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Peter Bradshaw’s Baftas 2026 predictions – who’ll get the gongs, who’ll be the goners?

Will Paul Thomas Anderson’s ICE age conspiracy thriller sweep the board, or will Sinners and Hamnet share some glory? Our critic places his bets

Yellow Letters wins Golden Bear at Berlin film festival dominated by Gaza row

Wim Wenders says German director İlker Çatak’s Turkey-set warning against creeping authoritarianism gave jury ‘chills’

Damian Lewis: ‘Someone put flowers at my feet and I realised it was my stalker’

The actor on bloodcurdling stage experiences, back yard cricket and the best advice he’s ever received

Oscars bellwether, British awards or both? The identity dilemma facing the Baftas

Few UK nominations this year as industry tries to balance attracting global attention and celebrating homegrown projects

Frederick Wiseman obituary

Influential documentary film-maker whose work explored American institutions and French culture

The Guide #231: ​How the ​hunt for the ​next James Bond ​became the ​franchise’s ​best ​marketing ​tool

The race to crown a new 007 has become its own long‑running spectacle, turning the search for​ Bond into an event as big as the films themselves

From Good Luck, Have Fun, Don’t Die to Tracey Emin: your complete entertainment guide to the week ahead

Sam Rockwell stars in Gore Verbinski’s madcap sci-fi comedy, and the YBA Goat is back with a new exhibition at the Tate Modern

‘An incredible human being’: readers on their memories of Robert Duvall

Fans celebrate unmatched talent on screen, while those who met the actor in person remember his kindness

Psycho Killer review – delayed satanic serial slasher is devilishly dull

The writer of Seven commits the sin of boring us with this bland horror which should have stayed in development hell where it belongs

‘The trick is not being so annoying that people hate you’: is awards-show hosting the toughest gig out there?

From the dire Hathaway and Franco double act to the charming Fey and Poehler combo, the choice of MC is vital to a show’s success. With Alan Cumming set to helm the Baftas on Sunday, here’s what he needs to know

Digested week: Spa days for nerds and other coping mechanisms

Discovering Oxford’s Norrington Room, leaning into Pancake Day sainthood and dreaming of a house just for introverts

The Hunt for Gollum looks like a step too far for the endless Lord of the Rings franchise

As the film-makers behind the seemingly neverending river of Tolkien adaptations seek to wring every last drop of story from Middle-earth, it risks running the whole thing into the ground

In the age of the ‘rough sex defence’, Emerald Fennell’s treatment of Wuthering Heights’ Isabella Linton is grotesque

By portraying the young woman Heathcliff abuses as a sexily willing participant in her own degradation, Fennell’s adaptation betrays the book, and her audience

Post navigation

← Older posts

  • Peter Bradshaw’s Baftas 2026 predictions – who’ll get the gongs, who’ll be the goners?
  • Peter Bradshaw’s Baftas 2026 predictions – who’ll get the gongs, who’ll be the goners?
  • Peter Bradshaw’s Baftas 2026 predictions – who’ll get the gongs, who’ll be the goners?
  • Yellow Letters wins Golden Bear at Berlin film festival dominated by Gaza row
  • Damian Lewis: ‘Someone put flowers at my feet and I realised it was my stalker’
  • Oscars bellwether, British awards or both? The identity dilemma facing the Baftas
  • Frederick Wiseman obituary
  • The Guide #231: ​How the ​hunt for the ​next James Bond ​became the ​franchise’s ​best ​marketing ​tool
  • From Good Luck, Have Fun, Don’t Die to Tracey Emin: your complete entertainment guide to the week ahead
  • ‘An incredible human being’: readers on their memories of Robert Duvall
  • Psycho Killer review – delayed satanic serial slasher is devilishly dull
  • ‘The trick is not being so annoying that people hate you’: is awards-show hosting the toughest gig out there?
  • Digested week: Spa days for nerds and other coping mechanisms
  • The Hunt for Gollum looks like a step too far for the endless Lord of the Rings franchise
  • In the age of the ‘rough sex defence’, Emerald Fennell’s treatment of Wuthering Heights’ Isabella Linton is grotesque
  • Scrapper to Paul McCartney: Man on the Run – the seven best films to watch on TV this week
  • We Are All Strangers review – two weddings and a baby in marvellously addictive family drama
  • An Unknown Woman: how I discovered a hidden tragedy tied to Russia’s most famous painting
  • Cold Storage review – mutant-mildew plague horror comedy stuffs fun into the fungi
  • ‘He loved showing his bum. Loved it’: the subversive genius of Kenneth Williams
  • Man allegedly assaulted by Shia LaBeouf in New Orleans wants to see hate crime charges
  • Casey Wasserman was the consummate LA powerbroker. Now his links to Ghislaine Maxwell threaten his legacy
  • Musician and film-maker Flying Lotus: ‘The whole lo-fi beats thing has become like Starbucks music’
  • Robert Carlyle joins Line of Duty for series seven
  • Rose-tinted glasses: why I’m gunning for an Australian upset in the best actress Oscar race
  • ‘A love letter to Beirut’: Lana Daher on sifting 20,000 sources and 70 years of film to make Do You Love Me
  • Pigs, punchups and a foaming red carpet: 10 amazing Baftas moments – ranked
  • If I Had Legs I’d Kick You review – Rose Byrne is tremendous as therapist in meltdown in pitch-black horror-comedy
  • Lesley Walker obituary
  • Man on the Run review – archival delve into Paul McCartney’s post-Beatles era is a welcome revisit

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