BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Australian media are in decline. The Fourth Estate reminds us why we need them

Watching the New York Times cover the Trump presidency invokes nostalgia and jealousy

Virtual truth: face to face with immersive documentaries

Experience life after a horrific accident, play a customs officer or swim with sea otters. A new breed of VR film-making is making viewers engage in a deeper way with the issues they confront

Wednesday’s best TV: Vive La Révolution!; Inside the SS

Joan Bakewell reminisces about the French revolution that nearly was in 1968, while a new series interviews members of Hitler’s notorious paramilitary group

The Fourth Estate review – revealing doc tracks an exhausting year of Trump

In a sharp documentary series premiering at Tribeca film festival, the team at the New York Times are faced with the task of keeping up with an unstoppable news cycle

Observational films are outshone by a blend of fact and fiction

Traditional dividing lines are being blurred, as progressive film-makers blend the truth with myth, fantasy and imagination

Thursday’s best TV – Urban Myths: Marilyn Monroe and Billy Wilder; Civilisations

James Purefoy and Gemma Arterton have a ball imagining the capers of the film-maker and his muse, while Simon Schama explores the historical use of colour in art

BBC film about IRA funeral murders to air in March

Exclusive: The Funeral Murders will focus on atrocity at Milltown cemetery and the revenge attack

The rising star to look out for at the Oscars? That’ll be Netflix…

The success of Mudbound and a string of fine documentaries must surely convince the Academy that the streaming giant deserves a little love

Saturday Night Fever: The Ultimate Disco Movie review – Bruno Tonioli hits the floor

The Strictly judge took a loving look behind the scenes of the film that made John Travolta an A-list star and made disco a global phenomenon

Revealed: sketches that show the inspiration for Banksy’s ‘alternativity’ in Bethlehem

Danny Boyle’s BBC Two documentary explores the problems he encountered directing the artist’s contemporary reworking of the Christmas story

‘Apu was a tool for kids to go after you’: why The Simpsons remains problematic

The standup comic Hari Kondabolu talks about his documentary The Problem with Apu, which uses the notorious Kwik-E-Mart clerk as a springboard to discuss issues of representation and minstrelsy in pop culture

Horror Movie: A Low Budget Nightmare review – surprisingly delightful gore-fest doco

A documentary with heart and sincerity – all the more surprising given the grotesque content of the film it documents the making of

Christine Whittaker obituary

BBC film researcher who breathed new life into the making of historical documentaries for television

‘Deep down, I knew it didn’t happen’: The woman who imagined a murder

When two men disappeared in 1974, Erla Bolladottir’s testimony put her boyfriend and his friends in prison for murder. She tells us how the case made her the most notorious woman in Iceland – and why they may be innocent after all

Ken Burns returns to take on Vietnam – ‘a war we have consciously ignored’

Burns’s new 10-part, 18-hour epic film covers the conflict from all sides, and hopes to ‘shape more courageous conversations about what took place’

Post navigation

← Older posts
Newer posts →

  • Louise Lasser, star of cult sitcom Mary Hartman, Mary Hartman and Woody Allen comedies, dies aged 87
  • Evil Dead Burn review – wildly gory horror tears a grieving family to pieces
  • Saccharine review – eating disorder body horror offers plenty to chew over
  • Moana review – Dwayne Johnson’s demigod on autopilot in dull live-action remake
  • New barnet: why is everyone wigging out over Dwayne Johnson’s Moana hairpiece?
  • Booyakasha! Sacha Baron Cohen has completed a new Ali G movie
  • A Grand Day Out/The Wrong Trousers review – rereleased Nick Park classics are a complete treat
  • The Girls review – poignant coming-of-age romance is an understated gem of Sri Lankan cinema
  • TV tonight: finance whiz Gary Stevenson takes on the super-rich
  • Ian Kennedy Martin obituary
  • Sunshine: Danny Boyle’s space slasher plays out like an atheist’s worst nightmare
  • The Invite welcomes heterosexual polyamory into cinemas. It’s about time
  • ‘An absolute triumph’: first reactions to Christopher Nolan’s Odyssey are ecstatic
  • The Last One for the Road review – ageing-boozer tragicomedy offers drunken antics on the road to Venice
  • Talking about death: how a father and brother found solace in the ‘living graveyard’ of an airline disaster
  • Life Support review – quietly devastating medics’ eye view of the war in Gaza
  • Call of My Life review – bright and breezy Nigerian call-centre romcom is just right for summer
  • ‘Bored? You’re never good enough to get bored!’ Oscar-winner Helen Hunt on great roles, unruly audiences and her RSC debut
  • Ann Blyth obituary
  • ‘Attacked behind the scenes’: Children of Blood & Bone author Tomi Adeyemi distances herself from film adaptation
  • Into the spider’s lair: how an Australian film-maker made an impossible documentary with AI
  • The Guest review – Trine Dyrholm pulls out all the stops as a bipolar mother in dysfunctional family drama
  • Robert Richardson: The White Devil review – tempestuous DoP’s relationship with A-list directors laid bare
  • ‘Impossible to be a mom’: new film shines light on how America fails its mothers
  • Couples Weekend review – Alexandra Daddario annd Josh Gad lead spicy comedy of marital melee
  • ‘Cosy competency porn’: why The Post is my feelgood movie
  • Shoot the People review – a powerful portrait of a talented yet controversial photographer
  • A Place in the Sun review – subversive exposé of picture-postcard luxury in the Canary Islands
  • ‘It was pretty depressing when Stranger Things ended’: Finn Wolfhard on growing up on TV – and his new life in music
  • The Story of Documentary Film (The 1980s) review – Mark Cousins educates and intrigues once more

Contact www.brillfilms.com   Terms of Use