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‘A fierce need to be independent’: Gerda Taro biopic pulls photographer out of lover Robert Capa’s shadow

Film premieres at Venice as researchers question who took famous Spanish civil war shot of ‘falling soldier’, credited to the pair’s Robert Capa alias

Being Heumann review – Coda director’s disability rights drama is well-intentioned but clunky

The rousing story of Judith Heumann makes for obvious dramatic fodder and at times this biopic finds a rebellious groove but too much feels cut-and-paste

‘People think fame is a magic wand’: Jarvis Cocker on old songs, young fans and his granny’s verdict on Pulp

Before the release of a joyful film on the history of the Sheffield band, frontman Cocker and director Garth Jennings talk dark times, taking inspiration from Abba – and why there could yet be another record

Scherzetto review – Toni Servillo brings gravitas to a dithering Neapolitan ghost story

The Venice fixture plays an illustrator haunted by his boyhood in Mario Martone’s part spooky, part sentimental oddity

Sacha Baron Cohen lined up for Quentin Tarantino’s West End playwriting debut

The Ali G and Borat creator is reported to be taking the lead in The Popinjay Cavalier, a swashbuckling comedy Tarantino is developing for early 2027

Tony Gatlif obituary

Algerian-born French director of more than 20 films that celebrated Roma culture

NAZA review – Israeli intelligence officers cast chilling light on civilian deaths

Venice film festival: Under the cover of night, anonymous personnel discuss AI, error rates and problematic intelligence units in a documentary produced by the Guardian

Alex Winter: ‘Michael Winner was the most erudite sociopath I’ve ever met’

The Bill & Ted actor on Keanu Reeves, whether there will be a fourth instalment and nights out in Brixton with the Death Wish director

The Odyssey and Spider-Man propel record-breaking summer box office worldwide

The biggest May to September of all time was recorded in US cinemas, with the UK enjoying a 56% rise in audiences, outstripped by an 88% lift in the Middle East and Africa

Secret systems used by Israel in mass killings of Gaza civilians revealed in new film

Testimony from Israeli military insiders involved in surveillance and remote killings features in documentary produced by the Guardian

Elon Musk attacks film-maker behind documentary about him

Tech mogul calls director Alex Gibney a ‘bitter old man’ who has ‘zero integrity’ in series of posts on X

‘An embodiment of white fears’: how zombies went from Haitian spiritual tradition to Hollywood monsters

Maya Annik Bedward’s fascinating new documentary goes beyond reductive imagery to place the zombie and vodou in their true historical context

Two times a charm: Is Sandra Bullock and Nicole Kidman’s agelessness the real trick of Practical Magic 2?

A film about sisterhood with fifty- and sixtysomething female leads is something to cheer – but would it have been made if its stars had aged like mere mortals since the 1998 original?

From Chris Rock to Helen Mirren: 10 films to look out for at the Toronto film festival 2026

This year’s festival offers an unusual Patricia Highsmith thriller, an adaptation of a hit stage show, a harrowing prison drama and a new way into the Rocky franchise

La Femme Infidèle review – Chabrol’s eerie domestic thriller is a brilliant ballet of repression and fear

Claude Chabrol’s eerie 1969 film charts a complex marriage in which a husband suspects his wife is cheating on him

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  • Always a joker: Magda Szubanski reveals Heath Ledger asked to play her stalker on Kath and Kim
  • ‘In our deepest hearts we are voyeurs’: the paedophile-hunting show that inspired Robert Pattinson’s new film
  • Meryl Streep’s casting as Aslan has angered the Christian right. Don’t they have more pressing issues?
  • ‘She never accepted no’: Liam Neeson on dogged heroine behind Tuam mass baby grave film
  • My dad was a monster! Sara Karloff on reviving Frankenstein, 95 years on
  • Susan Sarandon and Hannah Einbinder arrested at anti-Netanyahu protest in New York
  • ‘Cracking auction, Gromit!’ Original Aardman puppets go under the hammer
  • Bob Mackie obituary
  • ‘I get lost going to the bathroom’: John Hannah on world travel, stealing props and being ‘the Scottish Eminem’
  • Global release announced for acclaimed Gaza documentary NAZA
  • Post your questions for Zach Braff
  • Greek epics, gory obsessions and awkward invites: where does this year’s Oscars race stand?
  • ‘I’m a writer but then nobody’s perfect’: how Billy Wilder conquered Hollywood
  • Forgotten Island review – best friends forever trapped in frantic DreamWorks animation
  • Twenty years after An Inconvenient Truth, Al Gore still believes in the climate fight: ‘We are going to win this’
  • ‘He made something every single day’: David Lynch’s inscrutable photography celebrated in LA show
  • Manhunter review – Michael Mann serves up a bold and queasy starter to the serial killer spectacle
  • Boorman and the Devil review – enjoyable re-evaluation of the disaster that was Exorcist II: The Heretic
  • Another taste of honey: Shelagh Delaney’s long-lost play about a teenage truant is a little gem
  • North Sea, Nature Untamed review – stunning footage finds the beauty and splendour under the water
  • The Love Hypothesis review – hit BookTok romcom lacks spark on screen
  • Remake review – Ross McElwee’s magnificent and moving tribute to a tragic loss and the art it inspired
  • Post your questions for Miranda Richardson
  • Great to see what Tom Cruise’s belly button looks like, but it’s the stuff he is never asked about that interests me
  • Heart of the Beast review – Brad Pitt survivalist dogmance serves up wilderness with side of cheese
  • Heresy review – feminist folk horror summons something scary in the woods with supply of fresh blood
  • Shadows of Beirut review – chaos and crisis as woman goes back to birth city in fractured Covid-era drama
  • Brigitte Bardot’s personal items sell for nearly €1m at auction in Paris
  • Meet Barbie Pig: new documentary reveals the wonders of life on the Pacific seabed
  • Babystar review – a new arrival upends camera-ready life in disturbing family influencer satire

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