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Why is the US so expensive? Everything comes in a ‘premium’ version, from doctors’ appointments to movies

Want a good view of the cinema screen? You’ll need to sign up to the VIP scheme. A quick chat with your doctor? An extra $50,000 will let you jump the queue, writes Arwa Mahdawi

Who’s Afraid of Virginia Woolf? at 60: Elizabeth Taylor still crackles with feral energy

Mike Nichols’ 1966 adaptation of Edward Albee’s septic drama helped cement the play in the zeitgeist – where it has remained for the past six decades

Abel leaves LA: self-deportation from Trump’s America – documentary

In a time of escalating ICE raids and the ache of uncertainty, 38-year-old Abel has made a radical decision: he’s leaving the United States. Not because he has to, but to escape his perpetual limbo and see the world

Surrender to It review – insufferable bunch of actors reconnect for hiking weekend of pain and comedy

There are echoes here of 1992’s Peter’s Friends, and given this thriller’s preposterous script and amateurish production it is likely to generate similar levels of disdain

The Peaky Blinders film is pandering to these populist times – I should know, the Nazi in it is my father

The film-makers would say they’re making drama, not history. But this is not the moment for yet another second world war film with a heroic myth, says author Francis Beckett

No Ordinary Heist review – Eddie Marsan stars in Belfast true-crime thriller about massive bank robbery

Marsan is an odd choice for the role of an uptight bank manager compelled to cooperate with robbers in this underpowered take on a real-life bank raid in 2004

Empire of Lies review – far-right conspiracist and YouTuber lock horns in Gloucestershire field

A reclusive man is visited by a woman who claims to be seeking the truth about his daughter’s murder in this taut but predictable thriller

Valerie Perrine, Superman and Lenny actor, dies aged 82

Perrine gained notoriety for a naked TV role and was acclaimed for her roles opposite Gene Hackman, Dustin Hoffman and Jeff Bridges

‘The most stunningly awful wonderful record’: how the Shaggs became rock’s most divisive band

Often completely out of tune and rarely in time, the group of sisters forced to play together by their father gained an army of fans from Frank Zappa to Kurt Cobain. A new documentary celebrates their cult status

The Mortuary Assistant review – game-inspired horror simulates morgue work with conviction

While embalming techniques are as lovingly crafted as in the original video game, there’s not enough light to balance out the darkness when things take a demonic turn

All and Nothing review – inspiring tale of the Chinese artist who cultivated a grassroots scene in Cumbria

In 1972, Li Yuan-chian set up the LYC Museum in a ramshackle farmhouse – and this inventive documentary provides a fitting, if sparse, tribute to his legacy

The Magic Faraway Tree review – spruced up Blyton with Foy and Garfield proves fruitful

Paddington 2 co-creator Simon Farnaby branches out with adaptation of children’s classic boasting lively performances and some sharp gags

The Last Blossom review – a yakuza faces his final reckoning in affecting anime

A talking balsam flower asks an elderley yakuza to weigh up a life of violence and kindness in Baku Kinoshita’s quietly contemplative tale

Post navigation

← Older posts

  • Why is the US so expensive? Everything comes in a ‘premium’ version, from doctors’ appointments to movies
  • Who’s Afraid of Virginia Woolf? at 60: Elizabeth Taylor still crackles with feral energy
  • Transforming the Beautiful Game: The Clyde Best Story review – fitting tribute to a barnstorming trailblazer
  • ‘We are a very resilient people’: in the face of Trump’s threats, Cuban cinema comes out fighting
  • Abel leaves LA: self-deportation from Trump’s America – documentary
  • Surrender to It review – insufferable bunch of actors reconnect for hiking weekend of pain and comedy
  • No Ordinary Heist review – Eddie Marsan stars in Belfast true-crime thriller about massive bank robbery
  • The Peaky Blinders film is pandering to these populist times – I should know, the Nazi in it is my father
  • Empire of Lies review – far-right conspiracist and YouTuber lock horns in Gloucestershire field
  • Valerie Perrine, Superman and Lenny actor, dies aged 82
  • ‘The most stunningly awful wonderful record’: how the Shaggs became rock’s most divisive band
  • The Mortuary Assistant review – game-inspired horror simulates morgue work with conviction
  • All and Nothing review – inspiring tale of the Chinese artist who cultivated a grassroots scene in Cumbria
  • The Magic Faraway Tree review – spruced up Blyton with Foy and Garfield proves fruitful
  • The Last Blossom review – a yakuza faces his final reckoning in affecting anime
  • ‘I’m a big bear. I lumber’: showbiz superstar Richard Kind on delivering performances you can see from space
  • Breaking the Cycle review – meet the charismatic Thai politician striving to change his country’s history
  • Barry Keoghan says online abuse means he ‘doesn’t want to go outside’ any more
  • Chuck Norris obituary
  • The Wordle guy’s latest move tells us a lot about modern-day ambition
  • From Goop to gavel: Gwyneth Paltrow’s wardrobe clearout heads to auction
  • From Project Hail Mary to Saturday Night Live UK: your complete entertainment guide to the week ahead
  • ‘The dream is to be a standup, but everyone who knows me says: Please don’t’ – Riz Ahmed on chaos, comedy, and defying categorisation
  • Chuck Norris was the ass-kicking king of 80s Friday night VHS fests
  • Philip Castle obituary
  • Post your questions for Halle Bailey
  • Urban Legend director Jamie Blanks dies aged 54
  • ‘He was a very dear friend’: Cary Elwes on life after The Princess Bride – and losing Rob Reiner
  • Chuck Norris, prolific action star and martial arts champion, dies aged 86
  • Too many, bro? Broaching the subject of men’s lapel messaging at the Oscars

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