BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Roman Polanski rape scandal movie to follow perspective of 13-year-old victim

The Girl, based on Samantha Geimer’s memoir, will revisit ‘one of Hollywood’s most notorious scandals through the eyes of the person most misrepresented by it’

One win after another: Paul Thomas Anderson film dominates London Critics’ Circle awards

Counterculture comedy One Battle After Another wins four awards, including best picture, director, screenplay and supporting actor for Sean Penn

The Fall of Sir Douglas Weatherford review – Peter Mullan gives weight to quirky Scottish dramedy

The formidable Mullan delivers a tender performance in Sean Robert Dunn’s first feature, playing a cranky local historian obsessed with his obscure, unscrupulous ancestor

Melania debuts at No 29 at the UK box office

Distributors breathe a sigh of relief as the documentary defies the disastrous opening many anticipated to land a screen average of £212 on its first weekend of release

The rise and rise of Australia’s cinematheques: ‘There’s just a particular magic’

Around the country, arthouse film programs hosted in galleries and independent cinemas are booming – and their audiences are filled with young viewers

‘I was on stage and she started kicking!’: Lucie Jones on Les Mis, performing pregnant and defying gravity at Glastonbury

After playing Elphaba in Wicked, packing out a tent at Worthy Farm and returning to Les Misérables, the star is headlining the Palladium with songs that sum up her life

Iron Lung review – YouTuber Markiplier crash lands with big-screen sci-fi horror

Online gaming legend Mark Fischbach writes, directs and stars in this feature about a convict on a vague intergalactic mission – but his barebones production has nothing to show

Requiem for a film-maker: Darren Aronofsky’s AI revolutionary war series is a horror

The once-lauded director of Black Swan and The Wrestler has drowned himself in AI slop with an embarrassing new online series

Meryl Streep is as withering as ever in first full-length trailer for Devil Wears Prada 2

Promo for the much-anticipated sequel, in which Streep is reunited with Stanley Tucci, Anne Hathaway and Emily Blunt, clocks up 2.8m views in nine hours

Anti-ICE protests, brilliance by Bieber and the Dalai Lama’s first win: the 10 biggest moments at the 2026 Grammys

From the Cure winning their first Grammys to a posthumous award for Chick Corea, it was a night of heartening wins and robust politics

Hold on to Her review – horrific death of a two-year-old puts immigration crackdown in spotlight

Robin Vanbesien’s documentary uses the horrific killing of two-year-old Mawda Shawri in Belgium as the starting point to explore the dehumanising machinery of border policy

Co-writer of Oscar-nominated film It Was Just an Accident arrested in Iran

Mehdi Mahmoudian detained after signing statement condemning Iran’s supreme leader for recent bloodshed

‘Endlessly quotable’: why Wayne’s World is my feelgood movie

The latest in our series of writers paying tribute to their most rewatched comfort films is a trip back to 1992 for the unique rock comedy

Shelter review – super-soldier Jason Statham does the business as he takes on Bill Nighy in action thriller

Ric Roman Waugh’s predictable plot redeemed by fight choreography as Statham faces up to Bill Nighy, and casting of young Hamnet actor Bodhi Rae Breathnach

Seasons review – it’s Ibsen vs Peter Pan in chronicle of actors messing up their lives on and off stage

Polish director-writer Michal Grzybowski’s film has inspired flashes, but mostly eschews humour for a drearier take on the intertwining of stage and life

Post navigation

← Older posts
Newer posts →

  • Mission review – dangerous quest to mend a broken childhood
  • Borges and Me review – a sweetly imagined literary odyssey through the Highlands
  • Snapshot review – fun found-footage scarer follows amateur Ripper hunters in the 1880s
  • From Tony to Jungle: your complete entertainment guide to the week ahead
  • The Greatest Showman musical to come alive on the West End stage in 2027
  • The Guardian view on booming poetry sales: Homer, meet the Instapoets
  • Out There review – saucer-eyed teen searches for aliens in YA comedy drama
  • These Violent Delights review – Scottish Ballet’s feverish Romeo and Juliet is bold and unsettling
  • Mad Rush review – an intricate phone scam isn’t quite enough to drive this very Melbourne movie
  • ‘I felt so inspired’: Guardian readers on trying Homer’s epics after seeing The Odyssey
  • How the mob took Hollywood: the story of organized crime and the movies
  • The Beast to Novak Djokovic: The Wolf in Winter: the seven best films to watch on TV this week
  • Something Wile E this way comes: how the Looney Toons reboot movie came back from the dead
  • Post your questions for Robert Carlyle
  • Nicole Kidman opens up about divorce from Keith Urban – and ‘throwing my career away’ for Tom Cruise
  • Brian Robinson obituary
  • Borges, ballet and BDSM: 10 must-see movies at Edinburgh international film festival
  • Edinburgh international film festival showcases a Scottish industry in rude health
  • ‘It was fun to get pushed around’: Andrew Rannells on ‘razzle dazzle’, kissing co-stars and being a better friend to Lena Dunham
  • Imelda Staunton: ‘Umbridge’s giggle needed to be short and sharp. So I just did a boom, boom’
  • James: Getting Away With It review – hippies, hardnuts and dreamers unite
  • Hollywood encore: how ‘pro-shot’ Broadway shows became a major draw on the big screen
  • The End of Tom Six review – Human Centipede director delivers one last freaky flick
  • Hellcat review – woman imprisoned in camper van in nasty survival horror
  • With Hollywood struggling in China, can the Odyssey draw a crowd?
  • The Wrong Girls review – Kristen Stewart fumbles through forgettable stoner comedy
  • Don’t Say Good Luck review – high-school musical weepie puts Sunny Sandler in the spotlight
  • The End of Oak Street review – suburban dino-survival romp is more turkey than T-rex
  • In Venice, it’s not politics as usual as film-makers aim to recapture our attention
  • Steal This Story, Please! review – Amy Goodman, stalwart of the American left, shows her teeth

Contact www.brillfilms.com   Terms of Use