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Lovers Rock review – Steve McQueen throws the best party ever

Filled with rows, romance and sexual adventure, this story of an uproarious celebration in 80s west London is an audacious, euphoric experience

‘I’m a loner’: Gillian Jacobs on the snarky art of playing misfits

In Community, Girls and Love the actor has been an activist, an artist and an addict. As her new film, I Used to Go Here, opens, she talks about why she likes messy, complex characters

Cynthia Nixon: ‘Will Donald Trump leave quietly? I don’t know’

The actor who once ran to be governor of New York is political to her bones, passionate about trans rights, Black Lives Matter and the future of the left. She discusses the rise of Trump – and why she’s still optimistic

Line of Duty’s Rochenda Sandall: ‘There are so many dimensions to domestic abuse’

After her villainous role in the explosive police drama, the star is playing an isolated woman in Alan Bennett’s Talking Heads and an activist in Steve McQueen’s Small Axe

‘This show is just the start’: inside the BBC’s all-person-of-colour A Suitable Boy

It has 110 actors, is based on one of the longest books in English - and it’s the BBC’s first historical drama with no white characters. But some think the series doesn’t go far enough. We take a look behind the scenes

‘Mike Leigh’s office almost went up in flames’: casting directors tell all

As Bafta rewards scripted casting for the first time, those doing the choosing talk us through the process – from being flashed at in auditions to chasing would-be stars around with a tenner

Mrs America depicts one of feminism’s toughest battles – the fight against female misogynists

From Gloria Steinem to Shirley Chisholm, there were some brilliant women pushing for equal rights in the 1970s. In Phyllis Schlafly, they found a formidable foe, says Guardian columnist Suzanne Moore

Brave New World: London reimagined after a disaster

A firm of architects had fun designing a dystopian version of the capital for a drama based on Aldous Huxley’s classic starring Demi Moore

TV tonight: how prison can rehabilitate rather than just punish

A timely documentary looks at US prisoners, many of whom are from BAME communities, working to get degrees while incarcerated. Plus: Michaela Coel’s rollercoaster ride continues. Here’s what to watch this evening

How to watch police shows in the age of Black Lives Matter

The crime genre glorifies police violence but should we ban such shows, or reappraise them with a critical eye, asks Elias Rodriques, a PhD student and novelist

Claes Bang: ‘I’ve been watching a great Danish show … what was it called?’

The Dracula star talks about filming on Zoom, if he could play Bond and the only Kubrick film he’s never seen

Sex, lies and celluloid: how realistic is Netflix’s drama Hollywood?

It’s got orgies, arrests, scandals and eccentrics. But is the central story – about gay and black people triumphing in 1940s Tinseltown – realistic? We sift the ugly facts from glossy fiction

This week’s best culture, at home – from Korean ballet to a David Nicholls-inspired radio play

The Observer’s critics recommend the best new arts shows to enjoy on TV, on the radio and online

Himesh Patel: ‘It felt odd making a show about a pandemic’

The former EastEnders actor talks about shooting a pilot on a deadly virus, telling British stories with a difference – and how playing a bit part as a pigeon changed his career

How 1968 TV drama The Year of the Sex Olympics predicted our world

The desensitising effects of porn, the invasive voyeurism of reality TV, the passivity of mass consumerism … Nigel Kneale’s programme anticipated them all

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  • ‘I thank God for killing me and bringing me back’: Nicolas Winding Refn on the emergency op that inspired his new sci-fi horror
  • ‘I thank God for killing me and bringing me back’: Nicolas Winding Refn on the emergency op that inspired his new sci-fi horror
  • Netanyahu seeks to strip citizenship from Israelis as threats to NAZA film directors intensify
  • The Liberation review – Carrie Coon joins all-female cult in unsettling drama
  • Girls creator Lena Dunham welcomes baby girl delivered via surrogate
  • Resident Evil review – Zach Cregger’s rebooted action horror is a wild rollercoaster ride
  • Smile at Last review – photo-love-story style parable of a teen abandoned at a tough Soviet youth facility
  • Battle of Chile director Patricio Guzmán dies aged 85
  • In-I in Motion review – Juliette Binoche pulls back the curtain on dance duet with Akram Khan
  • Your mission, Tom Cruise, is to improve at interviews. And please keep sending the cakes
  • Whisper of the Heart review – Studio Ghibli deep cut is pep talk on how to live the artistic life
  • The Cycle of Love review – a 6,000-mile bike ride caps a real life Swedish-Indian romance
  • A Talent for Murder review – Helen Mirren is a viperous Patricia Highsmith in hit-and-miss thriller
  • Bad Lieutenant: Tokyo review – Takashi Miike follows Ferrara and Herzog with a disappointment
  • ‘This should be condemned by any thinking human’: film industry rallies behind NAZA directors
  • James McNeill Whistler review – painter’s work shines through attention-grabbing life story
  • The Debut review – Julianne Moore is a thrill in Jesse Eisenberg’s oddball comedy
  • Venice best actress winner says she signed on at Danish job centre days before her victory
  • Legend of Destruction review – starry voices grace animated telling of the Jewish revolt against the Romans
  • Are you outraged by Sydney Sweeney – again? More fool you
  • Night of the Coyotes review – border-crossing role-play is tourist attraction in struggling Mexican town
  • Premature review – sunny charm provides screwball energy for surprise-pregnancy comedy
  • Benedict Cumberbatch on his Earth-saving eco film: ‘We are in the last grab of the extraction era’
  • Elsinore review – Andrew Scott is astonishing as Ian Charleson in devastating Aids drama
  • Jeremy Thomas obituary
  • Sunday in the Park With George musical cancelled, after Ariana Grande and Jonathan Bailey both drop out
  • Israeli minister threatens to strip Israeli film-makers of citizenship over Gaza documentary NAZA
  • Ancestors review – messy but moving ghostly drama about the Aids crisis
  • ‘The eye-gouging was very, very satisfying’: how we made cave horror classic The Descent
  • In an age of superhero fatigue, Marvel’s best shot is to think small – and outside the box

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