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Rose review – Sandra Hüller is outstanding in grimy examination of gender stereotypes

Austrian director Markus Schleinzer’s captivating film follows a woman passing herself off a man in 17th-century rural Germany

Do plans for a new Mummy film signal the end for the multiverse blockbuster franchise?

With audiences fatigued by endlessly interconnected mashups, studios are reverting to movies with one storyline that ends in a natural conclusion – what a radical idea

Every generation gets the Wuthering Heights it deserves. And Emerald Fennell’s is for the always-online

Packed cinemas testify to the allure of Emily Brontë’s tale, even if this latest retelling is not to everyone’s taste, says Guardian arts and culture correspondent Nadia Khomami

Emerald Fennell’s Wuthering Heights is a big movie with a very small mind

The maximalist adaptation of the gothic romance shows great interest in production design but very little in character

Lupin the IIIrd the Movie: The Immortal Bloodline review – eye-popping fan-service in latest in anime franchise

Takeshi Koike’s latest take on Monkey Punch’s vintage manga thief is beautifully animated, but the gossamer-thin plot and characterisation mean it’s one for superfans only

‘Unintentionally among the queerest releases of its time’: why Calamity Jane is my feelgood movie

The latest in our ongoing series of writers picking their comfort watches is an appreciation of Doris Day’s rule-defying heroine

Warner Bros Discovery weighs new sale talks after fresh Paramount offer

Board considering whether to re-engage in move that could prompt a second bidding war with Netflix

Collective Monologue review – sensuous zoo study foregrounds contacts between keepers and creatures

Jessica Sarah Rinland’s documentary examines how humans and animals interact in the confines of captivity, but leaves some questions unexplored

TikTok creator ByteDance vows to curb AI video tool after Disney threat

Videos created by new Seedance 2.0 generator go viral, including one of Tom Cruise and Brad Pitt fighting

‘A permanent civil war in the body’: how fighting cancer helped an artist understand his Soviet youth

A rare lymphoma diagnosis meant Giorgi Gagoshidze had to abandon a film project on the economic factors behind the USSR’s collapse – until he found new meaning in medical terminology

Gangsterism review – dense, high-minded cine-manifesto on the notion of auteurism

Canadian experimentalist Isiah Medina’s latest flits between radical and grandiloquent, but deserves close reading and exasperated sighs in equal measure

Grim reapers: what has fertilised the rich new wave of neo-rural cinema?

The Shepherd and the Bear is part of a new breed of films with a sympathy for country matters that has moved on from othering folk-horror

‘The goal has been to demystify’: how a colonial Nairobi library was restored and given back to the people

Once a whites-only enclave, the grand McMillan Memorial library is one of three in the Kenyan capital that have been transformed for the community

Wuthering Heights rakes in $77m at global box office on opening weekend

Emerald Fennell’s divisive film is the year’s biggest opening so far, having recouped its entire estimated production budget over the opening weekend

Rosebush Pruning review – dysfunctional rich family move in strange circles

Jamie Bell and Elle Fanning lead a starry cast in this clumsy satire that provides little fascination in a wealthy family’s suffocating lives

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  • The Guardian view on booming poetry sales: Homer, meet the Instapoets
  • Out There review – saucer-eyed teen searches for aliens in YA comedy drama
  • Out There review – saucer-eyed teen searches for aliens in YA comedy drama
  • These Violent Delights review – Scottish Ballet’s feverish Romeo and Juliet is bold and unsettling
  • These Violent Delights review – Scottish Ballet’s feverish Romeo and Juliet is bold and unsettling
  • Mad Rush review – an intricate phone scam isn’t quite enough to drive this very Melbourne movie
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  • Post your questions for Robert Carlyle
  • Nicole Kidman opens up about divorce from Keith Urban – and ‘throwing my career away’ for Tom Cruise
  • Brian Robinson obituary
  • Borges, ballet and BDSM: 10 must-see movies at Edinburgh international film festival
  • Edinburgh international film festival showcases a Scottish industry in rude health
  • ‘It was fun to get pushed around’: Andrew Rannells on ‘razzle dazzle’, kissing co-stars and being a better friend to Lena Dunham
  • Imelda Staunton: ‘Umbridge’s giggle needed to be short and sharp. So I just did a boom, boom’
  • James: Getting Away With It review – hippies, hardnuts and dreamers unite
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  • The End of Tom Six review – Human Centipede director delivers one last freaky flick
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  • With Hollywood struggling in China, can the Odyssey draw a crowd?
  • The Wrong Girls review – Kristen Stewart fumbles through forgettable stoner comedy
  • Don’t Say Good Luck review – high-school musical weepie puts Sunny Sandler in the spotlight
  • The End of Oak Street review – suburban dino-survival romp is more turkey than T-rex
  • In Venice, it’s not politics as usual as film-makers aim to recapture our attention
  • Steal This Story, Please! review – Amy Goodman, stalwart of the American left, shows her teeth
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  • Chum review – daft shark attack movie with wedding guests running gamut of toothy undersea beast

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