BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

‘Ballet is so punk rock’: Neve Campbell and Karen Kain on pressure, pain – and partnering Nureyev

The documentary Swan Song shows ballerinas pushing themselves to extremes in pursuit of perfection. Kain and Campbell, its star and producer, talk about the agony and ecstasy of elite performance

‘People’s lives have been changed’: could boxing help child abuse survivors deal with trauma?

Left Write Hook, a unique support group in Melbourne, combines boxing and writing to help survivors feel empowered – and is the subject of a punchy new documentary

Charade: Audrey Hepburn and Cary Grant are irresistible in this frothy thriller

A flighty caper is pinned down by the chemistry between its legendary leads: Hepburn has arguably never been funnier, with Grant in his silver fox era

Corey Yuen, martial arts director and Jet Li collaborator, died in 2022, Hong Kong film federation confirms

Film-maker who directed films starring Li, Jackie Chan and Michelle Yeoh and later worked as a Hollywood fight coordinator, died during the Covid pandemic two years ago

Only the River Flows review – accomplished Chinese noir is intriguing and ingenious thriller

An ambitious police detective attempts to solve a series of murders from a disused cinema in director Wei Shujun’s crime drama

Black Dog review – fine lead performances power British road movie on a satisfying path

Two former schoolfriends team up and head to Scotland on a journey that carries us through some cliched stops

The Hypnosis review – watch-through-your-hands squirmfest as woman loses inhibitions

A big-money business pitch is threatened when a tech entrepreneur’s unpredictable inner child is unleashed after hypnotherapy

A Nightmare on Elm Street rating change defended by BBFC

Certificate lowered from 18 to 15 after 1980s classic is deemed ‘relatively discreet in terms of gore and injury detail’

Ellis Park review – like its subject, Warren Ellis documentary moves to the beat of its own drum

Justin Kurzel’s film about the Bad Seeds and Dirty Three musician, and the animal sanctuary he founded in Indonesia with activist Femke den Haas, is richly cinematic

Lyrical, cheeky, galvanising: the queer film-maker who captured Australia’s Aids crisis

The work of the late Stephen Cummins remains an archive of joy amid the gloom – and it’s screening at a Melbourne retrospective

How do Ukrainians survive the traumatic guilt of war? For many, the answer is art

Whether the issue is shattered relationships or the ugly deaths of those who are fighting, these works give voice to often unspoken horrors, says Guardian chief culture writer Charlotte Higgins

‘How Disney adults recharge their magic’: inside Disney’s epic – and expensive – superfan event

Tens of thousands descend for the D23 conference – will familiar faces and bigger parks maintain their loyalty?

Swan Song review – ‘punk rock’ ballet film goes behind-the-scenes to get show afloat

The National Ballet of Canada’s prep for a new production of the biggest ballet there is, while bidding farewell to artistic director Karen Kain, is subtly handled in a nuanced documentary

‘Then Zelenskiy called for him to go’: Kevin Macdonald on how his film about Kyiv’s ex-boxer mayor suddenly heated up

The director was having trouble making his documentary about Vitali Klitschko and his brother Wladimir emotional and dramatic. But when the mayor was blamed for two bomb shelter deaths, everything changed

A Life Like Any Other review – wonderfully moving look back at a mother’s resilience

Faustine Cros’s documentary revisits home videos from her childhood through fresh eyes having learned as an adult what her young self had missed

Post navigation

← Older posts
Newer posts →

  • Summer box office 2026: what can we learn from the hits and misses?
  • The Extractor review – Indonesian hostage-rescue thriller has surprising thread of gentleness at its core
  • Beveridge revisited: Simon Callow film celebrates the radical co-founder of Britain’s welfare state
  • Pin de Fartie review – spoonerist remix of Samuel Beckett’s Endgame finds fresh absurdity in Argentina
  • Onslaught review – super soldier slasher doesn’t go hard enough
  • ‘The whistling on the theme tune? That’s Dickie Attenborough!’ Hayley Mills on Whistle Down the Wind
  • ‘Revenge of the Rust belt’: Starbucks film-maker on Baristas vs Billionaires
  • Parasomnia review – sleep-schedule horror conjures up a succubus on the loose in waking nightmare
  • ‘Sometimes you just need a good cry’: why Little Women is my feelgood movie
  • Bel review – the powerful life force and haunting absence of a traumatised singer-songwriter
  • The Black Garden review – haunting study of growing up in war-torn Nagorno-Karabakh
  • Moritz de Hadeln obituary
  • Tom Cruise, Olivia Colman and the return of Rocky: the best films of autumn 2026
  • Big tech goes to Hollywood: is Silicon Valley ready for a silver-screen reckoning?
  • From The Dog Stars to Erykah Badu: your complete entertainment guide to the week ahead
  • Rob Reiner’s son Jake gives first interview after parents’ deaths: ‘I will never understand why this happened’
  • ‘I don’t care if I look good’: French heartthrob Louis Garrel on fashion, fatherhood and his radically dorky new role
  • Memo to Ridley Scott: no one needs more Alien: Covenant movies – get the franchise back to stalk’n’slash
  • Harvest to The Whisper Man: the seven best films to watch on TV this week
  • Nicola Coughlan and Matt Lucas among stars backing campaign against AI voice cloning
  • The Whisper Man review – Robert De Niro sleepwalks through silly Netflix potboiler
  • ‘It’s the story of what happens when the music stops’: bringing tormented jazz legend Bill Evans to life
  • The Secret Woman review – Claes Bang is dastardly gaslighter in Danish amnesia thriller
  • Actor Peter Cullen, voice of Optimus Prime and Eeyore, dies aged 85
  • Tim Curry obituary
  • Robert Carlyle: ‘When we did The Full Monty strip, the reaction from the crowd was terrifying’
  • Marketing meltdown: why has Andrew Garfield’s new film suddenly added Robin Hood?
  • ‘He could arch both eyebrows and curl his lips in every direction all at once’: Tim Curry’s five best screen roles
  • Idiots review – throwback bro comedy is an entertaining summer seat-filler
  • Share your tributes and memories of Tim Curry

Contact www.brillfilms.com   Terms of Use