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Fiona Shaw: ‘I got to Hollywood at 28 and they said: You’re very old’

The thrilling star of stage continues her TV takeover. As she joins mercilessly dark drama Baptiste, Shaw talks about Fleabag, American burnout – and marriage as a cure for chaos

James Norton: ‘I try to present myself as friendly and people see something darker’

After playing psychopaths and priests, the actor is starring in an almost unbearably tragic role. He discusses bullies, broodiness and blockbusters

The Many Saints of Newark: first trailer for Sopranos prequel arrives

Film prequel to the landmark series, starring James Gandolfini’s son Michael as the young mobster, has revealed its first trailer

TV tonight: the civil rights lawyer elected Philadelphia’s top lawman

Storyville’s eight-part series examines the US’s devastating incarceration rates. Plus: Bake Off: The Professionals sets the teams a carrot-shaped test. Here’s what to watch this evening

The week in TV: Time; Fred and Rose West; Lupin; Statue Wars – review

Sean Bean and Stephen Graham excel in a grim prison drama, and the mayor of Bristol takes centre stage in a documentary about the city’s 2020 BLM protests.

Kate Winslet shows there’s more to middle age than a saggy belly

Mare of Easttown would have been just another whodunnit without the rich detail of an older woman’s story, says Gaby Hinsliff

Joan Allen: ‘Acting’s like tennis. You bring your game’

Adulterous housewives, CIA bosses – Joan Allen has played them all with consummate skill. Now, in Stephen King adaptation Lisey’s Story, she’s turned her hand to visceral horror

Olivia Williams: ‘I’ve been close enough to stardom to see how horrifying it is’

As she prepares to star in The Nevers, an eerie TV drama about supernatural Victorian women, the actor talks about fame, cancer – and squaring up to Bruce Willis in The Sixth Sense

‘We had a therapist on set’ – William Jackson Harper on The Underground Railroad

The Good Place star plays a free man helping slaves to escape in Barry Jenkins’ epic series. The actor talks about the trauma of re-enacting such violent times – and the need to face up to history

‘It feels radical about women’: Nancy Mitford hits BBC One’s Sunday night slot

In The Pursuit of Love, Mitford explored shellshock, abuse and xenophobia ... but in a funny way, says director Emily Mortimer

Will they, won’t they?: Line of Duty ‘Flemson’ dynamic draws in fans

Show has turned UK into nation of detectives, not least to dissect Kate Fleming and Jo Davidson’s relationship

Downton Abbey film sequel set for Christmas 2021 release

A followup to the 2019 film is currently in production, with Dominic West, Hugh Dancy and Laura Haddock joining returning cast members

‘Olivier was jealous of me’: TV drama pioneer Derek Granger at 100

On his centenary, the veteran producer recalls adding punch to Coronation Street, bringing Brideshead to the screen and his ‘turbulent’ relationship with one of the acting world’s greats

Helen McCrory: engaging, enthralling, always magnetically watchable

The exquisitely talented actor shone at playing complex, intelligent women with a seemingly effortless skill

‘We needed to rescue the nation from despair’: culture’s year of Covid

Comedians went virtual, Ai Weiwei went to Portugal – and Bake Off pledged the show would go on. In the first of a two-part series, cultural figures look back on a year that shook their industry

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  • ‘I thank God for killing me and bringing me back’: Nicolas Winding Refn on the emergency op that inspired his new sci-fi horror
  • ‘I thank God for killing me and bringing me back’: Nicolas Winding Refn on the emergency op that inspired his new sci-fi horror
  • Netanyahu seeks to strip citizenship from Israelis as threats to NAZA film directors intensify
  • The Liberation review – Carrie Coon joins all-female cult in unsettling drama
  • Girls creator Lena Dunham welcomes baby girl delivered via surrogate
  • Resident Evil review – Zach Cregger’s rebooted action horror is a wild rollercoaster ride
  • Smile at Last review – photo-love-story style parable of a teen abandoned at a tough Soviet youth facility
  • Battle of Chile director Patricio Guzmán dies aged 85
  • In-I in Motion review – Juliette Binoche pulls back the curtain on dance duet with Akram Khan
  • Your mission, Tom Cruise, is to improve at interviews. And please keep sending the cakes
  • Whisper of the Heart review – Studio Ghibli deep cut is pep talk on how to live the artistic life
  • The Cycle of Love review – a 6,000-mile bike ride caps a real life Swedish-Indian romance
  • A Talent for Murder review – Helen Mirren is a viperous Patricia Highsmith in hit-and-miss thriller
  • Bad Lieutenant: Tokyo review – Takashi Miike follows Ferrara and Herzog with a disappointment
  • ‘This should be condemned by any thinking human’: film industry rallies behind NAZA directors
  • James McNeill Whistler review – painter’s work shines through attention-grabbing life story
  • The Debut review – Julianne Moore is a thrill in Jesse Eisenberg’s oddball comedy
  • Venice best actress winner says she signed on at Danish job centre days before her victory
  • Legend of Destruction review – starry voices grace animated telling of the Jewish revolt against the Romans
  • Are you outraged by Sydney Sweeney – again? More fool you
  • Night of the Coyotes review – border-crossing role-play is tourist attraction in struggling Mexican town
  • Premature review – sunny charm provides screwball energy for surprise-pregnancy comedy
  • Benedict Cumberbatch on his Earth-saving eco film: ‘We are in the last grab of the extraction era’
  • Elsinore review – Andrew Scott is astonishing as Ian Charleson in devastating Aids drama
  • Jeremy Thomas obituary
  • Sunday in the Park With George musical cancelled, after Ariana Grande and Jonathan Bailey both drop out
  • Israeli minister threatens to strip Israeli film-makers of citizenship over Gaza documentary NAZA
  • Ancestors review – messy but moving ghostly drama about the Aids crisis
  • ‘The eye-gouging was very, very satisfying’: how we made cave horror classic The Descent
  • In an age of superhero fatigue, Marvel’s best shot is to think small – and outside the box

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