Fuck the Polis review – cryptic docu-essay is a sphinxlike study of Greek myth and modernity

This film may be making a point about the classical vis a vis the contemporary, but its visual collages and dense poetic texts render it inert

Bonnie & Clive review – cheerfully ridiculous Covid road trip heads for Cornwall

Bonnie has two days to get from south London to her grandparents’ house before lockdown in this super low budget British comedy

Beast review – down-and-out MMA fighter film is predictable but still lands punches

Directed by Tyler Atkins and co-written by Russell Crowe, this Australian feature follows a familiar playbook – but you’ll find yourself surprisingly invested

Miss You, Love You review – Allison Janney anchors affecting old-school grief drama

A talky, performance-driven two-hander manages to find specificity and spark in what could have felt like an overly familiar throwback

The Breadwinner review – Nate Bargatze’s dated dad comedy loses us entirely

The comedian makes an unconvincing bid for movie stardom in a largely unfunny and old-fashioned feature-length sitcom episode

Power Ballad review – Nick Jonas and Paul Rudd star in terrific comedy of bromance and betrayal

Irish writer-director John Carney brilliantly brings together Rudd’s washed up wedding-singer and Jonas’s insecure ex-boyband superstar

Backrooms review – Kane Parsons’ icily disturbing horror rewrites the genre rulebook

Debut from 20-year-old director examines memory, reality and fear after Chiwetel Ejiofor accesses an infinite series of hidden rooms that all feel creepily askew

Bullet in the Head review – John Woo’s Vietnam war fever dream is an explosive masterpiece

The Hong Kong action master’s deliriously violent 1990 epic fuses gangland thriller, war movie and tragic melodrama into a spectacular vision of greed and moral collapse

Spider-Noir review – Nicolas Cage’s stylish take on the superhero as a 1940s detective is huge fun

All smoke, shady dames and black and white cinematography, Marvel’s latest Spidey offering is fast, witty and confident

Pressure review – Andrew Scott and Brendan Fraser can’t save lower-tier D-day drama

A behind-the-scenes second world war drama focused on the importance of weather is too stodgy and repetitive to work as anything but a so-so TV movie

No Place for Football review – battling ice and snow to play the beautiful game in Greenland

Life is tough on the autonomous territory – not least for its footballers, as this documentary testifies

Leonora in the Morning Light review – pioneering British artist who fled convention for the surrealists

From Paris to Mexico, Leonora Carrington’s extraordinary life is retold with intelligence and restraint, though not quite enough imagination

Fairyland review – moving memoir of queer parenting and new kinds of family in 70s San Francisco

Andrew Durham’s tender adaptation of Alysia Abbott’s book finds warmth, humour and heartbreak in an unconventional family unit shaped by love and loss

Landmarks review – Lucrecia Martel’s beautiful account of an Indigenous murder case

Martel’s documentary about the shooting of Javier Chocobar is a mannered and dignified work, laden with post-colonial tension and the weight of institutions

Tuner review – Leo Woodall and Dustin Hoffman in sweet harmony in safe-cracking thriller

Playing a piano tuner with super sensitive hearing, Woodall’s relationship with Hoffman is a tender highlight in this unforced crime drama