicely judged debut feature
  • Rise of the Conqueror review – Gladiator meets throat singing as Mongol hordes ride out
  • The Devil Wears Prada 2 struts to stunning $233m opening weekend at box office
  • When I was seven, Jack Nicholson vomited cherry juice on me – it certainly beat doing schoolwork
  • ‘Men are so frightened of being too cuddly or affectionate’: Danny Dyer on going from hardman to heart-throb in Rivals
  • The Devil Wears Prada is back – and oh, those fat jokes are wearing thin
  • Momentum building for Scottish-style land access rights in England, says film
  • The Devil Wears Prada 2 to Lenny Henry: your complete entertainment guide to the week ahead
  • Gaga, Dior and $24 tweezers: how The Devil Wears Prada 2 turns rags to riches
  • Oscars changes allow for double acting nominations while banning AI

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