Cannes film festival: Na Hong-jin’s melee of running, chasing and shouting at the angry invaders is uproarious fun, mixing digital work with old-school spectacle
The acting is fine and the imagery brooding, but this tepid sci-fi – all creepy neighbours, hazmat squads and crustacean-faced infected – is in thrall to better films
In Paula Rodríguez’s impressionistic documentary, an academic’s South American travelogue brings the painful story of a proud Indigenous society to life
Cannes film festival: Performer is as good as ever but her actor character is thinly conceived in a fundamentally implausible depiction of how to grapple with alcoholism
Cannes film festival: Barnaby Thompson’s documentary on the great British director is an exhilarating delve into the ebb and flow of Lean’s peerless career and sometimes complex personal life – with a grand cast of talking heads
Cannes film festival: The Son of Saul director’s dramatisation of Jean Moulin’s torture by Klaus Barbie both benefits and suffers from its mainstream approach
Cannes film festival: Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder
Cannes film festival: Marine Atlan’s debut film follows a group of French high-school kids and their long-suffering teacher on a visit to Pompeii and Naples