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Claudia Cardinale had toughness, charisma and sensual allure. Yet Hollywood just couldn’t do her justice

The smouldering star of Once Upon a Time in the West, 8½ and The Leopard had her best roles in Italian cinema

The Librarians review – the heroic women battling against book bans and censorship

Kim A Snyder’s documentary highlights the defenders of young readers’ rights to see their lives in print facing rightwing attacks

The Harder They Come review – electrifying reggae musical is sweet, dandy and catchy as hell

Matthew Xia directs a consummate adaptation of the 1972 Jamaican thriller, whose irresistible soundtrack is bolstered by new songs

Horror film digitally altered in China to make gay couple straight

Viewers outraged after same-sex wedding scene changed in Together, starring Dave Franco and Alison Brie

Go quietly and get a side hustle: how to quit acting properly

Emma Watson hasn’t been on screen for six years and says she is better for it – for any one else tired of the Hollywood circus, here’s how to walk away with your dignity intact

Homebound review – emotionally rich study of friends in rural India trying to get home in the pandemic

Neeraj Ghaywan’s film benefits from excellent lead performances, strong cinematography and an apparent mentorship from Martin Scorsese

Riff Raff review – star-stuffed crime comedy with Bill Murray, Jennifer Coolidge and Ed Harris

Part gangster revenge, part family reunion, Murray’s semi-retired mobster is back in the murder business, while Coolidge gatecrashes ex-husband Harris’ New Year’s Eve

Better Days review – modest, honest study of woman trying to grapple with a drinking problem

Valérie Bonneton is terrific in French drama about women in rehab that gets a little carried away

Win for former executives suing LA Film School as 2024 lawsuit unsealed

Allegations of student loan fraud, lies to US education department and mass deception may lead to huge payout

The rise and fall of Disney: how the company found then lost its backbone

Recent storm over Kimmel’s suspension is latest black mark for corporation that has been abandoning diversity and inclusivity

‘I’ve paled up for roles – like when I played Voldemort’: Frank Dillane on zombies, burnout and new film Urchin

He got so weary of Fear the Walking Dead that he fled to Berlin for two years. Now he’s is back in a riveting role as a street kid robber and jailbird. The young star talks nepo babies – and playing posh white

‘Tentacles squelching wetly’: the human subtitle writers under threat from AI

Artificial intelligence is making steady advances into subtitling but, say its practitioners, it’s a vital service that needs a human to make it work

Eat the rich … before they eat you: in praise of body horror classic Society

Hurtling towards a deranged finale, this 1989 obscenity follows a rich kid who grows suspicious of everyone around him – and it’s never felt more relevant

Emma Watson explains long break from acting: ‘I do not miss selling things’

The Harry Potter star, who has not acted in a film since 2018, says she found promotion duties ‘soul-destroying’ but is now ‘maybe the happiest and healthiest I’ve ever been’

Please Don’t Feed the Children review – Destry Spielberg debut splices 1970s exploitation with YA fairytale

A band of roving, feral orphans – asymptomatic carriers of a plague that turns adults into cannibals – regret accepting a stranger’s act of apparent kindness

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  • David Harbour has blown Tony Stark’s cover in Avengers: Doomsday. It might just be what Marvel needs
  • ‘We’re barely above porn’: why would a film-maker choose to make a deliberately bad ‘mockbuster’?
  • Meghan as the next Bond? Five roles that almost certainly don’t lie behind UK return
  • Who Killed Marilyn? review – dismal attempt to solve mystery of Monroe with Pixie Lott
  • The Odyssey becomes highest grossing R-rated film of all time
  • H Is for Hawk to Doctor Strange: the seven best films to watch on TV this week
  • Anthony Hopkins: Life Is a Dream album review – easy on the ear melodies written from the heart
  • ‘It is the riskiest film I’ve ever made’: Pedro Almodóvar on being the villain in his own movie
  • Spa Weekend review – female answer to The Hangover spreads the slush with the massage oil
  • Man arrested over Nord Stream bombing was consultant on film about it starring Sean Penn
  • French Girls review – scrappy Australian film made for $28,000 reveals refreshing new talents
  • UK cinemas look at banning Meta smart glasses over piracy fears
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  • ‘I love provocative stories’: producer Christine Vachon on fighting for her ‘offensive’ movies
  • Mutiny review – Jason Statham’s fight-by-numbers action thriller just about stays above water
  • Insidious: Out of the Further review – evil returns but so does boredom
  • Christian metal band sues Netflix over KPop Demon Hunters name
  • Sweet Milk Lake review – a rewarding film about a trans man mistaken for his twin brother
  • Tom Holland set to earn $100m from Spider-Man: Brand New Day
  • Coyote Vs Acme review – quirky comedy returns from the dead to flip Wile E Coyote’s slapstick-violent world
  • Over/Under review – beautiful coming of age story of female best friends set across five summers
  • David review – biblical Goliath-slayer animation offers upbeat boybandish worship musical
  • John Irvin, British film-maker who directed Tinker Tailor Soldier Spy, dies aged 86
  • Phyllida Law obituary

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