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The Life and Deaths of Wilson Shedd review – Amanda Seyfried compels in wrenching prison drama

Tim Blake Nelson writes and directs a challenging, and unsettling, look at empathy and forgiveness that strikes a haunting note

Love of Your Life review – Margaret Qualley eats, grieves and loves in Amazon’s transporting saga

The actor gives one of her best performances to date in a smoothly made globe-trotting drama of a woman’s life after the loss of her husband

Onwards and Sideways review – Rhys Ifans and Laura Linney lift solid Parkinson’s drama

Toronto film festival: Shakespeare in Love director John Madden’s feelgood – and bad – comedy-drama is powered by excellent performances and authenticity

Israeli minister threatens to strip Israeli film-makers of citizenship over Gaza documentary NAZA

Miki Zohar accuses Oscar-winning directors Yuval Abraham and Rachel Szor of ‘treason against the state’

Babies review – Anna Kendrick and Seth Rogen embrace childlessness in breezy comedy

To be a parent or not to be a parent is the question propelling this often insightful yet largely run-of-the-mill riff on a Judd Apatow movie

I Play Rocky review – crowd-pleasing Stallone biopic is heavy on fan service, light on real emotion

There’s a knockout central performance from Anthony Ippolito in this otherwise rather lightweight making-of comedy drama

Closing Night review – fiery women face off in Almodóvar-lite melodrama

Sarah Paulson, Naomi Watts and Dianne Wiest are all impressive in actor-turned-director Cody Fern’s debut but they’re left stranded

Trash Mountain review – Caleb Hearon’s coming home indie is a funny if familiar journey

A city-dwelling gay guy has to go home to rural Missouri after his father dies in this Sundance-by-numbers comedy drama that has its moments

Shaun the Sheep: The Beast of Mossy Bottom review – Aardman’s spooky-season caper sparkles with fun

There’s trouble afoot when Shaun’s pumpkin-supersizing serum ends up in a balding farmer’s hair growth bottle in this third cinematic adventure

Your Mother Your Mother Your Mother review – Mahershala Ali is a grieving hitman in soulful thriller

The two-time Oscar-winner is an unusual killer in a compelling mix of pulpy action and family drama

Misty Green review – Chris Rock’s jumbled LA drama saved by fiery Rosalind Eleazar

There’s a stunning lead performance from the breakout British actor but the film surrounding her can’t quite match what she’s bringing

Woman Unknown wins Venice film festival as NAZA takes special jury prize

May el-Toukhy becomes eighth female director to take Golden Lion as Lee Chang-dong’s Possible Love and Guardian-produced exposé of Israel’s Gaza killings also awarded

Bold and bravura choices as Venice celebrates A Woman Unknown, Possible Love and NAZA

After facing heavy criticism over its lack of female directors, the film festival may have redeemed itself with its winners’ list

Film producer Jeremy Thomas was a cross between a kindly Cambridge don and the movie world’s cool uncle

The man behind The Last Emperor had the confidence of an old-fashioned studio boss along with the soul of a cineaste

Everybody Wants to F*ck Me review – Taron Egerton is hounded in sharp-toothed dating nightmare

It’s Get Out meets the viral Shitty Media Men list in this hugely entertaining mix of dark comedy and stalker thriller with a brilliant alternating turn from Taron Egerton

Post navigation

← Older posts

  • The Life and Deaths of Wilson Shedd review – Amanda Seyfried compels in wrenching prison drama
  • Love of Your Life review – Margaret Qualley eats, grieves and loves in Amazon’s transporting saga
  • Onwards and Sideways review – Rhys Ifans and Laura Linney lift solid Parkinson’s drama
  • Israeli minister threatens to strip Israeli film-makers of citizenship over Gaza documentary NAZA
  • Babies review – Anna Kendrick and Seth Rogen embrace childlessness in breezy comedy
  • I Play Rocky review – crowd-pleasing Stallone biopic is heavy on fan service, light on real emotion
  • Closing Night review – fiery women face off in Almodóvar-lite melodrama
  • Trash Mountain review – Caleb Hearon’s coming home indie is a funny if familiar journey
  • Shaun the Sheep: The Beast of Mossy Bottom review – Aardman’s spooky-season caper sparkles with fun
  • Your Mother Your Mother Your Mother review – Mahershala Ali is a grieving hitman in soulful thriller
  • Misty Green review – Chris Rock’s jumbled LA drama saved by fiery Rosalind Eleazar
  • Woman Unknown wins Venice film festival as NAZA takes special jury prize
  • Bold and bravura choices as Venice celebrates A Woman Unknown, Possible Love and NAZA
  • Film producer Jeremy Thomas was a cross between a kindly Cambridge don and the movie world’s cool uncle
  • Everybody Wants to F*ck Me review – Taron Egerton is hounded in sharp-toothed dating nightmare
  • Jeremy Thomas, British producer of The Last Emperor and Sexy Beast, dies aged 77
  • Girl Group review – Rebel Wilson’s dreadful music comedy is a spice-free wannabe
  • Extended reality takes visitors from the ruins of West Bank to 17th-century Amsterdam at Venice Immersive
  • The Guide #260: From Oasis to K-pop, music is going mad for the big-screen documentary
  • From Practical Magic 2 to Saturday Night Live UK: your complete entertainment guide to the week ahead
  • Faith review – intense performances power startling and unsettling tale of mysterious suitor
  • River review – so-so survival slasher offers more of the same and little else
  • The Guardian view on controlling AI: humanity cannot outsource its survival
  • The Guardian view on art heists: don’t believe the Hollywood hype
  • The Housewife review – Naomi Watts is a secret suburban Nazi in an overcooked melodrama
  • Gore, gimps and a potty-mouthed magpie: welcome to the Lisbon horror festival where nightmares are a dream
  • Drawn Together review – preposterous romance with all the erotic charge of leaf mulch
  • ‘Danny Boyle, please make another film about drugs’: Venice film festival’s feedback wall takes no prisoners
  • The History of Sound to In the Grey: the seven best films to watch on TV this week
  • ‘A fierce need to be independent’: Gerda Taro biopic pulls photographer out of lover Robert Capa’s shadow

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