BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

La Cabina/El Televisor review – horror and anxiety on the air and down the line in Franco’s Spain

José Luis López Vázquez’s phone box nightmare is short and sharp but Narciso Ibáñez Serrador’s TV fever dream overplays its hand

Killing Anna review – the amazing catfishing operation that flushed out Syria massacre perpetrator

Haunting documentary tells how Syrian academic Annsar Shahoud created an online persona to contact the suspected perpetrator of the Tadamon massacre

Your Fault: London review – British-set remake of Spanish step-sibling romance lacks passion or fizz

A second helping of the English-language adaptation of Mercedes Ron’s trilogy sustains little chemistry between its supposedly besotted lead characters

Nino review – time is running out for young man faced with cancer in shrewd sperm sample portrait

After being told he has throat cancer on the eve of his 30th birthday, Nino spends a fraught weekend in Paris in Pauline Loquès’ heartfelt feature debut

Cactus Pears review – tender and subtle story of forbidden love and a poignant awakening in India

The strictures of family and class stand between two young men and their humble dreams of happiness in an assured directorial debut from Rohan Kanawade

Toy Story 5 review – Pixar franchise needs new batteries

A sinister new tablet threatens the honest-to-goodness toys’ existence, but Buzz, Woody and Jessie’s big tech moral battle feels compromised

Thirst review – member-dismembering Icelandic gore fest rips it up in trashy 80s style

A 1,000-year-old vampire obsessed with removing men’s genitals is the main storyline in this body horror, filmed in trashy 1980s synth-heavy style

The Death of Robin Hood review – Hugh Jackman darkens a heroic tale in grim drama

A conceptually intriguing film that turns the outlaw hero into a selfish criminal struggles to find its footing despite some fantastic craftwork

Girlfriends review – love and growing pains in queer coming-of-age tale that goes from Hong Kong to Taiwan

A trio of actors play one woman from high school to her mid-30s in Tracy Choi’s thoughtful romantic drama

Nightwatchers review – desperate struggle of migrant crisis under surface of picture-postcard ski resort

Juliette de Marcillac’s documentary follows the volunteers helping those crossing the French Italian border and shines a light on the the hypocrisies underpinning the treatment of asylum seekers

The Toymaker’s Key review – steampunk sci-fi animation is eclectic if overwrought

Produced by a very small team, this fantasy adventure story, though chaotic and derivative, hints at what future tech-savvy creators could produce beyond studio constraints

Familiar Touch review – Kathleen Chalfant is wonderful in subtle, sensual memory loss drama

Director Sarah Friedland brings impressive attention to detail to an audacious debut feature about a woman moved into a retirement community

Angel’s Egg review – Mamoru Oshii’s dazzling 1985 anime is an eerie philosophical adventure

Christian theology becomes an unsettling and visually ravishing mystery in early film from the Ghost in the Shell director

Dry Leaf review – three-hour amble around the football pitches of Georgia in search of a daughter

Despite its interesting low-res look, Alexandre Koberidze’s mystifying film is needlessly contrived

Stop! That! Train! review – RuPaul-led zany drag comedy is a riot

With a whip-smart drag queen cast and celebrity cameos, Adam Shankman’s film is a refreshingly kooky twist on the summer movie caper

Post navigation

← Older posts
Newer posts →

  • John Irvin obituary
  • The Quiet Earth: New Zealand post-apocalyptic classic preys on the fear of being totally alone
  • Ali G: Who Iz I? trailer reveals return of Sacha Baron Cohen’s prank-playing rudeboy
  • Rise of the Footsoldier: Retribution review – never-ending hardman-on-a-mission franchise heads to Ibiza
  • ‘Environmental violence’: inside the fight to save indigenous land from becoming a nuclear dumping ground
  • Seam me up, Scotty! After 60 years, Star Trek has had a muppet takeover. About time too
  • Penny Lane Is Dead review – Aussie slasher comedy zips from Neighbours to nasty
  • Zip Wire review – cancer-curing scientist is on the hook for cable-dangle thriller
  • Guardian-produced Gaza documentary from Oscar-winning Israeli directors of No Other Land to screen at Venice film festival
  • Post your questions for Alex Winter
  • The Visitor review – existential Lithuania-set homecoming drama leaves everything in limbo
  • Marching in the Dark review – rural Indian widows show stunning resilience as they battle poverty and taboos
  • ‘A bit like meditation’: why Saw is my feelgood movie
  • Disciples review – fresh-faced boys are sucked into a nightmare of extremism in India
  • On Different Grounds review – Cupid’s-conspiracy romcom brings Nollywood and Bollywood together
  • Mark Ruffalo fires back at Paramount Skydance after it accuses him of using ‘antisemitic tropes’
  • Aardman’​s Peter Lord and David Sproxton: ‘At the Oscars, I went to the gents and had a pee with Jack Nicholson!’
  • Drive-in cinemas are rare these days. But the last one in Melbourne’s north still draws a faithful crowd
  • Meghan Markle’s casting in The Gentlemen reportedly withdrawn after UK backlash
  • ‘Embryonic’: lost novel by French film-maker Éric Rohmer is republished
  • Stand By Me at 40: Rob Reiner’s seminal coming-of-age saga remains a bittersweet triumph
  • Dirty Dancer review – Swayze stan is like a whirlwind as she replays 80s favourite
  • ‘Digging the grave of my profession’: the Hollywood creatives training AI to do their jobs
  • From Teenage Sex and Death at Camp Miasma to Brandon Flowers: your complete entertainment guide to the week ahead
  • David Harbour has blown Tony Stark’s cover in Avengers: Doomsday. It might just be what Marvel needs
  • ‘We’re barely above porn’: why would a film-maker choose to make a deliberately bad ‘mockbuster’?
  • Meghan as the next Bond? Five roles that almost certainly don’t lie behind UK return
  • Who Killed Marilyn? review – dismal attempt to solve mystery of Monroe with Pixie Lott
  • The Odyssey becomes highest grossing R-rated film of all time
  • H Is for Hawk to Doctor Strange: the seven best films to watch on TV this week

Contact www.brillfilms.com   Terms of Use