BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Erling Haaland to make film acting debut – as a Viking called Haaland

The Manchester City striker will feature in Viqueens, an animated film by director Harald Zwart, who described him as ‘powerful, fearless and uniquely Norwegian’

A year in hospital and 90% lung damage: how Andrey Zvyagintsev came back from Covid to Cannes

Cannes film festival: The great Russian director of Leviathan, Loveless and The Return has overcome extraordinary obstacles to present his first film in nine years

‘The nuance of being a Black woman in America’: Is God Is turns righteous rage into gory horror

Actors Vivica A Fox, Kara Young and Mallori Johnson on subverting revenge tropes as Aleshea Harris’s play storms on to the screen

The Testament of Ann Lee to The Bride! The seven best films to watch on TV this week

Amanda Seyfried is astonishing in a fascinating musical about the Shaker sect, plus Maggie Gyllenhaal’s Frankenstein remix turns the stupendous Jessie Buckley into a girl power punk

Swindon is not enough – every new housing estate deserves a Dench Close

Bond Place and Desmond Crescent have been named in honour of the 007 franchise after some scenes were shot nearby in the 90s – why stop there?

Are you sitting uncomfortably? How Backrooms upended the horror movie

It was just a creepy picture on the internet. Now it’s the year’s freakiest film. Its 20-year-old auteur Kane Parsons and stars Chiwetel Ejiofor and Renate Reinsve take us through the terrifying labyrinth

Parallel Tales review – Isabelle Huppert pens furtive sexual fantasy for Vincent Cassel in Asghar Farhadi’s latest

Cannes film festival: Iranian auteur Asghar Farhadi returns to France with this intriguing middleweight meta-drama featuring a cameo from Catherine Deneuve

Fatherland review – Sandra Hüller brings a bayonet of intelligence to Paweł Pawlikowski’s taut return

Cannes film festival: Hanns Zischler stars as Thomas Mann on his 1949 tour of Germany, contending with political barbs, personal tragedy and his daughter, played by an extraordinary Hüller

Hannah Einbinder: cost of not speaking out on Palestine is greater than losing career

Hacks star spoke at Cannes about fallout from pro-Palestine comments and joining a tradition of Jewish allies

Please stop making music biopics. We need a break from this tired genre that is essentially expensive karaoke

With the release of Michael and not one but four Beatles feature films under way, I am once again calling for a moratorium on these films (with one exception)

‘It’s a distraction-free zone’: Gen Z on why they love going to the movies

Filmgoers born after 1997 are reviving cinemas’ hopes of survival. They tell us about the social experience where ‘there’s absolutely no commitment to chat’

Is God Is review – fiery revenge thriller flies from stage to screen

There are echoes of both Kill Bill and Thelma & Louise in Aleshea Harris’s sharply told tale of sisters heading to kill their father

Top Gun review – now impossible to view Tom Cruise’s testosterone-swamped film without affection

This gave a young Cruise entry into the A-list, as the brilliant, courageous rule-breaking pilot, frenemy of Val Kilmer and in love with Kelly McGillis

Post your questions for Tom Hanks and the cast of Toy Story 5

Tim Allen, Joan Cusack and Greta Lee join Hanks to answer your enquiries about the forthcoming animation and its previous instalments

Spit, vomit and a banned baby: Cannes controversies – ranked!

For every standing ovation there’s a riotous backlash – the film festival’s history is littered with boos, protests, furious rows and career-defining disasters

Post navigation

← Older posts
Newer posts →

  • The Pout-Pout Fish review – Nick Offerman is best thing in kids cartoon adventure on the high seas
  • Love me, love my bruised ego: what the narcissist-artist film tells us about the fear of ageing
  • John Cameron Mitchell: ‘It’s punk to turn off your phone – you’re walking away from the herd’
  • Sam Neill on making Hunt for the Wilderpeople: ‘We were attacked by a puppet pig!’
  • This Is Ballroom review – pulsating documentary tells story of Brazilian ballroom
  • How to feel optimistic in the face of crisis? Ask the kids fighting slug-like aliens
  • Lesbians, latex and $2,000 condoms: why are this summer’s movies so obsessed with sex?
  • RL Stine’s Pumpkinhead review – horror from Goosebumps writer has kid confined inside large fruit
  • Ancestral Visions of the Future review – visceral cine-memoir is a haunting return to Lesotho
  • Harry Potter fans force relocation of £430m undersea cable to avoid Dobby’s ‘grave’
  • It’s not just the Odyssey effect: poetry is booming because it’s the only language for these times of violence and chaos
  • Mermaid Beach review – Wales gets its mermaidcore moment in teen-empowerment tale
  • Movie paradise? How Malta became a magnet for big film shoots
  • I Rarely Wake Up Dreaming review – brilliant bulletin from Ukrainian frontline dives deep into culture war
  • ‘Watch The Odyssey for free online’: scam targets film fans with fake streaming sites
  • Sex, drugs and washing dishes: inside Anthony Bourdain’s unruly younger years
  • Human Centipede director Tom Six reveals multiple sclerosis diagnosis in ‘final film’
  • The Guide #255: The great front‑row backlash ignores what makes films feel truly colossal
  • ‘I’ve always felt too old and too young at the same time’: The Last of Us star Bella Ramsey on swapping child stardom for cult television – and Celebrity Traitors
  • From Love Me Tender to Kevin Bridges: your complete entertainment guide to the week ahead
  • Tony Jones: ‘I’m very far from being an activist’
  • Sam Neill filmed role in Legend of Zelda film adaptation before his death
  • Out of the blue: James Cameron’s surprise departure would be good for Avatar
  • Hamnet to On Falling: the seven best films to watch on TV this week
  • The Last House review – post-Covid apocalyptic lockdown thriller is a solid night in
  • ‘These cooks ripped each other apart’: Dominic Sessa on playing Anthony Bourdain, kitchen bullies and the joys of being a 70s barfly
  • ‘James Dean has got nothing on that kid’: River Phoenix films – ranked!
  • Practical Magic review – Nicole Kidman and Sandra Bullock’s 90s witchy fantasy still enchants
  • Super Troopers 3 review – misfiring cop comedy threequel
  • Hunt for the Wilderpeople review – Sam Neill is warm and wise in Taika Waititi’s goofily tremendous film

Contact www.brillfilms.com   Terms of Use