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Matthew McConaughey trademarks ‘All right, all right, all right’ catchphrase in bid to beat AI fakes

The Oscar winner intends to combat misuse of the famous line from Dazed and Confused by creating ‘a clear perimeter around ownership’

Clickbait review – gripping drama about the human cost of moderating the internet

A social media content moderator becomes obsessed with a violent video in this restrained, unsettling workplace thriller starring Lili Reinhart

‘Move fast, break stuff’: how tech bros became Hollywood’s go-to baddie in 2025

From Stanley Tucci’s imperious tech titan to Lex Luthor’s distractingly hot CEO and Elon Musk-esque blowhards, films this year took us inside the billionaire mindset

UK actors vote to refuse to be digitally scanned in pushback against AI

Equity says vote signals strong opposition to AI use and readiness to disrupt productions unless protections are secured

Oscars to move over to YouTube starting in 2029

Exclusive global rights to the year’s biggest night in film will move to the video platform for a four-year period

Amanda Seyfried says she will not apologise for calling Charlie Kirk ‘hateful’ after his shooting

The Housemaid actor received backlash in September when she left a comment on Instagram after the rightwing activist was killed

Disney to invest $1bn in OpenAI, allowing characters in Sora video tool

Agreement comes amid anxiety in Hollywood over impact of AI on the industry, expression and rights of creators

James Cameron says AI actors are ‘horrifying to me’

Avatar director, known for his advocacy of new technology, told interviewer generative AI performance puts ‘all human experience into a blender’

‘Extra challenging during a difficult time’: Robert Redford’s daughter criticises AI tributes to the late actor

Amy Redford thanks fans for ‘love and support’ but takes issue with ‘AI versions of funerals, tributes and quotes from members of my family that are fabrications’

Mind the glitch: is Hollywood finally getting to grips with movies about artificial intelligence?

As Gore Verbinski’s AI-apocalypse film Good Luck, Have Fun, Don’t Die hurtles towards us, it’s clear from the over-caffeinated trailer that we won’t be getting another ponderous parable about robot souls, digital enlightenment or the hubris of man

Rule Breakers review – rousingly feelgood real life story of Afghan girls’ robotics team

This story of emancipated young women escaping draconian social strictures brims with enthusiasm and features a cameo from Phoebe Waller-Bridge

Matthew McConaughey and Michael Caine sign voice deal with AI company

The voices of the Oscar-winning actors can now be used to create AI-generated versions in a new deal with ElevenLabs

AI models may be developing their own ‘survival drive’, researchers say

Like 2001: A Space Odyssey’s HAL 9000, some AIs seem to resist being turned off and will even sabotage shutdown

‘Have we done ourselves out of a job?’: concerns in film and TV industry over on-set body scanning

Actors unclear on rights over their data and what it will be used for, as cast and crew alike fear for future of their roles

Equity threatens mass direct action over use of actors’ images in AI content

Union says growing numbers of its members have made complaints about infringements of copyright in AI material

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  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
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  • As Spielberg confirms whether ET was ‘slimy or dry’, we enter a new age of the celebrity interview
  • La Cabina/El Televisor review – horror and anxiety on the air and down the line in Franco’s Spain
  • ‘The masturbation scene wasn’t a big deal’: Théodore Pellerin on tackling his new film Nino’s challenges
  • Daveigh Chase, child star known for Lilo & Stitch and The Ring, dies aged 35
  • Teddie Beverley obituary
  • Killing Anna review – the amazing catfishing operation that flushed out Syria massacre perpetrator
  • Disclosure Day is great. But Spielberg overestimates our capacity for empathy
  • ‘Vegetarian Nigella’ and flirty hair flips: John Early and Kate Berlant take on diet culture in new influencer satire
  • Your Fault: London review – British-set remake of Spanish step-sibling romance lacks passion or fizz
  • Nino review – time is running out for young man faced with cancer in shrewd sperm sample portrait

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