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Sweary first trailer for young Anthony Bourdain biopic

Dominic Sessa, The Holdovers breakout, will play legendary chef in a 70s-set drama from BlackBerry’s director

Our Land review – right-to-roam campaigners offer bacchanalian antics and a heartfelt message

Orban Wallace’s documentary avoids big clashes between landowners and campaigners in favour of wide-ranging exploration

An AI version of Milton’s Paradise Lost is fundamentally unworthy of one of the great works of art

Pulp Fiction co-writer Roger Avary wants to bring the epic poem to the big screen using the power of artificial intelligence. It can’t be any good

The Odyssey: new trailer for Christopher Nolan’s classical Greek epic released online

Trailer offers glimpses of Matt Damon as mythological hero Odysseus, Tom Holland as his son Telemachus and Anne Hathaway as his wife, Penelope

Is Jeff Bezos the real villain of The Devil Wears Prada 2?

The film’s villain is a conniving tech oligarch seeking to buy his way into fashion’s inner circle. Sound familiar?

Surrender review – Josh Duhamel hunts smirking serial killer in 90s throwback thriller

A whiff of David Fincher’s Seven lingers in the air but this moody crime drama from David Lipper is devoid of clever twists

Preemptive Listening review – artist’s film about sirens is buzzing with sonic ideas

With its striking images and experimental soundtrack, artist Aura Satz’s film is an endurance test that might work better in a gallery

Blake Lively and Justin Baldoni settle lawsuit over acrimonious It Ends With Us production

Settlement details were not revealed in the agreement that put an end to a highly anticipated trial before it began

Kokuho review – passionately male Cain-and-Abel kabuki epic of gender-crossing actors

Lee Sang-il’s heartfelt drama spans 50 years following the bond and rivalry between two young men who play the rigorously observed female roles in the traditional art form

The Devil Wears Prada 2: bitchy one-liners, devious double-crossing and Lady Gaga – discuss with spoilers

Meryl Streep and Anne Hathaway shine in frothy sequel that smartly comments on struggling media industry

Self Driver review – cabbie who signs up for sinister app offers Travis Bickle take on the gig economy

A desperate driver joins a service that directs him down a shadowy path in this interesting, less-is-more satirical thriller

‘As reassuring as a warm hug’: why Donnie Darko is my feelgood movie

The latest in our series of writers paying tribute to their most rewatched comfort films is an unusual journey back to the 1980s through the lens of the early 2000s

Breakwater review – troubled souls cross class and age barriers in nicely judged debut feature

An Oxford theology student and a middle-aged fisher are drawn together despite their many differences in an ambitious first film from Max Morgan

Rise of the Conqueror review – Gladiator meets throat singing as Mongol hordes ride out

Christian Mortensen takes up arms as the 14th-century kingmaker Timur but could do with a stronger force behind him and a better beard in front

The Devil Wears Prada 2 struts to stunning $233m opening weekend at box office

Sequel a rare example of female-skewing movie leading the North American summer offerings – and highest opening weekend yet for a Meryl Streep film

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  • Isaac Mizrahi on stage, style and the legacy of Unzipped: ‘Fashion has no real spine any more’
  • Momo and the Time Thieves review – kids’ fantasy jaunt sticks the boot into capitalism
  • ‘A horrible nightmare’: the shocking story of the eBay harassment scandal
  • Nimrods review – Green Day’s early years inspire teenage kicks in amiable punk road movie
  • The Pout-Pout Fish review – Nick Offerman is best thing in kids cartoon adventure on the high seas
  • Love me, love my bruised ego: what the narcissist-artist film tells us about the fear of ageing
  • John Cameron Mitchell: ‘It’s punk to turn off your phone – you’re walking away from the herd’
  • Sam Neill on making Hunt for the Wilderpeople: ‘We were attacked by a puppet pig!’
  • This Is Ballroom review – pulsating documentary tells story of Brazilian ballroom
  • How to feel optimistic in the face of crisis? Ask the kids fighting slug-like aliens
  • Lesbians, latex and $2,000 condoms: why are this summer’s movies so obsessed with sex?
  • RL Stine’s Pumpkinhead review – horror from Goosebumps writer has kid confined inside large fruit
  • Ancestral Visions of the Future review – visceral cine-memoir is a haunting return to Lesotho
  • Harry Potter fans force relocation of £430m undersea cable to avoid Dobby’s ‘grave’
  • It’s not just the Odyssey effect: poetry is booming because it’s the only language for these times of violence and chaos
  • Mermaid Beach review – Wales gets its mermaidcore moment in teen-empowerment tale
  • Movie paradise? How Malta became a magnet for big film shoots
  • I Rarely Wake Up Dreaming review – brilliant bulletin from Ukrainian frontline dives deep into culture war
  • ‘Watch The Odyssey for free online’: scam targets film fans with fake streaming sites
  • Sex, drugs and washing dishes: inside Anthony Bourdain’s unruly younger years
  • Human Centipede director Tom Six reveals multiple sclerosis diagnosis in ‘final film’
  • The Guide #255: The great front‑row backlash ignores what makes films feel truly colossal
  • ‘I’ve always felt too old and too young at the same time’: The Last of Us star Bella Ramsey on swapping child stardom for cult television – and Celebrity Traitors
  • From Love Me Tender to Kevin Bridges: your complete entertainment guide to the week ahead
  • Tony Jones: ‘I’m very far from being an activist’
  • Sam Neill filmed role in Legend of Zelda film adaptation before his death
  • Out of the blue: James Cameron’s surprise departure would be good for Avatar
  • Hamnet to On Falling: the seven best films to watch on TV this week
  • The Last House review – post-Covid apocalyptic lockdown thriller is a solid night in
  • ‘These cooks ripped each other apart’: Dominic Sessa on playing Anthony Bourdain, kitchen bullies and the joys of being a 70s barfly

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