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The crying game: what Hamnet’s grief-porn debate says about women, cinema – and enormous hawks

Hamnet and H Is for Hawk fuse themes of loss, birds and elemental female emotion. But whose fault is it if you remain dry-eyed?

The Rip review – Ben Affleck and Matt Damon tear through flashy Netflix bro thriller

The longtime friends and colleagues add weight to Joe Carnahan’s enjoyably boisterous Friday night crowdpleaser

Matthew McConaughey trademarks ‘All right, all right, all right’ catchphrase in bid to beat AI fakes

The Oscar winner intends to combat misuse of the famous line from Dazed and Confused by creating ‘a clear perimeter around ownership’

Melissa Leo: ‘Winning an Oscar was not good for me or my career’

The actor answers your questions on her preference for playing goodies or baddies, kissing Denzel Washington and sneaking a nap on set

I’m Ann Lee, and this is my testament about the mind-scramble of sharing your name with a movie character

From amused texts to awkward introductions, the run-up to the release of awards-tipped Shaker biopic The Testament of Ann Lee has been a strange experience

Clickbait review – gripping drama about the human cost of moderating the internet

A social media content moderator becomes obsessed with a violent video in this restrained, unsettling workplace thriller starring Lili Reinhart

‘A cowardly, deluded drunken waster’: readers on their favourite unlikable movie characters

After Guardian writers shared their choices, readers responded with picks from films including Withnail and I, Emily the Criminal and Chopper

Rental Family review – Brendan Fraser seeks meaning in pointless Japanese role-play drama

Fraser plays a hapless Tokyo-based actor working for a firm that offers bespoke therapeutic role-play services in director Hikari’s silly and saccharine film

From Ralph Fiennes to Jeffrey Wright: the most overlooked performances this awards season

Jessie Buckley and Timothée Chalamet might be winning all of the awards but as Oscar voting begins, these actors also deserve inclusion

Netflix ‘plans to switch to all-cash offer to seal $83bn Warner Bros deal’

Aim is to speed up acquisition of WBD studio and streaming businesses and hold off rival Paramount bid

Bulk review – Ben Wheatley’s quirky sci-fi brings small-budget charm to big questions

Wheatley’s engaging tale sends Sam Riley’s tough-guy reporter to the home of a reclusive oligarch who has invented a ‘Brain Collider’

A Gangster’s Life review – funny in parts, but not always deliberately

Despite some interesting visuals, not even Tony Cook and Jonny Weldon can lift this poorly produced tale of a pair of dodgy lads hiding in Greece from a gangster

‘I fell in love with him on the spot’: Alan Rickman remembered, 10 years after his death

On the anniversary of his death aged 69, stars from Sigourney Weaver to Sharleen Spiteri, Tom Felton to Harriet Walter, remember the wit, charm and endless generosity of one of Britain’s best-loved actors

28 Years Later: The Bone Temple review – Ralph Fiennes is phenomenal in best chapter yet of zombie horror

A murderous Clockwork-Orangey gang take on the zombies in this gruesome and energised fourquel. It’s the finest of the 28 franchise by a blood-curdling mile

Zoe Saldaña becomes highest-grossing actor of all time

Star overtook Scarlett Johansson after success of third Avatar – her films have now made more than $15.46bn worldwide

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  • ‘I see the incredible promise’: on set of an AI film shoot as new studios embrace controversial tech
  • Joy in Hollywood as historic Cinerama dome to reopen: ‘People still want to go to the movies’
  • Move over, Odysseus: time for the women of ancient Greece to have their moment in the sun
  • Mission review – dangerous quest to mend a broken childhood
  • Borges and Me review – a sweetly imagined literary odyssey through the Highlands
  • Snapshot review – fun found-footage scarer follows amateur Ripper hunters in the 1880s
  • From Tony to Jungle: your complete entertainment guide to the week ahead
  • The Greatest Showman musical to come alive on the West End stage in 2027
  • Cheryl Hall obituary
  • The Guardian view on booming poetry sales: Homer, meet the Instapoets
  • Out There review – saucer-eyed teen searches for aliens in YA comedy drama
  • These Violent Delights review – Scottish Ballet’s feverish Romeo and Juliet is bold and unsettling
  • Mad Rush review – an intricate phone scam isn’t quite enough to drive this very Melbourne movie
  • ‘I felt so inspired’: Guardian readers on trying Homer’s epics after seeing The Odyssey
  • How the mob took Hollywood: the story of organized crime and the movies
  • The Beast to Novak Djokovic: The Wolf in Winter: the seven best films to watch on TV this week
  • Something Wile E this way comes: how the Looney Toons reboot movie came back from the dead
  • Post your questions for Robert Carlyle
  • Nicole Kidman opens up about divorce from Keith Urban – and ‘throwing my career away’ for Tom Cruise
  • Brian Robinson obituary
  • Borges, ballet and BDSM: 10 must-see movies at Edinburgh international film festival
  • Edinburgh international film festival showcases a Scottish industry in rude health
  • ‘It was fun to get pushed around’: Andrew Rannells on ‘razzle dazzle’, kissing co-stars and being a better friend to Lena Dunham
  • Imelda Staunton: ‘Umbridge’s giggle needed to be short and sharp. So I just did a boom, boom’
  • James: Getting Away With It review – hippies, hardnuts and dreamers unite
  • Hollywood encore: how ‘pro-shot’ Broadway shows became a major draw on the big screen
  • The End of Tom Six review – Human Centipede director delivers one last freaky flick
  • Hellcat review – woman imprisoned in camper van in nasty survival horror
  • With Hollywood struggling in China, can the Odyssey draw a crowd?
  • The Wrong Girls review – Kristen Stewart fumbles through forgettable stoner comedy

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