Calendar Girls: The Musical review – heartfelt and hilarious, with nimbly handled nudity

This celebratory show by Tim Firth and Gary Barlow delivers emotional openness alongside cracking jokes

Nirvanna the Band the Show the Movie review – two goofballs in search of a gig roll back the years

Channelling Bill and Ted, slacker buddies accidentally travel back to 2008, but open up a psychic wound which threatens their band’s existence

Minions & Monsters review – a smart premise descends into more of the same

The hugely successful, gibberish-heavy franchise travels back to old Hollywood for an adventure that swaps out nifty ideas for repetitive chaos

The Invite review – Seth Rogen adds zest and bite to fruity dinner party comedy

Olivia Wilde directs and stars alongside Penélope Cruz and Edward Norton in bizarrely moving tale, with Rogen’s levity keeping the outrageous plot points in check

‘Genuinely changed my life’: why Groundhog Day is my feelgood movie

The latest in our series of writers paying tribute to their favourite comfort films is a pick for a comedy that demands countless rewatching

Still blazing after all these years: Mel Brooks at 100

The director of The Producers hits his century as a uniquely beloved entertainer who embodies his conviction that ‘comedy is the opposite of death’

Brassed Off review – stirring tale of coal and cornets moves Yorkshire audience to tears

In a cavernous venue seemingly designed for a colliery-based story, Amy Leach directs Paul Allen’s adaptation of the 1996 film

Little Brother review – Netflix comedy is neither weird or funny enough for star Eric André

The surreal comedian struggles to sell a middling and mostly conventional film about an uptight realtor whose life is upturned by an unpredictable figure from his past

‘Our characters like to be naughty’: the makers of the Nirvanna mockumentary on illegal skydiving, taboo-breaking and time travel

Matt Johnson and Jay McCarrol’s (non-Cobain affiliated) movie feels like Jackass via Back to the Future. They talk about how the supreme silliness was stressful to film, and how times have changed since their ‘tasteless’ 2007 web series

Jackass: Best and Last review – kings of gross-out comedy’s final, funny farewell

So-called final outing for Johnny Knoxville and his daring, stunt-hungry pals might be close to a greatest hits reel, but there are enough laughs to warrant the nostalgia

Marginalized for her ‘immense ambition’, the genius of director Elaine May is finally being recognized

As a new retrospective opens, collaborators of the Mikey and Nicky film-maker explain how she blazed a trail for female directors in Hollywood

The Last Viking review – Mads Mikkelsen thinks he’s John Lennon in Von Trier-ish prankster comedy

Danish shaggy-dog story about a man with a dissociative disorder has a fun premise but wastes it on lots of goofy, humourless violence

Hold the Fort review – gory goings-on at the neighbours association get-together

A couple move from the city to a seemingly clean-cut suburb in this enjoyable comedy-horror that breezes through the grisly deaths of characters you won’t care about

500 Miles review – kids hit the road to visit Irish grandad Bill Nighy in YA tearjerker

Nighy is the Dingle dwelling grandfather of a Sheffield family in strife in sentimental adaptation of Mark Lowery’s novel Charlie and Me

‘Allowed me to accept my own taste’: why Bridesmaids is my feelgood movie

The latest in our series of writers highlighting their comfort films is a look at an endlessly quotable antidote to bro-focused comedies