BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

The Life and Deaths of Wilson Shedd review – Amanda Seyfried compels in wrenching prison drama

Tim Blake Nelson writes and directs a challenging, and unsettling, look at empathy and forgiveness that strikes a haunting note

Love of Your Life review – Margaret Qualley eats, grieves and loves in Amazon’s transporting saga

The actor gives one of her best performances to date in a smoothly made globe-trotting drama of a woman’s life after the loss of her husband

Onwards and Sideways review – Rhys Ifans and Laura Linney lift solid Parkinson’s drama

Toronto film festival: Shakespeare in Love director John Madden’s feelgood – and bad – comedy-drama is powered by excellent performances and authenticity

Babies review – Anna Kendrick and Seth Rogen embrace childlessness in breezy comedy

To be a parent or not to be a parent is the question propelling this often insightful yet largely run-of-the-mill riff on a Judd Apatow movie

I Play Rocky review – crowd-pleasing Stallone biopic is heavy on fan service, light on real emotion

There’s a knockout central performance from Anthony Ippolito in this otherwise rather lightweight making-of comedy drama

Closing Night review – fiery women face off in Almodóvar-lite melodrama

Sarah Paulson, Naomi Watts and Dianne Wiest are all impressive in actor-turned-director Cody Fern’s debut but they’re left stranded

Trash Mountain review – Caleb Hearon’s coming home indie is a funny if familiar journey

A city-dwelling gay guy has to go home to rural Missouri after his father dies in this Sundance-by-numbers comedy drama that has its moments

Shaun the Sheep: The Beast of Mossy Bottom review – Aardman’s spooky-season caper sparkles with fun

There’s trouble afoot when Shaun’s pumpkin-supersizing serum ends up in a balding farmer’s hair growth bottle in this third cinematic adventure

Your Mother Your Mother Your Mother review – Mahershala Ali is a grieving hitman in soulful thriller

The two-time Oscar-winner is an unusual killer in a compelling mix of pulpy action and family drama

Misty Green review – Chris Rock’s jumbled LA drama saved by fiery Rosalind Eleazar

There’s a stunning lead performance from the breakout British actor but the film surrounding her can’t quite match what she’s bringing

Woman Unknown wins Venice film festival as NAZA takes special jury prize

May el-Toukhy becomes eighth female director to take Golden Lion as Lee Chang-dong’s Possible Love and Guardian-produced exposé of Israel’s Gaza killings also awarded

Bold and bravura choices as Venice celebrates A Woman Unknown, Possible Love and NAZA

After facing heavy criticism over its lack of female directors, the film festival may have redeemed itself with its winners’ list

Film producer Jeremy Thomas was a cross between a kindly Cambridge don and the movie world’s cool uncle

The man behind The Last Emperor had the confidence of an old-fashioned studio boss along with the soul of a cineaste

Everybody Wants to Fuck Me review – Taron Egerton is hounded in sharp-toothed dating nightmare

It’s Get Out meets the Shitty Media Men list in this entertaining mix of dark comedy and thriller with a brilliant alternating turn from Taron Egerton

Jeremy Thomas, British producer of The Last Emperor and Sexy Beast, dies aged 77

An outstanding figure in the UK film industry, Thomas was noted for collaborations with directors including Bernardo Bertolucci and David Cronenberg

Post navigation

← Older posts
Newer posts →

  • Always a joker: Magda Szubanski reveals Heath Ledger asked to play her stalker on Kath and Kim
  • ‘In our deepest hearts we are voyeurs’: the paedophile-hunting show that inspired Robert Pattinson’s new film
  • Meryl Streep’s casting as Aslan has angered the Christian right. Don’t they have more pressing issues?
  • ‘She never accepted no’: Liam Neeson on dogged heroine behind Tuam mass baby grave film
  • My dad was a monster! Sara Karloff on reviving Frankenstein, 95 years on
  • Susan Sarandon and Hannah Einbinder arrested at anti-Netanyahu protest in New York
  • ‘Cracking auction, Gromit!’ Original Aardman puppets go under the hammer
  • Bob Mackie obituary
  • ‘I get lost going to the bathroom’: John Hannah on world travel, stealing props and being ‘the Scottish Eminem’
  • Global release announced for acclaimed Gaza documentary NAZA
  • Post your questions for Zach Braff
  • Greek epics, gory obsessions and awkward invites: where does this year’s Oscars race stand?
  • ‘I’m a writer but then nobody’s perfect’: how Billy Wilder conquered Hollywood
  • Forgotten Island review – best friends forever trapped in frantic DreamWorks animation
  • Twenty years after An Inconvenient Truth, Al Gore still believes in the climate fight: ‘We are going to win this’
  • ‘He made something every single day’: David Lynch’s inscrutable photography celebrated in LA show
  • Manhunter review – Michael Mann serves up a bold and queasy starter to the serial killer spectacle
  • Boorman and the Devil review – enjoyable re-evaluation of the disaster that was Exorcist II: The Heretic
  • Another taste of honey: Shelagh Delaney’s long-lost play about a teenage truant is a little gem
  • North Sea, Nature Untamed review – stunning footage finds the beauty and splendour under the water
  • The Love Hypothesis review – hit BookTok romcom lacks spark on screen
  • Remake review – Ross McElwee’s magnificent and moving tribute to a tragic loss and the art it inspired
  • Post your questions for Miranda Richardson
  • Great to see what Tom Cruise’s belly button looks like, but it’s the stuff he is never asked about that interests me
  • Heart of the Beast review – Brad Pitt survivalist dogmance serves up wilderness with side of cheese
  • Heresy review – feminist folk horror summons something scary in the woods with supply of fresh blood
  • Shadows of Beirut review – chaos and crisis as woman goes back to birth city in fractured Covid-era drama
  • Brigitte Bardot’s personal items sell for nearly €1m at auction in Paris
  • Meet Barbie Pig: new documentary reveals the wonders of life on the Pacific seabed
  • Babystar review – a new arrival upends camera-ready life in disturbing family influencer satire

Contact www.brillfilms.com   Terms of Use