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Sunset Boulevard: The Backstage Cut review – does Norma Desmond really need another closeup?

Aside from a brief pre-shoot ‘discussion’, this take on Billy Wilder’s classic 1950 film has little to offer – despite some fine performances

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← Older posts

  • Ciao UFO review – Hong Kong tear-jerker is less ET than time-hopping chronicle of housing estate kids
  • Ciao UFO review – Hong Kong tear-jerker is less ET than time-hopping chronicle of housing estate kids
  • Ciao UFO review – Hong Kong tear-jerker is less ET than time-hopping chronicle of housing estate kids
  • Ciao UFO review – Hong Kong tear-jerker is less ET than time-hopping chronicle of housing estate kids
  • Sunset Boulevard: The Backstage Cut review – does Norma Desmond really need another closeup?
  • Sailm nan Daoine (Psalms of the People) review – one man’s quest to keep Gaelic psalm singing alive
  • Sailm nan Daoine (Psalms of the People) review – one man’s quest to keep Gaelic psalm singing alive
  • Sailm nan Daoine (Psalms of the People) review – one man’s quest to keep Gaelic psalm singing alive
  • Sailm nan Daoine (Psalms of the People) review – one man’s quest to keep Gaelic psalm singing alive
  • Cannes spotlight reverts to auteurs as Hollywood retreats from film festival
  • Cannes spotlight reverts to auteurs as Hollywood retreats from film festival
  • Cannes spotlight reverts to auteurs as Hollywood retreats from film festival
  • Cannes spotlight reverts to auteurs as Hollywood retreats from film festival
  • Cannes spotlight reverts to auteurs as Hollywood retreats from film festival
  • Cannes spotlight reverts to auteurs as Hollywood retreats from film festival
  • Cannes spotlight reverts to auteurs as Hollywood retreats from film festival
  • Cannes spotlight reverts to auteurs as Hollywood retreats from film festival
  • Cannes spotlight reverts to auteurs as Hollywood retreats from film festival
  • ‘It’s our kinship’: can Australia learn to coexist with dingoes?
  • Miami sheriff’s deputies sue Ben Affleck and Matt Damon over The Rip movie
  • Michael Pennington obituary
  • Theatre streaming is not a threat to in-person attendance, new research shows
  • Michael Pennington, Shakespeare and Star Wars actor, dies aged 82
  • ‘Using his Terminator voice, Arnie said: “Your song. Give it to me. Now”’: George Thorogood on Bad to the Bone
  • The Mysterious Gaze of the Flamingo review – haunting queer fable burns with love and menace
  • ‘Bad people’: Alan Cumming criticises Bafta after N-word outburst
  • ‘I told him, “Go ahead, do it”’: Juliette Binoche on how a strangling attack as a teen inspired her directorial debut
  • ‘Treats its audience like adults’: why Moneyball is my feelgood movie
  • Queer as Punk review – joyous portrait of Malaysian LGBTQ+ rebels making noise
  • ‘Amazon of America’: film paints vision of a post-coup Brazil giving up rainforest

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