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Suppliers unable to chase fees after film producer’s 50 companies are struck off

Removal of Alan Latham’s firms means there is no longer an entity for creditors to make claims against

‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites

We’ve already listed our writers’ all-timers, now Guardian readers get their say on the seminal director’s best blockbusters

‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife

It took a long time for the actor to find her groove – then the smash TV spy thriller changed everything. She talks about getting advice from A-listers, speaking her mind, and why she’s switching to theatre

From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead

Pixar’s enduring animated favourites battle a rogue tablet, and Disney’s anxiety-inducing kitchen drama returns for a final series

The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema

Editorial: Over more than 50 years and 30 films, the composer-director duo have created some of the most memorable movie experiences of all time

45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages

Memories of an ex-girlfriend are rekindled as a couple prepare to celebrate in this adaptation of the hit film

How Refugee Week film festival brings migrants’ experience home

From one hostile environment to another, the documentaries and dramas ranging from Nigeria and Syria to British immigration give vivid life to an experience that can feel very remote

Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership

The web giant announced that Artificial, a biopic about the controversial tech executive, ‘will be better served if it were released by a different studio’

Bologna’s niche festival of forgotten films captures the streaming generation

Over 40 years, Italy’s Il Cinema Ritrovato – or ‘rediscovered cinema’ – has evolved into an influential international gathering

Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need

Andy Serkis has picked the perfect actor for the next iteration of the Lord of the Rings franchise. But if Tolkien didn’t linger over this subplot, should we?

Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media

California first lady’s Miss Representation: Rise Up studies the backlash against women in the era of algorithms and deepfakes

Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week

The stupendous fantasy epic is back, and Ryan Gosling finds himself stuck in space with a cute alien in a lovably jolly comedy

You can handle the truth! Why cinema suddenly loves conspiracy theories

From Disclosure Day to Backrooms, a new wave of films promote stories of paranoia, alienation and mistrust. What are they trying to tell us?

In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie

Julian Schnabel’s combustible mix of lowlife cynicism and high art – along with cameos from Martin Scorsese and Al Pacino – powers this outrageous black comedy revolving around Dante’s Divine Comedy

Voicemails for Isabelle review – Netflix romcom picks creepy over cute

Zoey Deutch and Nick Robinson stumble in this mushy, overlong story of a woman leaving voicemails for her dead sister

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← Older posts

  • Suppliers unable to chase fees after film producer’s 50 companies are struck off
  • ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • ‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces
  • Tell us your favourite film of 2026 so far
  • As Spielberg confirms whether ET was ‘slimy or dry’, we enter a new age of the celebrity interview
  • La Cabina/El Televisor review – horror and anxiety on the air and down the line in Franco’s Spain
  • ‘The masturbation scene wasn’t a big deal’: Théodore Pellerin on tackling his new film Nino’s challenges
  • Daveigh Chase, child star known for Lilo & Stitch and The Ring, dies aged 35
  • Teddie Beverley obituary
  • Killing Anna review – the amazing catfishing operation that flushed out Syria massacre perpetrator
  • Disclosure Day is great. But Spielberg overestimates our capacity for empathy
  • ‘Vegetarian Nigella’ and flirty hair flips: John Early and Kate Berlant take on diet culture in new influencer satire
  • Your Fault: London review – British-set remake of Spanish step-sibling romance lacks passion or fizz

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