Philip French 

Our Day Will Come – review

Romain Gavras's drama about two redheaded men kicking against the pricks is implausible and ultimately pointless, writes Philip French
  
  

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Olivier Barthelemy in Romain Gavras's Our Day Will Come: 'all sensation without revelation'. Photograph: PR

A discontented schoolboy in run-down north-west France is given a lift by a deeply troubled shrink (Vincent Cassel), who persuades him that popular prejudice against redheads is what's responsible for their joint troubles. So they acquire a red Porsche and set off for Ireland, where carrot-tops are welcome, but their folie à deux escalates exponentially as they acquire a crossbow and a shotgun and they get no further than Calais. All sensation without revelation, the film has ambitions but they end up as hollow pretensions.

 

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