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One Last Deal review – Danny Dyer revs up phone-bound yarn about fast-talking football agent

Dyer is perfectly cast as the foul-mouthed agent whose fortunes are in jeopardy with his client facing jail. And Darth Vader’s on the blower

Shia LaBeouf cleared to travel to Rome for father’s baptism days after court denial

A different New Orleans judge approved the trip while the actor remains out on bond in Mardi Gras battery case

A Pale View of Hills review – two-stranded adaptation of Kazuo Ishiguro novel in the shadow of the A-bomb

Kei Ishikawa’s take on Ishiguro’s first published work is frustrating and bland, undermining its fascinating characters’ emotional truths

Why F1 the Movie should win the best picture Oscar

It may not be in pole position, but Brad Pitt and director Joseph Kosinski’s sleek, technically inventive ode to motor racing definitely qualifies for the Academy podium

Your Oscars questions answered: ‘The best film of the year hasn’t actually won best picture since 12 Years a Slave’

Who should win? Who’s been snubbed? Guardian film editor Catherine Shoard answers your Oscars questions

The Tasters review – wartime historical drama about Hitler’s Wolf’s Lair food samplers

A shallow, unconvincing storyline and deeply uncomfortable scenes as starving women, unaware of why they are there, are fed titbits

Ron Howard, Emma Rice, Neil Tennant and more on Liza Minnelli: ‘She holidayed in my Cornish bungalow’

The showbiz legend has spent her whole life in the spotlight. As she turns 80, her friends and collaborators share their stories from Hollywood singalongs to acid house raves

Bon Jovi biopic in the works from Universal Pictures

Film to cover early years of rockers and their breakout with hits like Livin’ on a Prayer and You Give Love a Bad Name

Academy wars: how did this season’s Oscars discourse get so toxic?

Fury over Timothée Chalamet’s comments about ballet or Jessie Buckley not liking cats has reached a bizarre fever pitch as the industry wills this Sunday to arrive faster

Long lost George Michael film and live album set for release later this year

George Michael: The Faith Tour will receive a global cinema release alongside previously unheard music from his Wham! and solo discographies

Bodycam review – low-budget chiller oozes with supernatural menace

When a couple of cops turn up to a domestic violence call, things take a nasty turn as we see the mayhem unfold thanks to their body-worn cameras

Leap Year is patently ridiculous and widely panned. It’s also the perfect romcom

Starring Amy Adams and Matthew Goode as enemies-to-lovers, this very American portrait of Ireland happens to be charming

I’ll also be back as Conan: Arnold Schwarzenegger to make third Barbarian film 44 years after original

The 78-year-old has announced a return to the action hero role that made his name in 1982, promising ‘all kinds of madness’

Project Hail Mary review – Ryan Gosling’s charm carries unserious last-ditch space mission

Tale of a brilliant molecular biologist cast into outer space with only a helpful alien for company is a bit silly, but Gosling’s charisma keeps it watchable

Sex with Scorsese, beef with Sondheim … and inventing the moonwalk? The wildest moments in Liza Minnelli’s memoir

From Peter Sellers dressing like a Nazi, to having to manage her mother Judy Garland’s addiction, jaws will drop at Minnelli’s anecdotes

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  • The Wrong Girls review – Kristen Stewart fumbles through forgettable stoner comedy
  • Don’t Say Good Luck review – high-school musical weepie puts Sunny Sandler in the spotlight
  • The End of Oak Street review – suburban dino-survival romp is more turkey than T-rex
  • In Venice, it’s not politics as usual as film-makers aim to recapture our attention
  • Steal This Story, Please! review – Amy Goodman, stalwart of the American left, shows her teeth
  • Mutants assemble: what does the future hold for the X-Men?
  • Chum review – daft shark attack movie with wedding guests running gamut of toothy undersea beast
  • ‘Sometimes they credit the janitor. But not us’: what’s it like to be a child chaperone on a film set?
  • Songs of Forgotten Trees review – sensitive, ambiguous drama of female intimacy in Mumbai
  • Post your questions for John Hannah
  • ‘I turned down Gandhi because I’m terrified of snakes’: the amazing movie memories of Bruce Dern
  • Edgier than the TV series, Michael Mann’s take on Miami Vice is gritty and intoxicating
  • ‘Everything about me is good in his eyes’: the women in China choosing AI boyfriends over human men
  • Never Had a Chance review – a slice of gritty British Asian life with a side of drug dealing and addiction
  • Isaac Mizrahi on stage, style and the legacy of Unzipped: ‘Fashion has no real spine any more’
  • Momo and the Time Thieves review – kids’ fantasy jaunt sticks the boot into capitalism
  • ‘A horrible nightmare’: the shocking story of the eBay harassment scandal
  • Nimrods review – Green Day’s early years inspire teenage kicks in amiable punk road movie
  • The Pout-Pout Fish review – Nick Offerman is best thing in kids cartoon adventure on the high seas
  • Love me, love my bruised ego: what the narcissist-artist film tells us about the fear of ageing
  • John Cameron Mitchell: ‘It’s punk to turn off your phone – you’re walking away from the herd’
  • Sam Neill on making Hunt for the Wilderpeople: ‘We were attacked by a puppet pig!’
  • This Is Ballroom review – pulsating documentary tells story of Brazilian ballroom
  • How to feel optimistic in the face of crisis? Ask the kids fighting slug-like aliens
  • Lesbians, latex and $2,000 condoms: why are this summer’s movies so obsessed with sex?
  • RL Stine’s Pumpkinhead review – horror from Goosebumps writer has kid confined inside large fruit
  • Ancestral Visions of the Future review – visceral cine-memoir is a haunting return to Lesotho
  • Harry Potter fans force relocation of £430m undersea cable to avoid Dobby’s ‘grave’
  • It’s not just the Odyssey effect: poetry is booming because it’s the only language for these times of violence and chaos
  • Mermaid Beach review – Wales gets its mermaidcore moment in teen-empowerment tale

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