Backrooms review – Kane Parsons’ icily disturbing horror rewrites the genre rulebook
Debut from 20-year-old director examines memory, reality and fear after Chiwetel Ejiofor accesses an infinite series of hidden rooms that all feel creepily askew
‘We’re expanding the cinematic toolbox’: AI fault lines on show at Cannes
Darren Aronofsky among proponents of using technology, while Guillermo del Toro says he would ‘rather die’
Why is Elon Musk so threatened by the casting of The Odyssey?
The world’s richest man can’t stop posting about how Lupita Nyong’o was chosen to play an imaginary woman
The return of Westworld is perfect timing for the flattery-oriented age of AI
Now that real life has caught up with science fiction, the imminent danger isn’t malfunctioning cowboys, it’s the robots convincing us that we’re great and everything is totally fine
John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow
Cannes film festival: Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder
‘There are no rules’: spotlight on Gossip Goblin as AI film-making enters new era
Defying criticisms of ‘slop’ and ‘theft’, the growing culture of AI-powered creativity is attracting interest from Hollywood
LifeHack review – old-school heist movie updated for the meme age
Ronan Corrigan levels up a thoroughly beta-tested narrative in this efficiently executed hacker-turned-thief split-screen thriller
Chasing Utopia review – renegade Google exec Mo Gawdat searches for ethical AI in alarming insider warning
Delivering much information about the scale of what’s coming, documentary also follows Gawdat’s campaign to get the programs with empathy
Theatre streaming is not a threat to in-person attendance, new research shows
Report suggests that popular initiatives such as NT Live and NT at Home are making UK audiences more adventurous
White House calls Mark Hamill ‘sick’ for posting AI image of Trump in a grave
Star Wars actor later deleted post and apologized, saying president should live ‘long enough to be held accountable’
An AI version of Milton’s Paradise Lost is fundamentally unworthy of one of the great works of art
Pulp Fiction co-writer Roger Avary wants to bring the epic poem to the big screen using the power of artificial intelligence. It can’t be any good
Is Jeff Bezos the real villain of The Devil Wears Prada 2?
The film’s villain is a conniving tech oligarch seeking to buy his way into fashion’s inner circle. Sound familiar?
Cannes AI film festival raises eyebrows – and questions about future
While emerging technology is banned from the Palme d’Or, an upstart movement is gaining investment and attention
‘In two years, nobody will care’ if actors are AI or not, predicts La Haine director
Mathieu Kassovitz, who is currently working on an AI-enabled film, also dismisses concerns over copyright
Why are respected film-makers suddenly embracing AI?
From Soderbergh to Aronofsky, esteemed Hollywood directors are starting to find ways to include artificial intelligence in the production of their films