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How Michael Jackson’s tarnished image is being cannily rehabilitated

A new biopic has contributed to an atmosphere that casts the late singer as a profoundly damaged figure who is more victim than victimiser

Killer Whale review – watery peril horror turns captive orca into angry BFF-threatener

When two BBFs on vacay decide to break into a water park with a dishy guy, there are a limited number of jump scares waiting for them

Rush hour on Air Force one as Melania director Brett Ratner joins Trump China trip

Filmmaker who was long on the outer in Hollywood over #MeToo allegations will scout locations for Rush Hour 4, according to spokeswoman

Cannes is a beautiful, gruelling circus. I wouldn’t quit it for anything

The festival is a celebration of cinema and a frantic trade show all at once. After 25 years, I can’t help but go back, says critic Agnès Poirier

The Electric Kiss review – belle époque seance comedy struggles to summon real magic

Pierre Salvadori’s whimsical period farce about a fake medium and a grief-stricken painter has charm and elegance, but its romantic fantasy never quite ignites

Film industry cannot fight rise of artificial intelligence, says Demi Moore

US actor urges her peers to work with the technology, but stresses it can never replace ‘true art’ created by humans

French film industry at risk from the far right, say actors and directors

Juliette Binoche joins 600 leading figures to warn against a ‘fascist takeover of the collective imagination’

Tomorrow, When the War Began: a film made in a lab for 2010s Australian teens

It has heart-throbs and a classic soundtrack, but the true resonance of this John Marsden adaptation is its portrayal of growing up in a world rapidly destroyed before your eyes

Matching Gary Oldman’s Krapp with a teenager’s take on Godot is a masterstroke

The Royal Court is presenting the Slow Horses star’s version of one Beckett masterpiece alongside 19-year-old Leo Simpe-Asante’s riff on another. They combine beautifully

‘He’s inspired generations’: Stormzy to produce biopic about football great Ian Wright

The Crystal Palace, Arsenal and England striker says his life story – now in development with the rapper’s Merky Films – has ‘hard-hitting moments, but in the end I want it to give people hope and joy’

Chasing Utopia review – renegade Google exec Mo Gawdat searches for ethical AI in alarming insider warning

Delivering much information about the scale of what’s coming, documentary also follows Gawdat’s campaign to get the programs with empathy

Nobu review – story of obsession and loss that lies behind the luxury sushi empire

This affectionate portrait of chef Nobuyuki Matsuhisa finds surprising emotional depth beneath the glossy surface of the Nobu brand – with a cameo from Robert De Niro

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← Older posts

  • How Michael Jackson’s tarnished image is being cannily rehabilitated
  • ‘It screws with your mind’: Jennie Garth on 90210 fame in her 20s – and speeding up in her 50s
  • Normal review – Fargo meets The Firm in cheerfully weird Bob Odenkirk small-town thriller
  • Northern Soul: Still Burning review – thumping celebration of the legendary underground club scene
  • Killer Whale review – watery peril horror turns captive orca into angry BFF-threatener
  • Rush hour on Air Force one as Melania director Brett Ratner joins Trump China trip
  • Cannes is a beautiful, gruelling circus. I wouldn’t quit it for anything
  • The Electric Kiss review – belle époque seance comedy struggles to summon real magic
  • Film industry cannot fight rise of artificial intelligence, says Demi Moore
  • French film industry at risk from the far right, say actors and directors
  • Tomorrow, When the War Began: a film made in a lab for 2010s Australian teens
  • Matching Gary Oldman’s Krapp with a teenager’s take on Godot is a masterstroke
  • ‘He’s inspired generations’: Stormzy to produce biopic about football great Ian Wright
  • Chasing Utopia review – renegade Google exec Mo Gawdat searches for ethical AI in alarming insider warning
  • Nobu review – story of obsession and loss that lies behind the luxury sushi empire
  • Paying in sweat! How Debbie Allen went from stardom in Fame to conquer Hollywood
  • Ciao UFO review – Hong Kong tear-jerker is less ET than time-hopping chronicle of housing estate kids
  • Sunset Boulevard: The Backstage Cut review – does Norma Desmond really need another closeup?
  • Sailm nan Daoine (Psalms of the People) review – one man’s quest to keep Gaelic psalm singing alive
  • Cannes spotlight reverts to auteurs as Hollywood retreats from film festival
  • ‘It’s our kinship’: can Australia learn to coexist with dingoes?
  • Miami sheriff’s deputies sue Ben Affleck and Matt Damon over The Rip movie
  • Michael Pennington obituary
  • Theatre streaming is not a threat to in-person attendance, new research shows
  • Michael Pennington, Shakespeare and Star Wars actor, dies aged 82
  • ‘Using his Terminator voice, Arnie said: “Your song. Give it to me. Now”’: George Thorogood on Bad to the Bone
  • The Mysterious Gaze of the Flamingo review – haunting queer fable burns with love and menace
  • ‘Bad people’: Alan Cumming criticises Bafta after N-word outburst
  • ‘I told him, “Go ahead, do it”’: Juliette Binoche on how a strangling attack as a teen inspired her directorial debut
  • Killer on the Air review – radio call-in hostage thriller puts moral dilemma to tough-love show host

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