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Oh. What. Fun. review – Michelle Pfeiffer leads Amazon’s underbaked Christmas turkey

Starry cast, including Felicity Jones and Chloë Grace Moretz, can’t save misfiring cross between Home Alone and The Family Stone

Sunset Boulevard review – Hollywood never looked more glorious or more tragic

Gloria Swanson is extraordinary as faded film-star Norma Desmond in Billy Wilder’s cameo-packed self-referential masterpiece about tinseltown ghosts and delusions

‘Ingrained in my psyche’: why Gremlins 2: The New Batch is my feelgood movie

The latest in our series of writers highlighting their favourite comfort rewatches is a look back at Joe Dante’s raucously rule-defying sequel

Tom Stoppard, playwright of dazzling wit and playful erudition, dies aged 88

A theatrical sensation since the 1960s, whose dramas included Arcadia, The Real Thing and Leopoldstadt, Stoppard also had huge success as a screenwriter

O come out ye faithful: a joyful roundup of UK culture this Christmas

Beauty and the Beast or Wolf Alice? Queen Marie Antoinette or Count Arthur Strong? Come and behold: the holiday season offers stage, film, music and art that’s worth singing about

Jingle Bell Heist review – Netflix comedy is slight cut above standard festive filler

A game cast and some decent twists help to elevate this passably entertaining London-set Christmas offering about a department store robbery

Wake Up Dead Man: A Knives Out Mystery review – Josh O’Connor excels in another deadpan delight

Daniel Craig is joined by a sparkling array of talent including O’Connor, Glenn Close and Josh Brolin in this latest murder mystery with a religious undercurrent

Rush Hour 4 in the works at Paramount after reports of Trump intervening

Brett Ratner, accused of sexual misconduct by several women, will bring his hit franchise back to the big screen

‘A Thanksgiving classic’: why Stuck in Love is my feelgood movie

The latest in our series of writers highlighting their all-time favorite comfort films is a 2012 indie romcom that begins and ends on the November holiday

The Creeps review – reference-heavy mashup of Gremlins and American Pie is stupid-funny

On paper, ‘horny teens do battle with mini demon snowmen’ sounds fun, but the jokes are dumb and the references to better films only draw attention to its weaknesses

Rab C Nesbitt actor Gregor Fisher: ‘People say: I didn’t realise you could speak properly!’

He’s been in everything from Love Actually to Shakespeare with Al Pacino – but will he always be thought of as the string-vest-wearing boozy Glaswegian? Ahead of a tour as himself, the actor and Instagram cookery guru looks back

The Saragossa Manuscript review – cult Polish period-costume comedy is outrageous head-spinner

Wojciech Has’s slice of 1960s surrealism is set in 18th-century Spain, as an officer careens through farcical encounters and erotic episodes in a wild ride that could be a series of Monty Python sketches

Champagne Problems review – Netflix’s latest Christmas romcom lacks fizz

The streamer continues its annual onslaught of forgettable festive films with a mostly charmless romance set in France

Bone Lake review – holiday rental house of horror is fun for everyone

You don’t need to be a fright flick aficionado to enjoy this smart and witty tale of a romantic weekend break going gruesomely wrong

3 Wishes for Christmas review – seasonal romcom has all the personality of a supermarket voucher

Unimaginative British fable has a credible lead in Christine During, but otherwise it’s the movie equivalent of receiving socks as a present

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← Older posts

  • The Alto Knights to Under the Stars: the seven best films to watch on TV this week
  • Netflix becomes frontrunner in Warner Bros Discovery streaming and studio sale
  • ‘The goal was to scare a kid’: the wild world of films-within-films
  • Steve Cropper obituary
  • ‘A joyous and emotional journey’: immersive exhibition charts Coventry’s south Asian heritage
  • Five Nights at Freddy’s 2 review – inept game-based horror is one of the year’s worst
  • Tom Felton: ‘I agree with Barbie – blonds have more fun’
  • TV Tonight: celebrating two of the best Christmas films ever
  • ‘It was legs out all the time!’ June Squibb on starring in Scarlett Johansson’s directing debut – and Broadway’s original Gypsy
  • Oh. What. Fun. review – Michelle Pfeiffer leads Amazon’s underbaked Christmas turkey
  • Mr Men and Little Miss feature film in the works from Paddington producers
  • It Was Just an Accident review – Jafar Panahi takes us on a nightmare trip into a land of bribes and brutality
  • Jamie Lee Curtis asked My Girl studio to put trigger warning on poster over Macaulay Culkin bee sting
  • Sunset Boulevard review – Hollywood never looked more glorious or more tragic
  • Quentin Tarantino has strong opinions about Paul Dano and none of them are right
  • Cover-Up review – atrocity exposer Seymour Hersh, journalist legend, gets a moment in the spotlight
  • ‘BDSM on screen used to just mean a gimp in the basement’: the kink community’s verdict on Pillion
  • One Battle After Another gains Oscars traction after early awards season wins
  • Jodie Foster, who began her career aged three, calls acting ‘a cruel job’ she never would have chosen
  • ‘He asked me what I’d done sexually with a woman’: how Joy Gharoro-Akpojotor turned her asylum grilling into a film
  • Anne Hathaway and Michaela Coel face off in first trailer for pop star epic Mother Mary
  • Life in One Chord review – the Dunedin sound through the eyes of a music maverick
  • The Outsiders: why Francis Ford Coppola’s coming-of-age drama is secretly gay
  • Prime Minister review – portrait of Jacinda Ardern shows a fully human being in charge for once
  • Magazine Dreams review – powerful bodybuilding drama dogged by star Jonathan Majors’ assault conviction
  • Folktales review – taking on tyranny of social media as teens learn to live like hunter-gatherers
  • Dreamers review – deep sense of empathy powers emotionally vivid refugees’ drama
  • British public’s verdict is in: Die Hard is not a Christmas movie
  • Scarlett Johansson says she was pressed to remove Holocaust narrative from directing debut
  • Marty Supreme review – Timothée Chalamet a smash in spectacular screwball ping-pong nightmare

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