BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

‘An antidote to all things stressful’: why Stardust is my feelgood movie

The latest in our series of writers calling attention to their most rewatched comfort films is a celebration of the star-packed 2007 fantasy

Voidance review – very British sci-fi movie is like Miss Marple with a space blaster

There’s plenty of charm in the low-budget inventiveness of this low-budget murder mystery set in a Wetherspoon’s for interstellar truckers

Relentless Memory review – a vital oral history of the plight of the Mapuche people

In Paula Rodríguez’s impressionistic documentary, an academic’s South American travelogue brings the painful story of a proud Indigenous society to life

‘An orgy of antisemitism is overtaking the west’: Son of Saul’s László Nemes on Hollywood hypocrisy

His extraordinary Auschwitz film won every award going. Now the Hungarian director is back with new drama Orphan, as well as a Jean Moulin biopic at Cannes. He talks about resurgent global prejudice – and refusing to be lectured by the film industry ‘overclass’

French star Patrick Bruel denies multiple sexual assault allegations

Singer and actor who has appeared in more than 40 films faces investigations in France and Belgium

Cate Blanchett says #MeToo ‘got killed very quickly’ in Hollywood

Australian actor says there are still ‘10 women and 75 men’ on film sets a decade after the gender equality movement dominated conversations

Garance review – Adèle Exarchopoulos gives it her all in ripe but flimsy portrait of alcohol addiction

Cannes film festival: Performer is as good as ever but her actor character is thinly conceived in a fundamentally implausible depiction of how to grapple with alcoholism

Maverick: The Epic Adventures of David Lean review – a dashing retrospective for a cinematic titan

Cannes film festival: Barnaby Thompson’s documentary on the great British director is an exhilarating delve into the ebb and flow of Lean’s peerless career and sometimes complex personal life – with a grand cast of talking heads

France’s top film producer says it will blacklist figures who petitioned against rightwing billionaire

Canal+ head says he will not work with hundreds of actors and directors who signed protest against Vincent Bolloré’s political sway

Adam Driver saving response to Lena Dunham allegations ‘for my book’

Actor otherwise has ‘no comment’ on Girls creator’s claims about his on-set behaviour as he speaks at Cannes film festival

Moulin review – László Nemes’s resistance hero drama is chilling, stirring and surprisingly conventional

Cannes film festival: The Son of Saul director’s dramatisation of Jean Moulin’s torture by Klaus Barbie both benefits and suffers from its mainstream approach

You’re supposed to be quiet in the cinema. So why are the snacks so loud?

The long-running series in which readers answer other readers’ questions on subjects ranging from trivial flights of fancy to profound scientific and philosophical concepts

Paper Tiger review – Adam Driver and Scarlett Johansson reunite for heavyweight James Gray saga

Cannes film festival: The Marriage Story stars team up with Miles Teller for this sombre and impressive story of shady dealings in 80s New York

‘They lost a historic opportunity’: Ken Loach laments Your Party infighting

Film-maker and longtime Corbyn ally says ‘poor behaviour’ squandered chance to unite the left in fight against far right

The Beloved review – Javier Bardem turns in a career-scariest performance

Cannes film festival: This tremendously alarming drama from Rodrigo Sorogoyen is a meditation on male auteurs entirely without sentimentality

Post navigation

← Older posts
Newer posts →

  • John Cameron Mitchell: ‘It’s punk to turn off your phone – you’re walking away from the herd’
  • Sam Neill on making Hunt for the Wilderpeople: ‘We were attacked by a puppet pig!’
  • This Is Ballroom review – pulsating documentary tells story of Brazilian ballroom
  • How to feel optimistic in the face of crisis? Ask the kids fighting slug-like aliens
  • Lesbians, latex and $2,000 condoms: why are this summer’s movies so obsessed with sex?
  • RL Stine’s Pumpkinhead review – horror from Goosebumps writer has kid confined inside large fruit
  • Ancestral Visions of the Future review – visceral cine-memoir is a haunting return to Lesotho
  • Harry Potter fans force relocation of £430m undersea cable to avoid Dobby’s ‘grave’
  • It’s not just the Odyssey effect: poetry is booming because it’s the only language for these times of violence and chaos
  • Mermaid Beach review – Wales gets its mermaidcore moment in teen-empowerment tale
  • Movie paradise? How Malta became a magnet for big film shoots
  • I Rarely Wake Up Dreaming review – brilliant bulletin from Ukrainian frontline dives deep into culture war
  • ‘Watch The Odyssey for free online’: scam targets film fans with fake streaming sites
  • Sex, drugs and washing dishes: inside Anthony Bourdain’s unruly younger years
  • Human Centipede director Tom Six reveals multiple sclerosis diagnosis in ‘final film’
  • The Guide #255: The great front‑row backlash ignores what makes films feel truly colossal
  • ‘I’ve always felt too old and too young at the same time’: The Last of Us star Bella Ramsey on swapping child stardom for cult television – and Celebrity Traitors
  • From Love Me Tender to Kevin Bridges: your complete entertainment guide to the week ahead
  • Tony Jones: ‘I’m very far from being an activist’
  • Sam Neill filmed role in Legend of Zelda film adaptation before his death
  • Out of the blue: James Cameron’s surprise departure would be good for Avatar
  • Hamnet to On Falling: the seven best films to watch on TV this week
  • The Last House review – post-Covid apocalyptic lockdown thriller is a solid night in
  • ‘These cooks ripped each other apart’: Dominic Sessa on playing Anthony Bourdain, kitchen bullies and the joys of being a 70s barfly
  • ‘James Dean has got nothing on that kid’: River Phoenix films – ranked!
  • Practical Magic review – Nicole Kidman and Sandra Bullock’s 90s witchy fantasy still enchants
  • Super Troopers 3 review – misfiring cop comedy threequel
  • Hunt for the Wilderpeople review – Sam Neill is warm and wise in Taika Waititi’s goofily tremendous film
  • Nadja review – Dracula’s daughter is divine in dreamy lo-fi modern vampire tale of predatory sexuality
  • How to Feed a Dictator review – what was on the menu for some of the world’s most evil men

Contact www.brillfilms.com   Terms of Use