BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts

Move over, Odysseus: time for the women of ancient Greece to have their moment in the sun

The hottest ticket in theatreland will soon be Cate Blanchett in Electra/Persona. Caged female rage continues to capture audiences, says writer Natalie Haynes

Mission review – dangerous quest to mend a broken childhood

George MacKay plays a troubled restaurant worker embarking on bleak inner and outer journeys reflecting the pressures on young men

Borges and Me review – a sweetly imagined literary odyssey through the Highlands

Luis Gnecco brings warmth, wit and quiet melancholy to Jorge Luis Borges in this gently enchanting adaptation of Jay Parini’s semi-fictional memoir

Snapshot review – fun found-footage scarer follows amateur Ripper hunters in the 1880s

A women’s spiritualist investigation team go after the serial killer, braving evil forces conjured into being by fear, misogyny and political rage

From Tony to Jungle: your complete entertainment guide to the week ahead

Dominic Sessa plays Anthony Bourdain in a fun biopic, and the ever-danceable UK funksters are back with a sun-dappled new album

The Greatest Showman musical to come alive on the West End stage in 2027

Disney production ran in Bristol earlier this year and its stars Oliver Tompsett and Samantha Barks will resume their roles at Theatre Royal Drury Lane

The Guardian view on booming poetry sales: Homer, meet the Instapoets

Editorial: In an unexpected twist, a Hollywood epic has contributed to Britain’s best-ever half-year in poetry sales

Out There review – saucer-eyed teen searches for aliens in YA comedy drama

Wales, 1999: Maz is convinced her dead father was abducted by extraterrestrials in Simon Ryninks’s likable film, with a funny turn from Michael Sheen as a new age type

These Violent Delights review – Scottish Ballet’s feverish Romeo and Juliet is bold and unsettling

A taut, dreamlike reimagining of Shakespeare’s tragedy strips away romance in favour of dread, creating an engrossing and fiercely physical dance film

Mad Rush review – an intricate phone scam isn’t quite enough to drive this very Melbourne movie

In Hollywood’s hands this would be a pulse-pounding thriller, but Maddelin McKenna’s lithe feature debut is all about street-level authenticity

‘I felt so inspired’: Guardian readers on trying Homer’s epics after seeing The Odyssey

Readers describe how Christopher Nolan’s blockbuster has ignited or reawakened their interest in classical texts

Post navigation

← Older posts

  • Joy in Hollywood as historic Cinerama dome to reopen: ‘People still want to go to the movies’
  • Joy in Hollywood as historic Cinerama dome to reopen: ‘People still want to go to the movies’
  • Move over, Odysseus: time for the women of ancient Greece to have their moment in the sun
  • Mission review – dangerous quest to mend a broken childhood
  • Borges and Me review – a sweetly imagined literary odyssey through the Highlands
  • Snapshot review – fun found-footage scarer follows amateur Ripper hunters in the 1880s
  • From Tony to Jungle: your complete entertainment guide to the week ahead
  • The Greatest Showman musical to come alive on the West End stage in 2027
  • Cheryl Hall obituary
  • Cheryl Hall obituary
  • The Guardian view on booming poetry sales: Homer, meet the Instapoets
  • Out There review – saucer-eyed teen searches for aliens in YA comedy drama
  • These Violent Delights review – Scottish Ballet’s feverish Romeo and Juliet is bold and unsettling
  • Mad Rush review – an intricate phone scam isn’t quite enough to drive this very Melbourne movie
  • ‘I felt so inspired’: Guardian readers on trying Homer’s epics after seeing The Odyssey
  • How the mob took Hollywood: the story of organized crime and the movies
  • The Beast to Novak Djokovic: The Wolf in Winter: the seven best films to watch on TV this week
  • Something Wile E this way comes: how the Looney Toons reboot movie came back from the dead
  • Post your questions for Robert Carlyle
  • Nicole Kidman opens up about divorce from Keith Urban – and ‘throwing my career away’ for Tom Cruise
  • Brian Robinson obituary
  • Borges, ballet and BDSM: 10 must-see movies at Edinburgh international film festival
  • Edinburgh international film festival showcases a Scottish industry in rude health
  • ‘It was fun to get pushed around’: Andrew Rannells on ‘razzle dazzle’, kissing co-stars and being a better friend to Lena Dunham
  • Imelda Staunton: ‘Umbridge’s giggle needed to be short and sharp. So I just did a boom, boom’
  • James: Getting Away With It review – hippies, hardnuts and dreamers unite
  • Hollywood encore: how ‘pro-shot’ Broadway shows became a major draw on the big screen
  • The End of Tom Six review – Human Centipede director delivers one last freaky flick
  • Hellcat review – woman imprisoned in camper van in nasty survival horror
  • With Hollywood struggling in China, can the Odyssey draw a crowd?

Contact www.brillfilms.com   Terms of Use