‘The energy is infectious’: why Bride and Prejudice is my feelgood movie
The latest in our series of writers highlighting their go-to comfort films is an ode to Gurinder Chadha’s 2004 spin on the Austen classic
Demon Slayer: Kimetsu no Yaiba Infinity Castle review – battle anime brings the visual flair
In the first of a film trilogy, teenage Tanjiro seeks vengeance for his murdered family in what is a great taste of things to come
Where God Is Not review – victims of torture by the Iranian secret police re-enact their abuse
Empowering for some, deeply traumatic for others, the former detainees in Mehran Tamadon’s documentary paint a harrowing picture of systematic maltreatment
TV tonight: Mark Ruffalo stars in new drama by Mare of Easttown creator
He plays a troubled FBI agent in a knotty crime series made for autumn nights in. Plus: Stacey Dooley meets the ‘Benefits Queen’. Here’s what to watch this evening
Bad Apples review – Saoirse Ronan’s dark, school-set satire doesn’t go far enough
The four-time Oscar nominee is as strong as ever playing a teacher in a shocking situation, but the film can’t quite rise to her level
Roofman review – Channing Tatum and Kirsten Dunst lift fact-based crime caper
The two stars do their share of heavy lifting in Derek Cianfrance’s intermittently effective comedy drama about a deceitful prison escapee
EPiC: Elvis Presley in Concert review – Baz Luhrmann’s electric yet avoidant documentary
The bombastic director’s second film about the music legend shows the singer at his most mesmerizing but the picture remains incomplete
Good Fortune review – Aziz Ansari’s big comeback comedy struggles to find big laughs
The multi-hyphenate’s directorial debut has noble intentions in its timely class commentary but his brand of humour makes for an awkward fit
California Schemin’ review – James McAvoy’s directorial debut is an unlikely rap tale
The actor makes for a hit-and-miss first time film-maker with the undeniably involving true story of Scottish rappers who pretended to be American
Wake Up Dead Man: A Knives Out Mystery review – whodunnit threequel is murderously good fun
After Glass Onion underwhelmed, Rian Johnson’s self-aware, star-packed Benoit Blanc series makes a barnstorming return to form
The Voice of Hind Rajab was better than the film which won Venice. But that result wasn’t a cop-out
Many felt Kaouther Ben Hania’s Gaza docufiction was robbed when Jim Jarmusch’s latest took the top prize. Yet accusations of moral cowardice on the part of the jury are naive and unfair
Winter of the Crow review – Lesley Manville commands cold war thriller
The Oscar nominee makes for a compelling heroine in a solid and intermittently suspenseful tale of a professor stuck in a nightmare
West Point cancels ceremony to honor Tom Hanks as ‘outstanding US citizen’
Little known about decision, although Hanks, who has advocated for military memorials, also voted for Biden
Fuze review – twisty London-set heist thriller should have stolen some personality
Scottish director David Mackenzie recruits Aaron Taylor-Johnson and Theo James for a caper heavy on double-crossing but light on style
The Lost Bus review – Paul Greengrass wildfire movie is as stressful as you’d expect
The director retells the worst wildfire in California’s history with expected technical prowess but he’s hampered by a soapy script