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‘Movies can change the world but not in a political way’ says Wim Wenders

At a press conference to open the 76th edition of the Berlin film festival, the jury president said ‘cinema has an incredible power’ but little influence on political decision-makers

Wuthering Heights set to ravish Valentine’s weekend box office

Early projections suggest Emerald Fennell’s adaptation could recoup its $80m production budget in its opening three days – with strong US and overseas takings expected

Fundraiser for James Van Der Beek’s family surpasses $1m in under 24 hours

Dawson’s Creek star, who died on Tuesday, had been open about struggling to meet high expenses of cancer treatment

‘People ought to know’: Blue Boy Trial brings Japan’s trans history up to date

Kasho Iizuka’s feature casts trans actors to revisit a notorious 1965 trial that made gender reassignment illegal for more than 30 years. He explains why the history remains unfinished

‘I wasn’t acting: that was me’: how non-actors took over Oscar season

From One Battle to Another to Marty Supreme, supermarket magnates, professors and special agents have been stealing scenes on screen

It’s Never Over, Jeff Buckley review – a sympathetic, urgent look at a life cut tragically short

Amy Berg’s arresting documentary delves into the early life and untimely death of the 90s singer-songwriter, with extensive contributions from his mother and girlfriends

Looney Tunes: The Day the Earth Blew Up review – still capers after all these years

The trusty cartoon franchise brings Daffy Duck and Porky Pig back for fresh antics, updated pretty neatly for our times

‘A love letter to all the good men I know’: Shahrbanoo Sadat on making Afghanistan’s first romcom

Opening the Berlin film festival, No Good Men blends romance and rebellion, capturing love, humour and female agency in Kabul on the eve of the Taliban’s return

James Van Der Beek was so much more than just Dawson

The late actor became known for his role in Kevin Williamson’s era-defining teen show but in the years after he worked hard to subvert his persona

Bud Cort, star of Harold and Maude, dies aged 77

Actor best-known for role in Hal Ashby’s black comedy also appeared in films by Robert Altman and Wes Anderson

Crime 101 review – bracing tale of master thief lifts a trick or two from Michael Mann

The pedal is pressed hard to the metal for this very stylish high-stakes armed robbery thriller starring Chris Hemsworth

Is Jacob Elordi really the hottest man on the planet? Six things you need to know

Gen Z fell in love with him on the small screen, but with the release of Emerald Fennell’s steamy new adaptation of Wuthering Heights, the Aussie actor’s star is set to shine even brighter

Oscars 2026 class photo: can you spot the tallest nominee – and a camouflaged Diane Warren?

The annual Academy Award nominees luncheon is my favourite part of an otherwise excruciatingly dull affair – and the group picture reveals more than any winners list could

Is surprise box-office hit Iron Lung the future of ‘video game films’?

The YouTube gaming star’s weird and divisive adaptation of his obscure horror film is a game within a film about a game – and hints at new directions for storytelling

Beyond Trainspotting: The World of Irvine Welsh review – uniquely funny writer holds court

The author discusses his writing, the movies it created and his own youth, but not all the interviewees in this documentary are quite so gripping

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  • Out There review – saucer-eyed teen searches for aliens in YA comedy drama
  • These Violent Delights review – Scottish Ballet’s feverish Romeo and Juliet is bold and unsettling
  • Mad Rush review – an intricate phone scam isn’t quite enough to drive this very Melbourne movie
  • ‘I felt so inspired’: Guardian readers on trying Homer’s epics after seeing The Odyssey
  • How the mob took Hollywood: the story of organized crime and the movies
  • The Beast to Novak Djokovic: The Wolf in Winter: the seven best films to watch on TV this week
  • Something Wile E this way comes: how the Looney Toons reboot movie came back from the dead
  • Post your questions for Robert Carlyle
  • Nicole Kidman opens up about divorce from Keith Urban – and ‘throwing my career away’ for Tom Cruise
  • Brian Robinson obituary
  • Borges, ballet and BDSM: 10 must-see movies at Edinburgh international film festival
  • Edinburgh international film festival showcases a Scottish industry in rude health
  • ‘It was fun to get pushed around’: Andrew Rannells on ‘razzle dazzle’, kissing co-stars and being a better friend to Lena Dunham
  • Imelda Staunton: ‘Umbridge’s giggle needed to be short and sharp. So I just did a boom, boom’
  • James: Getting Away With It review – hippies, hardnuts and dreamers unite
  • Hollywood encore: how ‘pro-shot’ Broadway shows became a major draw on the big screen
  • The End of Tom Six review – Human Centipede director delivers one last freaky flick
  • Hellcat review – woman imprisoned in camper van in nasty survival horror
  • With Hollywood struggling in China, can the Odyssey draw a crowd?
  • The Wrong Girls review – Kristen Stewart fumbles through forgettable stoner comedy
  • Don’t Say Good Luck review – high-school musical weepie puts Sunny Sandler in the spotlight
  • The End of Oak Street review – suburban dino-survival romp is more turkey than T-rex
  • In Venice, it’s not politics as usual as film-makers aim to recapture our attention
  • Steal This Story, Please! review – Amy Goodman, stalwart of the American left, shows her teeth
  • Mutants assemble: what does the future hold for the X-Men?
  • Chum review – daft shark attack movie with wedding guests running gamut of toothy undersea beast
  • ‘Sometimes they credit the janitor. But not us’: what’s it like to be a child chaperone on a film set?
  • Songs of Forgotten Trees review – sensitive, ambiguous drama of female intimacy in Mumbai
  • Post your questions for John Hannah

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