The year of Domhnall Gleeson: ‘No one talks about actors’ dedication. But I had a perm for five months!’

He started in the Harry Potter films and has since become ubiquitous, playing every type of character: romcom leads, evil villains, comical idiots. He even starred in a Taylor Swift video. So how does he stay so under the radar?

Todd Haynes and Wallace Shawn among signatories of letter backing Mark Ruffalo amid antisemitism charge

More than 170 Jewish artists, also including Joel Coen, Hannah Einbinder and Miranda July, have supported the actor after he criticized Paramount

Waking Life: Richard Linklater’s genre-defying indie is a kaleidoscopic masterpiece

Wiley Wiggins plays a man wandering around Austin, Texas, whose reality-bending encounters make him uncertain whether he’s awake or asleep

‘Not just Hollywood crap’: Mike Leigh on the East End communist who brought world cinema to the UK

A new season celebrates Contemporary Films and its founder Charles Cooper, who bet on Britain taking to Ingmar Bergman, Yasujiro Ozu, Satyajit Ray – and a young Mike Leigh

‘Led us down such a dark path’: documentary explores how 9/11 changed America

In Netflix film Turning Point: Generation 9/11, the lives of people forever impacted by the terrorist attack in 2001 are explored

Super Nature review – crowd-sourced Super 8 film is a triumphant collage of hope for the natural world

Film-maker Ed Sayers’ project gathered footage from collaborators all over the world, cleverly edited to combine human and animal contributions

Summer box office 2026: what can we learn from the hits and misses?

It was a bumper season for Hollywood, almost back to pre-pandemic levels, with Tom Holland blockbusters winning out, but there was still a string of disappointments

The Extractor review – Indonesian hostage-rescue thriller has surprising thread of gentleness at its core

Iko Uwais directs and acts in the story of a band of elite soldiers who must rescue a group of researchers taken captive in the jungle

Beveridge revisited: Simon Callow film celebrates the radical co-founder of Britain’s welfare state

Christine Edzard’s The Man With the Plan tours the country with a timely message about tackling want, disease, squalor, idleness and ignorance

Pin de Fartie review – spoonerist remix of Samuel Beckett’s Endgame finds fresh absurdity in Argentina

Beckett’s masterpiece is given a postmodern cinema slant, with characters in different locations, music and humour in a free and fanciful interpretation

Onslaught review – super soldier slasher doesn’t go hard enough

There’s a committed performance from a spunky Adria Arjona in the Guest director Adam Wingard’s decent B-movie but it’s missing some sharper weaponry

‘The whistling on the theme tune? That’s Dickie Attenborough!’ Hayley Mills on Whistle Down the Wind

‘I’d just made two films in America. Shooting on a Lancashire farm was very different. There was mud everywhere – and we’d be eating dripping, jam butties and fried eggs in buns’

‘Revenge of the Rust belt’: Starbucks film-maker on Baristas vs Billionaires

Director Mark Mori followed coffee chain workers’ struggle to unionize: ‘These young kids are so inspirational’

Parasomnia review – sleep-schedule horror conjures up a succubus on the loose in waking nightmare

Debut director James Ross II shows promise in this gore fest, but the fear factor suffers from an overly complex plot

‘Sometimes you just need a good cry’: why Little Women is my feelgood movie

The latest in our series of writers highlighting their go-to comfort films is an ode to the teary 1994 adaptation of the classic novel