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One in a Million review – deeply moving film about displacement, freedom and the upheaval of starting again

Following a Syrian mother and daughter over a decade, Itab Azzam and Jack MacInnes capture a family transformed

‘Sad lost souls’: Taika Waititi lambasts critics after Klara and the Sun box-office disaster

The Jojo Rabbit director blamed the dismal numbers for his film of Kazuo Ishiguro’s novel on ‘obsolete’ reviewers’ notices, adding that he works ‘for the people’ – whose Rotten Tomatoes ratings are much higher

‘It still preys on my mind’: readers on their scariest non-horror movies

After Guardian writers picked their choices for Halloween, readers have responded with films that send chills down their spines – from Never Let Me Go to The Truman Show

Blockhead review – struggling novelist embraces his inner monster in comic thriller of literary machismo

Writer-director Matt Harlock looks into ego and insecurity in a smart film about a BritLit bad boy who goes down a grisly road

‘Funny and self-aware’: why (500) Days of Summer is my feelgood movie

The latest in our ongoing series of writers detailing their most rewatched comfort films carries special romantic meaning

Dead Howling review – werewolf hunts zombies in tough-love apocalypse horror

Every bog-standard cliche is employed – and fails – in this moribund Aussie thiller, which entirely lacks both bite and bark

‘We both know how we feel about death and dying’: Rhys Ifans and Laura Linney on their brutally honest Parkinson’s drama

Written by Vicar of Dibley co-creator Paul Mayhew-Archer, who has the disease, Onwards and Sideways sees the actors play a couple who bond over their diagnoses – a devastating subject but laced with humour too, they say

I Died review – moving portrait of Tzotzil women confronting patriarchal violence in the Mexican highlands

Ana Ts’uyeb’s poetic film celebrates the resilience of Indigenous women while exploring the possibility of a different future

Readers reply: with governments asking us to stockpile, can we learn anything from disaster films?

The long-running series in which readers answer other readers’ questions on subjects ranging from trivial flights of fancy to profound scientific and philosophical concepts

Romeo + Juliet at 30: how Baz Luhrmann made teens fall in love with Shakespeare

The maximalist, heart over head adaptation of the romantic tragedy made stars of its leads and became an English teacher’s most trusted weapon for Bard-averse students

Dafne Keen and Harriet Walter on working with Patrick Stewart: ‘I’ve never seen anyone so ecstatic’

The late actor’s co-stars in Logan and Anthony and Cleopatra remember dog impressions, marching band-conducting and a fervent belief in fun

I’m sick of smug celebrities on the podcast circuit. No wonder there’s a fuss when someone speaks the truth

It was so refreshing to hear Aaron Sorkin admit he was bad at parts of directing after his movie flop. If only others could be as frank, says writer Imogen West-Knights

The best theatre to stream this month: the Gisèle Pelicot trial becomes an all-star play that ‘just floors you’

An unmissable documentary play, Tom Stoppard’s Arcadia with luminous Isis Hainsworth and ecstatic dance in a Norwegian museum are among November’s highlights

‘We freed Patrick Stewart!’ Star Trek’s Marina Sirtis on breaking in her beloved but very serious co-star

She was scared of him but soon loosened the Shakespearean up – then watched him give Star Trek depth, even insisting scenes be rewritten for her. Captain Picard’s right-hand woman salutes her fabulous friend

‘Never big enough’: inside the booming penis enlargement industry

In a revealing documentary, a looksmaxxing-influenced world where ‘your social capital is tied to your appearance’ has led to more men wanting more

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← Older posts

  • One in a Million review – deeply moving film about displacement, freedom and the upheaval of starting again
  • ‘Sad lost souls’: Taika Waititi lambasts critics after Klara and the Sun box-office disaster
  • ‘It still preys on my mind’: readers on their scariest non-horror movies
  • Blockhead review – struggling novelist embraces his inner monster in comic thriller of literary machismo
  • ‘Funny and self-aware’: why (500) Days of Summer is my feelgood movie
  • Dead Howling review – werewolf hunts zombies in tough-love apocalypse horror
  • ‘We both know how we feel about death and dying’: Rhys Ifans and Laura Linney on their brutally honest Parkinson’s drama
  • I Died review – moving portrait of Tzotzil women confronting patriarchal violence in the Mexican highlands
  • Readers reply: with governments asking us to stockpile, can we learn anything from disaster films?
  • Romeo + Juliet at 30: how Baz Luhrmann made teens fall in love with Shakespeare
  • Dafne Keen and Harriet Walter on working with Patrick Stewart: ‘I’ve never seen anyone so ecstatic’
  • I’m sick of smug celebrities on the podcast circuit. No wonder there’s a fuss when someone speaks the truth
  • The best theatre to stream this month: the Gisèle Pelicot trial becomes an all-star play that ‘just floors you’
  • ‘We freed Patrick Stewart!’ Star Trek’s Marina Sirtis on breaking in her beloved but very serious co-star
  • ‘Never big enough’: inside the booming penis enlargement industry
  • The Guide #267: Robert Pattinson embraced his inner lowlife and became one of the best actors of his era
  • From Wicker to Zelda: Ocarina of Time: your complete entertainment guide to the week ahead
  • To baldly go: Patrick Stewart was an icon for bald men everywhere
  • Basketweavers get in a twist over Alexander Skarsgård’s Wicker Husband
  • Sir Patrick Stewart obituary
  • Susan Saint James obituary
  • Oh to Believe in Another World review – William Kentridge’s amazing animated ballet of black comic pain
  • ‘I left shellshocked’: writers on their scariest non-horror movies
  • ‘I saw the script and went: oooh!’ Olivia Colman and Alexander Skårsgard on their steamy folk-horror movie Wicker
  • Experience: I live in the house from the 80s horror movie Poltergeist
  • Patrick Stewart brought gravitas and complexity to the screen, from Star Trek to X-Men
  • The Mosquito Bowl review – Netflix mixes football, war and cliches in slick by-the-numbers saga
  • Ike Ong obituary
  • Elke Sommer, prolific German star of A Shot in the Dark and And Then There Were None, dies aged 85
  • Exploding heads, mutant aliens and bursting chests: horror’s greatest special effects – ranked!

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