BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

‘From the father of the guy who made Obsession’: is the nepo dad the new nepo baby?

With Dane Cook set to star in his new film, Curry Barker’s dad joins Lana Del Rey’s dad and Tom Holland’s dad in a new wave of nepo daddies

‘He annotated my letter from Spielberg’: readers pay tribute to Sam Neill

From teeing up a marriage to inspiring a career and giving 144 bottles of wine to his birthday band, the star’s admirers share their fondest memories

A voyage of discovery: an idiot’s guide to reading The Odyssey

Christopher Nolan’s film adaptation of the ancient Greek epic has sparked a new appetite for an old classic. Here are the translations, podcasts and audiobooks that make the Homeric world more approachable

‘Cool, suave and weirdly shy’: Miranda Richardson remembers Sam Neill

Sam had such ease about him and I just loved the way he seemed to cruise through life. But he confronted his mortality with real courage

Christopher Nolan’s Odyssey used occupied land as a film set. That feels like a betrayal

The decision to shoot in Moroccan-occupied Western Sahara, where the Indigenous people can’t tell their stories without fear of imprisonment, helps erase our own brutal journey

‘The minute I had success, I stopped taking drugs’: John Waters on 60 years of screen carnage

As Hairspray and his ‘angriest movie’ Desperate Living are rereleased, the ‘Pope of Trash’ reflects on dead dogs, dirty rats, ‘that lunatic RFK’ and why there are no novelty dances any more

Sam Neill’s cause of death revealed to be pneumonia

Neill’s longtime representative says the actor’s family agreed to release the information due to ‘inaccuracies and outright falsehoods’ in media

A classicist’s verdict on Nolan’s Odyssey: a soulful hero flatters our times as women and nuance pushed overboard

Matt Damon’s sensitive and repentant Odysseus might come as a surprise to Homer, likewise some significant omissions concerning the poem’s female characters

The Odyssey review – Nolan goes god-tier with breathtaking epic of men, monsters and moral metamorphosis

Doing full justice to the Homeric legend, Christopher Nolan amasses an epic cast to convey the true cost of war with film-making of thrilling ambition

George Lucas likens AI sceptics to luddites clinging to horses and carts

Star Wars director calls AI technology ‘the future’ of film-making and says ‘there’s nothing you can do about it’

Ali G is back. I really wish he wasn’t

Back in the day, he was funny. But that day was 24 years ago – and the character sits uncomfortably in a post-shame world, writes Arwa Mahdawi

A Close Shave/A Matter of Loaf and Death review – Wallace and Gromit knit together a cracking double bill

These two half-hour classics of stop-motion pack in nods to more earnest cinema but are never distracted from producing pristinely beguiling family entertainment

Animal Farm review – Andy Serkis’ Orwell adaptation slaughters the classic farmyard satire with sugar

The passionate allegory on Stalinism is outrageously reduced to happy-ending panto in this defanged animation featuring the voices of Seth Rogen, Laverne Cox and Glenn Close

The Day She Returns review – another Hong Sang-soo round of slow, reflective boozing really hits the spot

No film-maker shows more day-drinking than Hong, and this study of an actor returning from a career break is the same again – as mysteriously addictive as ever

Gillian Armstrong remembers Sam Neill: ‘I can’t believe that the very next day he was gone’

The Australian director who gave the actor his big break in My Brilliant Career remembers ‘a smart, gentle, decent, passionate, loyal, surprisingly funny man’

Post navigation

← Older posts
Newer posts →

  • Sex, drugs and washing dishes: inside Anthony Bourdain’s unruly younger years
  • Human Centipede director Tom Six reveals multiple sclerosis diagnosis in ‘final film’
  • The Guide #255: The great front‑row backlash ignores what makes films feel truly colossal
  • ‘I’ve always felt too old and too young at the same time’: The Last of Us star Bella Ramsey on swapping child stardom for cult television – and Celebrity Traitors
  • From Love Me Tender to Kevin Bridges: your complete entertainment guide to the week ahead
  • Sam Neill filmed role in Legend of Zelda film adaptation before his death
  • Out of the blue: James Cameron’s surprise departure would be good for Avatar
  • Hamnet to On Falling: the seven best films to watch on TV this week
  • The Last House review – post-Covid apocalyptic lockdown thriller is a solid night in
  • ‘These cooks ripped each other apart’: Dominic Sessa on playing Anthony Bourdain, kitchen bullies and the joys of being a 70s barfly
  • ‘James Dean has got nothing on that kid’: River Phoenix films – ranked!
  • Practical Magic review – Nicole Kidman and Sandra Bullock’s 90s witchy fantasy still enchants
  • Super Troopers 3 review – misfiring cop comedy threequel
  • Hunt for the Wilderpeople review – Sam Neill is warm and wise in Taika Waititi’s goofily tremendous film
  • Nadja review – Dracula’s daughter is divine in dreamy lo-fi modern vampire tale of predatory sexuality
  • How to Feed a Dictator review – what was on the menu for some of the world’s most evil men
  • American witchhunt: how the McCarthy blacklist annihilated the Hollywood left
  • ‘They slammed their M16s against his skull’: inside the film about Amy Goodman’s fearless reporting
  • The Guardian view on French cinema’s De Gaulle moment: present anxieties inform a new focus on the past
  • One Night Only review – sex is legal for 12 hours a year in bizarre romcom
  • Holy Days review – even Miriam Margolyes, Jacki Weaver and Judy Davis as nuns can’t save this film
  • Darth Vader to become a TikTok star as Disney strikes deal on short video
  • Film posters for The Mummy banned from public display in UK
  • Ice Cream Man review – Eli Roth’s junky slasher is one of year’s worst horrors
  • A Child of My Own review – barely believable true crime tale of desperation and delusion
  • Himmler’s ‘anti-Nazi’ masseur: Claes Bang stars as SS chief’s ‘magic Buddha’
  • Analogue evil: why today’s horror film-makers are obsessed with obsolete tech
  • Paw Patrol: The Dino Movie review – plucky pups do their thing on Jurassic-style island
  • Queens of the Dead review – drag performers slay on the party scene in playful zombie comedy
  • Big Chicken: A Fast Food Conspiracy review – Mo Gilligan ruffles feathers in battle against ultra-processed foods

Contact www.brillfilms.com   Terms of Use