BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts

‘Endlessly quotable’: why Wayne’s World is my feelgood movie

The latest in our series of writers paying tribute to their most rewatched comfort films is a trip back to 1992 for the unique rock comedy

Catherine O’Hara managed to make difficult characters utterly delightful

The death of the 71-year-old actor and comedian leaves behind a long line of unforgettably original comic creations, from Beetlejuice to Schitt’s Creek

Chasing Summer review – incoherent small-town comedy is a baffling car crash

Comedian Iliza Schlesinger’s nonsensical misfire is a swirl of cliches, unfunny comedy, stock characters and bizarre direction from Josephine Decker

Is This Thing On? review – funny is as funny does in Bradley Cooper’s John Bishop-inspired tale

Cooper directs Will Arnett in this likable, semi-believable story about a man heading for a divorce who discovers a cathartic outlet in comedy

Nouvelle Vague review – Richard Linklater bends the knee to Breathless and Jean-Luc Godard

Linklater recreates the making of the landmark French New Wave classic with an awestruck tastefulness that smooths over any disruptiveness

Gail Daughtry and the Celebrity Sex Pass review – silly, scattershot Hollywood comedy

Zoey Deutch is a small-town girl hunting down Jon Hamm for sex in David Wain’s disposable yet often funny lark

Send Help review – Sam Raimi returns with gore-laced plane-crash survival face-off

Starring Rachel McAdams, this gets off to a promising start, but the plot twists are derivative and the tacked-on violence descends into exasperating silliness

The Gallerist review – Natalie Portman flounders in tiring art world caper

The Oscar winner can’t find the right tone for this grating comedy which also wastes Jenna Ortega, Da’Vine Joy Randolph and Catherine Zeta-Jones

The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping

Wicker review – Olivia Colman is smelly fisherwoman falling for wicker man in uneven fable

An inventively made fantasy boasts eye-catching premise and typically rewarding performance from Oscar-winner but something’s missing

The Moment review – Charli xcx struggles through defanged Brat summer satire

There’s a smart idea at play here, with the star playing a hellish version of herself fighting against corporate forces, but there’s not a lot else

I Want Your Sex review – vampy Olivia Wilde almost saves Gregg Araki’s tame dom-sub romp

As a provocative artist using sex to wield power, the actor is electric but the writer-director’s return to his campy, dayglo roots is largely underwhelming

Extra Geography review – a sweet and spiky coming-of-age debut

Two teenage girls find their friendship put to the test in a witty and charmingly odd British comedy

Buddy review – high-concept horror misfire dares to wonder: what if Barney killed kids?

There’s a dearth of both laughs and scares in this one-joke comedy horror that feels like it would have made for a better short film

Bulk review – Ben Wheatley’s quirky sci-fi brings small-budget charm to big questions

Wheatley’s engaging tale sends Sam Riley’s tough-guy reporter to the home of a reclusive oligarch who has invented a ‘Brain Collider’

Post navigation

← Older posts

  • Requiem for a film-maker: Darren Aronofsky’s AI revolutionary war series is a horror
  • Meryl Streep is as withering as ever in first full-length trailer for Devil Wears Prada 2
  • Anti-ICE protests, brilliance by Bieber and the Dalai Lama’s first win: the 10 biggest moments at the 2026 Grammys
  • Hold on to Her review – horrific death of a two-year-old puts immigration crackdown in spotlight
  • Co-writer of Oscar-nominated film It Was Just an Accident arrested in Iran
  • ‘Endlessly quotable’: why Wayne’s World is my feelgood movie
  • Shelter review – super-soldier Jason Statham does the business as he takes on Bill Nighy in action thriller
  • Seasons review – it’s Ibsen vs Peter Pan in chronicle of actors messing up their lives on and off stage
  • ‘Yes, they would execute a child’: the film about a girl who has to bake a birthday cake for Saddam Hussein
  • Do You Love Me review – exhilarating documentary is ode to the collective courage of Lebanese people
  • Steven Spielberg becomes an Egot after winning Grammy for John Williams documentary
  • Dead Souls review – Alex Cox rides into sunset with anti-Trump spaghetti western
  • Melania film earns $7m in US, strongest documentary debut in over a decade
  • Dozens of historic Maseratis recreated for movie about Italian car company
  • Catherine O’Hara obituary
  • ‘One of the greatest comic talents’: tributes paid to actor Catherine O’Hara
  • Melania Trump documentary opens to underwhelming reception: ‘It’s not a gripping film’
  • ‘Here we go again’: $75m Melania film embodies venal spirit of Trump 2.0
  • From Nouvelle Vague to Mock the Week: your complete entertainment guide to the week ahead
  • ‘I never imagined this!’ How KPop Demon Hunters could make history at the Grammys and the Oscars
  • I endured the Melania film so you don’t have to – my only regret is not buying popcorn so one of my senses was entertained
  • Once Upon a Time in Harlem review – remarkable Harlem Renaissance documentary
  • Catherine O’Hara managed to make difficult characters utterly delightful
  • Catherine O’Hara, actor known for Home Alone and Schitt’s Creek, dies aged 71
  • Melania review – Trump film is a gilded trash remake of The Zone of Interest
  • Jayasree Kabir obituary
  • Displacement Film Fund review – Cate Blanchett masterminds short film collection that brims with life and intensity
  • First stills from Sam Mendes’ four-part Beatles film released in Liverpool
  • Groundbreaking director Reginald Hudlin: ‘It’s taken a lot of effort but the reward is always worth it’
  • Eggs, hats and unfettered ambition: what we learned about Melania Trump from her documentary

Contact www.brillfilms.com   Terms of Use