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‘We’re expanding the cinematic toolbox’: AI fault lines on show at Cannes

Darren Aronofsky among proponents of using technology, while Guillermo del Toro says he would ‘rather die’

Why is Elon Musk so threatened by the casting of The Odyssey?

The world’s richest man can’t stop posting about how Lupita Nyong’o was chosen to play an imaginary woman

The return of Westworld is perfect timing for the flattery-oriented age of AI

Now that real life has caught up with science fiction, the imminent danger isn’t malfunctioning cowboys, it’s the robots convincing us that we’re great and everything is totally fine

John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow

Cannes film festival: Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder

‘There are no rules’: spotlight on Gossip Goblin as AI film-making enters new era

Defying criticisms of ‘slop’ and ‘theft’, the growing culture of AI-powered creativity is attracting interest from Hollywood

LifeHack review – old-school heist movie updated for the meme age

Ronan Corrigan levels up a thoroughly beta-tested narrative in this efficiently executed hacker-turned-thief split-screen thriller

Chasing Utopia review – renegade Google exec Mo Gawdat searches for ethical AI in alarming insider warning

Delivering much information about the scale of what’s coming, documentary also follows Gawdat’s campaign to get the programs with empathy

Theatre streaming is not a threat to in-person attendance, new research shows

Report suggests that popular initiatives such as NT Live and NT at Home are making UK audiences more adventurous

White House calls Mark Hamill ‘sick’ for posting AI image of Trump in a grave

Star Wars actor later deleted post and apologized, saying president should live ‘long enough to be held accountable’

An AI version of Milton’s Paradise Lost is fundamentally unworthy of one of the great works of art

Pulp Fiction co-writer Roger Avary wants to bring the epic poem to the big screen using the power of artificial intelligence. It can’t be any good

Is Jeff Bezos the real villain of The Devil Wears Prada 2?

The film’s villain is a conniving tech oligarch seeking to buy his way into fashion’s inner circle. Sound familiar?

Cannes AI film festival raises eyebrows – and questions about future

While emerging technology is banned from the Palme d’Or, an upstart movement is gaining investment and attention

‘In two years, nobody will care’ if actors are AI or not, predicts La Haine director

Mathieu Kassovitz, who is currently working on an AI-enabled film, also dismisses concerns over copyright

Why are respected film-makers suddenly embracing AI?

From Soderbergh to Aronofsky, esteemed Hollywood directors are starting to find ways to include artificial intelligence in the production of their films

Screenmaxxing: why Hollywood is supersizing the big screen experience

With Imax more popular than ever, a new way to watch movies – HDR by Barco – has been quietly rolling out but what difference does it really make?

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  • Sense and Sensibility review – Daisy Edgar-Jones leads sober-minded next-gen do-over of Austen romcom
  • ‘Being in Madness kept some of them out of jail’: how the baggy-trousered nutty boys made a guerrilla cinema classic
  • The Seasons review – Portuguese pastoral offers poetic excavation of myth and mapping
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  • Legend of the White Dragon review – Power Rangers alumni back for more in low-budget superhero retread
  • La Bola Negra wins Toronto film festival people’s choice award
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  • Hunk – or ‘unc’? What magazine covers of Michael B Jordan and Tom Cruise tell us about manhood
  • ‘It’s almost impossible not to feel inspired’: how the story of Terry Fox fired up Canada’s patriotic spirit again
  • John Wilson on his unlikely concrete movie: ‘There might be a kind of sickness in shooting things this way’
  • ‘He’s simply astonishing’: will Andrew Scott become the first out gay man to win the best actor Oscar?
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  • Letter to Brezhnev review – terrific return for Merseysiders’ romance with Russian sailors
  • The Guardian view on NAZA’s persecuted directors: journalism is not treason
  • ‘The man’s a psychopath when it comes to hedgerows’: Derek vs Derek, the unexpectedly heartwarming doc about farmers at war
  • Zack Snyder is angling to make another Batman movie. Stranger things have happened
  • Iranian actor Laleh Marzban faces severe threats after Venice film festival speech
  • Toy Story 5 to Hamlet: the seven best films to watch on TV this week
  • Pulp: What Do You Do for an Encore? review – Jarvis Cocker’s wit and warmth upstage the hits
  • Best of the Best review – college comedy formula gets a Bollywood makeover
  • ‘The damage was much worse than I had imagined’: the shocking inside story of Salman Rushdie’s survival
  • Queen at Sea review – crushingly sad dementia drama offers a startling portrait of intimacy
  • Watching NAZA was like peering through a window – and seeing the machinery of killing in Gaza
  • 50 Years of Punk review – rock’n’roll rebels fondly recall the filth and fury a half-century on

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