With audiences fatigued by endlessly interconnected mashups, studios are reverting to movies with one storyline that ends in a natural conclusion – what a radical idea
Packed cinemas testify to the allure of Emily Brontë’s tale, even if this latest retelling is not to everyone’s taste, says Guardian arts and culture correspondent Nadia Khomami
Takeshi Koike’s latest take on Monkey Punch’s vintage manga thief is beautifully animated, but the gossamer-thin plot and characterisation mean it’s one for superfans only
A rare lymphoma diagnosis meant Giorgi Gagoshidze had to abandon a film project on the economic factors behind the USSR’s collapse – until he found new meaning in medical terminology
Canadian experimentalist Isiah Medina’s latest flits between radical and grandiloquent, but deserves close reading and exasperated sighs in equal measure