The Toymaker’s Key review – steampunk sci-fi animation is eclectic if overwrought

Produced by a very small team, this fantasy adventure story, though chaotic and derivative, hints at what future tech-savvy creators could produce beyond studio constraints

‘Loving our country sounds like an abused spouse saying they love their abuser’: Robert De Niro leads crowd in rallying cry against Trump

The actor starts chant after president said he doesn’t ‘think about Americans’ financial situation, not even a little bit’

The man who bought Diane Keaton’s nail clippers also owns Whoopi Goldberg’s teapot: ‘It will have her fingerprints on it’

Exclusive: The recent auction of the star’s belongings included designer outfits and her iconic bowler hats, but a box of assorted pins proved more tempting for one collector

Familiar Touch review – Kathleen Chalfant is wonderful in subtle, sensual memory loss drama

Director Sarah Friedland brings impressive attention to detail to an audacious debut feature about a woman moved into a retirement community

Disclosure Day: alien conspiracies, car chases and a jaw-dropping climax – discuss with spoilers

Steven Spielberg’s sci-fi blockbuster is a non-stop thrill ride, but did it convince you that we are not alone?

Angel’s Egg review – Mamoru Oshii’s dazzling 1985 anime is an eerie philosophical adventure

Christian theology becomes an unsettling and visually ravishing mystery in early film from the Ghost in the Shell director

Dry Leaf review – three-hour amble around the football pitches of Georgia in search of a daughter

Despite its interesting low-res look, Alexandre Koberidze’s mystifying film is needlessly contrived

‘More relevant now than ever’: how Virginia Woolf recaptured the cultural zeitgeist

With an adaptation of Night and Day hitting cinemas, the pioneering author’s work continues to inspire audiences

‘Distressingly beautiful and disorienting’: the Willem Dafoe film that only one person can see at a time

A porter escorted Nick Buckley to his seat in an empty theatre in Hobart. Loris Gréaud’s new movie, part of Dark Mofo festival, left him questioning everything