Highlander review – dodgy accents no trouble to exciting, epic and unashamedly fun 80s blockbuster
Preposterous time-romp, starring Christopher Lambert and Sean Connery, is highly enjoyable if you’re prepared to meet it on its own terms
Di’Anno – Iron Maiden’s Lost Singer review – metal act’s original singer is a tough act to follow
This entertaining profile of Paul Di’Anno – the heavy metal band’s lead vocalist from 1978 to 1981 – is dragged down by its subject’s irascible nature
Hokum review – Adam Scott dour and grumpy in enjoyably eerie rural horror
A writer’s retreat to the remote Irish hotel in which his parents spent their honeymoon brings him face-to-face with all manner of creepy goings-on in a gruesome and eccentric black-comic shocker
The Devil Wears Prada 2 review – a sequel? For spring? Groundbreaking
The fashion and magazine industries have had a makeover but this glossy knock-off reunites the old team – and recycles the old plot – with style
Power to the People: John & Yoko Live in NYC review – fascinating star-studded concert film
Footage from John Lennon’s only full-length performances after the Beatles – at Madison Square Garden, for charity, with the Plastic Ono Band – has been edited and restored
Ada: My Mother the Architect review – illuminating profile of brilliant builder balances work and family
Film-maker Yael Melamede presents a fascinating, if inevitably slightly indulgent, account of the revered Israeli designer’s life and work
That Time I Got Reincarnated as a Slime: Tears of the Azure Sea review – hectic anime lives again
There is less daffy humour in this sequel than in the 2023 original, but some sublime animation
Wolfram review – Warwick Thornton’s sequel to Sweet Country never quite comes together
Set four years after Thornton’s blistering neo-western, this film is impressively atmospheric and has strong performances, though Deborah Mailman is criminally underused
Touch Me review – tentacle sex abounds in psychosexual horror that’s like live-action hentai
Addison Heimann’s stylised alien horror is as zippily amusing as it is sensual, with more than a bit of Rocky Horror in the mix
Wild Foxes review – animal-obsessed fighter at elite sports academy wonders if more to life than boxing
Valéry Carnoy’s striking film brims with unsynchronised ideas and images, but the physicality and performances of the young cast are undeniable
I’ve Seen All I Need to See review – murky indie thriller follows woman home after her sister is murdered
An actor returns after the death of a family member, but there’s not much more of depth in this noirish tale with a painfully pretentious voiceover
The Return of Arinzo review – families who hate each other clash in noirish Nollywood thriller
Nigerian actor and director Iyabo Ojo’s entertaining but imperfect tale about warring clans unfolds across Nigeria, Ghana and Tanzania
The Sheep Detectives review – Hugh Jackman gives a flock in baa-rking mad cosy crime caper
Jackman plays the farmer in this Babe-style feelgood family film about plucky sheep who help solve a murder
Brute 1976 review – throwback slasher summons up spirit of Texas Chain Saw Massacre
Aiming to subvert the all-American exploitation film with progressive comment and a touch of diversity, this horror soon reverts to hokey tropes and carnage
The Nights Still Smell of Gunpowder review – excavating the memories of civil war in Mozambique
Inadelso Cossa’s documentary grapples with the trauma left by the conflict through witness that wavers between real and imagined truths