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Aardman announces third Shaun the Sheep movie: The Beast of Mossy Bottom

Studio promises ‘smashed pumpkins, wayward science and a wild hairy beast’ in third big-screen outing for the much beloved animation

Backlash: The Murder of George Floyd review – timely, human-scale recap of momentous times

The Black Lives Matter protests – and counterprotests – that unfolded in the UK in the wake of Floyd’s killing by police are at the centre of this detailed look at British racism

Ocean with David Attenborough review – a passionate case against the ruination of the seas

Released on his 99th birthday and presented in the context of his remarkable career, Sir David’s authority is matched only by nature’s grandeur in this visually stunning film

Riefenstahl review – nauseating yet gripping story of Nazi poster woman

The only important woman in the Nazi movement entranced Hitler, directed Triumph of the Will – and spent the rest of her life alternately fearful and defiant

By calling a genocide a genocide, Andor just made its most political point yet

Tony Gilroy’s Star Wars show has repeatedly felt like it was ripped from today’s headlines – but Mon Mothma’s radical speech was written two years ago. Contains spoilers for episode nine of Andor season two

Desire: The Carl Craig Story review – goatee-stroking homage to a techno legend

There’s a suitable air of scholarly sobriety to this music documentary about the influential Detroit DJ, but he still remains an enigma

How would Donald Trump’s tariffs on foreign films affect the UK industry?

The US president has said he intends to impose a 100% tariff on all movies ‘produced in Foreign Lands’

Sharp Corner review – Ben Foster unravels in smart, darkly compelling thriller

Actor plays a father desperate to prove his worth in an entertainingly nasty look at dangers of entitled mediocrity

Newsom offers to work with Trump on $7.5bn tax credit plan to boost US films

California governor unveils idea after president threatened tariffs on films made abroad

‘Simply unworkable’: British film industry leaders aghast at Trump’s movie tariffs

US president’s call for 100% tariffs on films ‘produced in foreign lands’ comes under fire, with actor Brian Cox saying Trump doesn’t understand how films are made

No Way Out: the 1987 thriller that prophesied a deeply corrupt US government

Starring Kevin Costner as a young naval officer caught in a web of intrigue, this political potboiler hits almost too close to the bone today

How Jon Voight went from Oscar-winning A-lister to Trump acolyte

The actor was once one of the most commanding men in Hollywood – yet he has now teamed up with the president to help ruin the industry

The Uninvited review – Walton Goggins and Pedro Pascal shine in tasty satire

An agent hosts a fancy soiree in the Hollywood Hills in this gently incisive drama about the privileged class, written and directed by Nadia Conners

‘I’m not trying to hurt the industry’: Trump softens tone on movie tariffs

California governor Gavin Newsom announces a $7.5bn tax incentive scheme as Trump’s announcement of 100% tariffs on films ‘produced in foreign lands’ is mocked by Jimmy Kimmel and Fallon

Swing Bout review – underdog, backstage boxing tale is a gutsy winner

Maurice O’Carroll’s low-budget film, set in boxing’s back rooms, relies on its actors and script to deliver a tense, knockout drama

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  • ‘Environmental violence’: inside the fight to save indigenous land from becoming a nuclear dumping ground
  • Seam me up, Scotty! After 60 years, Star Trek has had a muppet takeover. About time too
  • Penny Lane Is Dead review – Aussie slasher comedy zips from Neighbours to nasty
  • Zip Wire review – cancer-curing scientist is on the hook for cable-dangle thriller
  • Guardian-produced Gaza documentary from Oscar-winning Israeli directors of No Other Land to screen at Venice film festival
  • Post your questions for Alex Winter
  • The Visitor review – existential Lithuania-set homecoming drama leaves everything in limbo
  • Marching in the Dark review – rural Indian widows show stunning resilience as they battle poverty and taboos
  • ‘A bit like meditation’: why Saw is my feelgood movie
  • Disciples review – fresh-faced boys are sucked into a nightmare of extremism in India
  • On Different Grounds review – Cupid’s-conspiracy romcom brings Nollywood and Bollywood together
  • Mark Ruffalo fires back at Paramount Skydance after it accuses him of using ‘antisemitic tropes’
  • Aardman’​s Peter Lord and David Sproxton: ‘At the Oscars, I went to the gents and had a pee with Jack Nicholson!’
  • Drive-in cinemas are rare these days. But the last one in Melbourne’s north still draws a faithful crowd
  • Meghan Markle’s casting in The Gentlemen reportedly withdrawn after UK backlash
  • ‘Embryonic’: lost novel by French film-maker Éric Rohmer is republished
  • Stand By Me at 40: Rob Reiner’s seminal coming-of-age saga remains a bittersweet triumph
  • Dirty Dancer review – Swayze stan is like a whirlwind as she replays 80s favourite
  • ‘Digging the grave of my profession’: the Hollywood creatives training AI to do their jobs
  • From Teenage Sex and Death at Camp Miasma to Brandon Flowers: your complete entertainment guide to the week ahead
  • David Harbour has blown Tony Stark’s cover in Avengers: Doomsday. It might just be what Marvel needs
  • ‘We’re barely above porn’: why would a film-maker choose to make a deliberately bad ‘mockbuster’?
  • Meghan as the next Bond? Five roles that almost certainly don’t lie behind UK return
  • Who Killed Marilyn? review – dismal attempt to solve mystery of Monroe with Pixie Lott
  • The Odyssey becomes highest grossing R-rated film of all time
  • H Is for Hawk to Doctor Strange: the seven best films to watch on TV this week
  • Anthony Hopkins: Life Is a Dream album review – easy on the ear melodies written from the heart
  • ‘It is the riskiest film I’ve ever made’: Pedro Almodóvar on being the villain in his own movie
  • Spa Weekend review – female answer to The Hangover spreads the slush with the massage oil

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