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Fatherland review – Sandra Hüller brings a bayonet of intelligence to Paweł Pawlikowski’s taut return

Cannes film festival: Hanns Zischler stars as Thomas Mann on his 1949 tour of Germany, contending with political barbs, personal tragedy and his daughter, played by an extraordinary Hüller

Is God Is review – fiery revenge thriller flies from stage to screen

There are echoes of both Kill Bill and Thelma & Louise in Aleshea Harris’s sharply told tale of sisters heading to kill their father

Top Gun review – now impossible to view Tom Cruise’s testosterone-swamped film without affection

This gave a young Cruise entry into the A-list, as the brilliant, courageous rule-breaking pilot, frenemy of Val Kilmer and in love with Kelly McGillis

Space Jam review – Michael Jordan’s 90s merch-hocking basketball blockbuster rises again

The Jordan-fronted live-action/cartoon hybrid is 30 years old – and with its R Kelly soundtrack, it feels it. Cue Seinfeld’s Wayne Knight to rescue it for a second time

Teenage Sex and Death at Camp Miasma review – Gillian Anderson superb in queer slasher spectacular

Cannes film festival: Young indie film-maker Kris tracks down Anderson’s Final Girl for a remake of a beloved horror, to find fantasy and reality collapsed

The Christophers review – Ian McKellen and Michaela Coel are the double act of the year

Steven Soderbergh and Ed Solomon provide a vision of haughty Englishness up there with Gosford Park and Phantom Thread

LifeHack review – old-school heist movie updated for the meme age

Ronan Corrigan levels up a thoroughly beta-tested narrative in this efficiently executed hacker-turned-thief split-screen thriller

A Woman’s Life review – a breezy comedy of midlife crisis and same-sex affair

Cannes film festival: Léa Drucker gives a bravura performance as a brilliant surgeon whose already chaotic life is further complicated by a same-sex affair with a journalist

Butterfly Jam review – Barry Keoghan can’t save this New Jersey misstep

Cannes film festival: The Irish actor plays a disillusioned Circassian chef with a knack with animals in Kantemir Balagov’s clunky third film

Life Could Be a Dream review – a powerful, polished Australian film about domestic abuse

Director Jasmin Tarasin weaves richly layered moments between mother and son – and darker flashbacks to what they left behind

Nagi Notes review – clear, calm light shed on criss-crossed family passions

Cannes film festival: Set in a beautifully filmed provincial Japanese town, what could have been a soapy drama is told with poetic restraint and subtlety by Kôji Fukada

Normal review – Fargo meets The Firm in cheerfully weird Bob Odenkirk small-town thriller

Odenkirk plays a washed-up sheriff whose arrival in an eerily wholesome Minnesota town sets off a chain of violence, corruption and savage Ben Wheatley shootouts

Northern Soul: Still Burning review – thumping celebration of the legendary underground club scene

Centred around the Wigan Casino and its amphetamine-fuelled all-nighters, this is a passionate portrait of a unique cultural moment and its obsessive high-kicking fans

Killer Whale review – watery peril horror turns captive orca into angry BFF-threatener

When two BBFs on vacay decide to break into a water park with a dishy guy, there are a limited number of jump scares waiting for them

The Electric Kiss review – belle époque seance comedy struggles to summon real magic

Cannes film festival: Pierre Salvadori’s whimsical period farce about a fake medium and a grief-stricken painter has charm and elegance, but its romantic fantasy never quite ignites

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  • Louise Lasser, star of cult sitcom Mary Hartman, Mary Hartman and Woody Allen comedies, dies aged 87
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  • Saccharine review – eating disorder body horror offers plenty to chew over
  • Moana review – Dwayne Johnson’s demigod on autopilot in dull live-action remake
  • New barnet: why is everyone wigging out over Dwayne Johnson’s Moana hairpiece?
  • Booyakasha! Sacha Baron Cohen has completed a new Ali G movie
  • A Grand Day Out/The Wrong Trousers review – rereleased Nick Park classics are a complete treat
  • The Girls review – poignant coming-of-age romance is an understated gem of Sri Lankan cinema
  • TV tonight: finance whiz Gary Stevenson takes on the super-rich
  • Ian Kennedy Martin obituary
  • Sunshine: Danny Boyle’s space slasher plays out like an atheist’s worst nightmare
  • The Invite welcomes heterosexual polyamory into cinemas. It’s about time
  • ‘An absolute triumph’: first reactions to Christopher Nolan’s Odyssey are ecstatic
  • The Last One for the Road review – ageing-boozer tragicomedy offers drunken antics on the road to Venice
  • Talking about death: how a father and brother found solace in the ‘living graveyard’ of an airline disaster
  • Life Support review – quietly devastating medics’ eye view of the war in Gaza
  • Call of My Life review – bright and breezy Nigerian call-centre romcom is just right for summer
  • ‘Bored? You’re never good enough to get bored!’ Oscar-winner Helen Hunt on great roles, unruly audiences and her RSC debut
  • Ann Blyth obituary
  • ‘Attacked behind the scenes’: Children of Blood & Bone author Tomi Adeyemi distances herself from film adaptation
  • Into the spider’s lair: how an Australian film-maker made an impossible documentary with AI
  • The Guest review – Trine Dyrholm pulls out all the stops as a bipolar mother in dysfunctional family drama
  • Robert Richardson: The White Devil review – tempestuous DoP’s relationship with A-list directors laid bare
  • ‘Impossible to be a mom’: new film shines light on how America fails its mothers
  • Couples Weekend review – Alexandra Daddario annd Josh Gad lead spicy comedy of marital melee
  • ‘Cosy competency porn’: why The Post is my feelgood movie
  • Shoot the People review – a powerful portrait of a talented yet controversial photographer
  • A Place in the Sun review – subversive exposé of picture-postcard luxury in the Canary Islands
  • ‘It was pretty depressing when Stranger Things ended’: Finn Wolfhard on growing up on TV – and his new life in music
  • The Story of Documentary Film (The 1980s) review – Mark Cousins educates and intrigues once more

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