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‘It’s like two divorcing parents’: how actors’ union Equity fell out with casting directory Spotlight

Union to appeal after losing case against historic talent index in battle that could reshape UK acting landscape

‘Reconciliation across difference’: why Practical Magic is my feelgood movie

The next entry in our ongoing series of writers highlighting their favourite comfort films is a journey back to 1998 with Sandra Bullock and Nicole Kidman

What We Hide review – opioid-crisis thriller sees sisters pick up the pieces and hide their mother’s dead body

Both the leads are good value in Dan Kay’s movie in which Jessie and Spider hide conceal a corpse to avoid being separated in the care system

‘I’m not blaming Bond for screwing up my career’: Maryam d’Abo on playing a thieving writer on stage – and a sniper cellist in 007

The former Bond girl talks about her new role as a top writer accused of stealing a story as her actor husband is cancelled – and why she has no regrets about her time aboard the 007 rollercoaster

‘The music could not stop for three days’: how Sirāt went on a road trip to the dark heart of rave

Club culture is notoriously hard to capture on film. Oscar-tipped director Oliver Laxe explains why he had to organise his own music festival in the Moroccan desert to find deeper meaning in dance-floor ecstasy

Larry (They/Them) review – trans photographer’s colourful creative journey into everyday life

Documentary following Laurence Philomène captures the vibrant palette of their work – and the shadows cast over it by prejudice

‘People keep reinventing the same damn movie’: cinematographer Roger Deakins on 50 years behind the camera and his fears for film’s future

This master craftsman’s work has lit up everything from Bond to Blade Runner 2049. But as he publishes his memoir, why does he believe the artform he made his name in is in such decline?

‘I don’t have to create his legacy, I just have to protect it’: Chadwick Boseman’s widow Simone on grieving a global star – and guarding his secrets

Black Panther made him a megastar, but in private the actor and his wife Simone Ledward Boseman were dealing with his terminal cancer diagnosis. In a rare interview, she talks about the shock of losing him, and how a revival of one of his plays has helped her heal

Porky Pig and Daffy Duck: ‘Jacob Elordi! That hair! Those dreamboat eyes!’

Ahead of the Looney Tunes’ first fully animated feature, the pair discuss keeping young, their Hollywood crushes and why they don’t like CGI

‘We’re used to crowds’: latest Wuthering Heights hype doesn’t faze Yorkshire residents

As Emerald Fennell’s adaptation hits cinemas, a slew of visitors are expected at the sites that inspired Emily Brontë’s novel. People living close by, however, are taking it in their stride

The women who saw Melania in theaters: ‘If you’re Republican, this is girls’ night’

The Amazon documentary brought in $7m its opening weekend – thanks to admirers eager for a glimpse of the first lady’s secretive life

The Guide #229: How an indie movie distributed by a lone gamer broke the US box office

Iron Lung, a largely unheralded indie horror game adapted for the big screen by a YouTuber is a hit of a very modern kind, built on blood, sweat and parasocial relationships

From Lord of the Flies to Deftones: your complete entertainment guide to the week ahead

Adolescence writer Jack Thorne takes on the classic tale of deserted schoolboys, while the US band warm up for a pummelling summer of alt metal

Austin Butler to play Lance Armstrong in big-screen biopic

Project, following disgraced cyclist, reportedly sparked bidding war, with Conclave’s Edward Berger set to direct

The Strangers: Chapter 3 review – pointless remake trilogy ends with a sputter

Renny Harlin’s thankless trio of movies, taking a simple story and extending it for no creative reason, is at least finally over

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  • Mission review – dangerous quest to mend a broken childhood
  • Borges and Me review – a sweetly imagined literary odyssey through the Highlands
  • Snapshot review – fun found-footage scarer follows amateur Ripper hunters in the 1880s
  • From Tony to Jungle: your complete entertainment guide to the week ahead
  • The Greatest Showman musical to come alive on the West End stage in 2027
  • The Guardian view on booming poetry sales: Homer, meet the Instapoets
  • Out There review – saucer-eyed teen searches for aliens in YA comedy drama
  • These Violent Delights review – Scottish Ballet’s feverish Romeo and Juliet is bold and unsettling
  • Mad Rush review – an intricate phone scam isn’t quite enough to drive this very Melbourne movie
  • ‘I felt so inspired’: Guardian readers on trying Homer’s epics after seeing The Odyssey
  • How the mob took Hollywood: the story of organized crime and the movies
  • The Beast to Novak Djokovic: The Wolf in Winter: the seven best films to watch on TV this week
  • Something Wile E this way comes: how the Looney Toons reboot movie came back from the dead
  • Post your questions for Robert Carlyle
  • Nicole Kidman opens up about divorce from Keith Urban – and ‘throwing my career away’ for Tom Cruise
  • Brian Robinson obituary
  • Borges, ballet and BDSM: 10 must-see movies at Edinburgh international film festival
  • Edinburgh international film festival showcases a Scottish industry in rude health
  • ‘It was fun to get pushed around’: Andrew Rannells on ‘razzle dazzle’, kissing co-stars and being a better friend to Lena Dunham
  • Imelda Staunton: ‘Umbridge’s giggle needed to be short and sharp. So I just did a boom, boom’
  • James: Getting Away With It review – hippies, hardnuts and dreamers unite
  • Hollywood encore: how ‘pro-shot’ Broadway shows became a major draw on the big screen
  • The End of Tom Six review – Human Centipede director delivers one last freaky flick
  • Hellcat review – woman imprisoned in camper van in nasty survival horror
  • With Hollywood struggling in China, can the Odyssey draw a crowd?
  • The Wrong Girls review – Kristen Stewart fumbles through forgettable stoner comedy
  • Don’t Say Good Luck review – high-school musical weepie puts Sunny Sandler in the spotlight
  • The End of Oak Street review – suburban dino-survival romp is more turkey than T-rex
  • In Venice, it’s not politics as usual as film-makers aim to recapture our attention
  • Steal This Story, Please! review – Amy Goodman, stalwart of the American left, shows her teeth

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