William Kentridge’s cine-musical creation, made to accompany Shostakovich’s 10th Symphony, is a marvel of puppetry, dance and humour, exploring humanity, grief and idealism
For Halloween, Guardian writers have picked the most efficiently terrifying films outside of the horror genre from How to Have Sex to The Hunchback of Notre Dame
She plays a depressed fisherwoman. He plays a man made of wicker who is solely dedicated to her pleasure. How did the actors feel about this strange, emotional connection – and what did Colman draw from her own marriage?
From Jean-Luc Picard to Charles Xavier, the actor’s Shakespearean training – and that sonorous voice – made him a unique charismatic force in Hollywood
Belittled for his speech and looks, and so short of cash he had to sell his dog, Stallone managed to write and star in one of the greatest boxing movies ever. How does Anthony Ippolito feel about playing his hero?