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‘He annotated my letter from Spielberg’: readers pay tribute to Sam Neill

From teeing up a marriage to inspiring a career and giving 144 bottles of wine to his birthday band, the star’s admirers share their fondest memories

A voyage of discovery: an idiot’s guide to reading The Odyssey

Christopher Nolan’s film adaptation of the ancient Greek epic has sparked a new appetite for an old classic. Here are the translations, podcasts and audiobooks that make the Homeric world more approachable

‘The minute I had success, I stopped taking drugs’: John Waters on 60 years of screen carnage

As Hairspray and his ‘angriest movie’ Desperate Living are rereleased, the ‘Pope of Trash’ reflects on dead dogs, dirty rats, ‘that lunatic RFK’ and why there are no novelty dances any more

Sam Neill’s cause of death revealed to be pneumonia

Neill’s longtime representative says the actor’s family agreed to release the information due to ‘inaccuracies and outright falsehoods’ in media

The Odyssey review – Nolan goes god-tier with breathtaking epic of men, monsters and moral metamorphosis

Doing full justice to the Homeric legend, Christopher Nolan amasses an epic cast to convey the true cost of war with film-making of thrilling ambition

George Lucas likens AI sceptics to luddites clinging to horses and carts

Star Wars director calls AI technology ‘the future’ of film-making and says ‘there’s nothing you can do about it’

A Close Shave/A Matter of Loaf and Death review – Wallace and Gromit knit together a cracking double bill

These two half-hour classics of stop-motion pack in nods to more earnest cinema but are never distracted from producing pristinely beguiling family entertainment

Ali G is back. I really wish he wasn’t

Back in the day, he was funny. But that day was 24 years ago – and the character sits uncomfortably in a post-shame world, writes Arwa Mahdawi

Animal Farm review – Andy Serkis’ Orwell adaptation slaughters the classic farmyard satire with sugar

The passionate allegory on Stalinism is outrageously reduced to happy-ending panto in this defanged animation featuring the voices of Seth Rogen, Laverne Cox and Glenn Close

The Day She Returns review – another Hong Sang-soo round of slow, reflective boozing really hits the spot

No film-maker shows more day-drinking than Hong, and this study of an actor returning from a career break is the same again – as mysteriously addictive as ever

Confessions of a Shopaholic: a charming Isla Fisher romcom worth taking to the checkout

The PJ Hogan-directed film may not have the polish of The Devil Wears Prada but it has new relevance in the buy now, pay later era

‘It wasn’t a dream, it was a threat’: the film festival celebrating pan-Africanism’s rich and complex history

Project a Black Planet: Film, a new season of screenings at the Barbican in London exemplifies how the movement was an act of solidarity, resistance and fierce creativity

Jane Campion remembers Sam Neill: ‘He was radiating peace, beaming love’

The Piano director shares her memories of the actor on set – and the last time she saw him in hospital

Synthetic Sincerity review – Marc Isaacs’ AI interrogation grapples with identity and existence

A combination of fact and fiction leaves the celebrated documentarian’s puzzling project about software training wanting for depth

They Fight review – boxing drama is an emotional gutpunch

Anchored by an indelible André Holland performance, the film finds tenderness and warmth amid its gritty Washington DC backdrop

Post navigation

← Older posts

  • ‘He annotated my letter from Spielberg’: readers pay tribute to Sam Neill
  • A voyage of discovery: an idiot’s guide to reading The Odyssey
  • ‘The minute I had success, I stopped taking drugs’: John Waters on 60 years of screen carnage
  • Sam Neill’s cause of death revealed to be pneumonia
  • The Odyssey review – Nolan goes god-tier with breathtaking epic of men, monsters and moral metamorphosis
  • George Lucas likens AI sceptics to luddites clinging to horses and carts
  • A Close Shave/A Matter of Loaf and Death review – Wallace and Gromit knit together a cracking double bill
  • Ali G is back. I really wish he wasn’t
  • Animal Farm review – Andy Serkis’ Orwell adaptation slaughters the classic farmyard satire with sugar
  • The Day She Returns review – another Hong Sang-soo round of slow, reflective boozing really hits the spot
  • Confessions of a Shopaholic: a charming Isla Fisher romcom worth taking to the checkout
  • ‘It wasn’t a dream, it was a threat’: the film festival celebrating pan-Africanism’s rich and complex history
  • Jane Campion remembers Sam Neill: ‘He was radiating peace, beaming love’
  • Synthetic Sincerity review – Marc Isaacs’ AI interrogation grapples with identity and existence
  • They Fight review – boxing drama is an emotional gutpunch
  • Deep Water review – plane-crash survivors play existential roulette with bitey fish
  • The Last First Time review – queer coming-of-age drama gives itself up to pleasure
  • ‘Just a local’: rural New Zealand fondly remembers Sam Neill, its everyday star
  • Sam Neill’s final films tell us a lot about who he was as an actor – and why we’ll miss him
  • Christopher Nolan fans are embarking on epic journeys to see The Odyssey the way he wants them to
  • I interviewed Sam Neill in 2024. He was even more charming than I’d expected
  • Tom Cruise unveils remarkable transformation in Digger trailer: ‘I’ve never had something that could challenge me in this way’
  • Sam Neill was a warm, wry and unselfish star who twinkled so others could shine
  • Ladies First has been panned. It’s still an essential watch
  • Sam Neill’s final interview: ‘I’d like to think that, in life, I’m a goodie’
  • ‘A true gentleman’: actors, directors and leaders pay tribute to Sam Neill
  • Bad Reputation review – powerful look at sex workers’ fight for dignity on the Uruguayan streets
  • ‘You want to reach out and touch everything’: why Labyrinth is my feelgood movie
  • Sam Neill obituary
  • Share your tributes and memories of Sam Neill

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