BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Samantha Morton: ‘My favourite TV villain? It’s vain, but I think it’s me in The Walking Dead’

The film and TV star on her hatred of the Kardashians, her love of Four in a Bed and why she’d love to be on Horrible Histories

Ratched review – gothic, gory thrills with the Cuckoo’s Nest villain

Sarah Paulson is brilliantly menacing as Nurse Ratched in Ryan Murphy’s latest Netflix series, which melds the 1975 film with his American Horror Story hallmarks

Lovers Rock review – Steve McQueen throws the best party ever

Filled with rows, romance and sexual adventure, this story of an uproarious celebration in 80s west London is an audacious, euphoric experience

‘I’m a loner’: Gillian Jacobs on the snarky art of playing misfits

In Community, Girls and Love the actor has been an activist, an artist and an addict. As her new film, I Used to Go Here, opens, she talks about why she likes messy, complex characters

Cynthia Nixon: ‘Will Donald Trump leave quietly? I don’t know’

The actor who once ran to be governor of New York is political to her bones, passionate about trans rights, Black Lives Matter and the future of the left. She discusses the rise of Trump – and why she’s still optimistic

Line of Duty’s Rochenda Sandall: ‘There are so many dimensions to domestic abuse’

After her villainous role in the explosive police drama, the star is playing an isolated woman in Alan Bennett’s Talking Heads and an activist in Steve McQueen’s Small Axe

‘This show is just the start’: inside the BBC’s all-person-of-colour A Suitable Boy

It has 110 actors, is based on one of the longest books in English - and it’s the BBC’s first historical drama with no white characters. But some think the series doesn’t go far enough. We take a look behind the scenes

‘Mike Leigh’s office almost went up in flames’: casting directors tell all

As Bafta rewards scripted casting for the first time, those doing the choosing talk us through the process – from being flashed at in auditions to chasing would-be stars around with a tenner

Mrs America depicts one of feminism’s toughest battles – the fight against female misogynists

From Gloria Steinem to Shirley Chisholm, there were some brilliant women pushing for equal rights in the 1970s. In Phyllis Schlafly, they found a formidable foe, says Guardian columnist Suzanne Moore

Brave New World: London reimagined after a disaster

A firm of architects had fun designing a dystopian version of the capital for a drama based on Aldous Huxley’s classic starring Demi Moore

TV tonight: how prison can rehabilitate rather than just punish

A timely documentary looks at US prisoners, many of whom are from BAME communities, working to get degrees while incarcerated. Plus: Michaela Coel’s rollercoaster ride continues. Here’s what to watch this evening

How to watch police shows in the age of Black Lives Matter

The crime genre glorifies police violence but should we ban such shows, or reappraise them with a critical eye, asks Elias Rodriques, a PhD student and novelist

Claes Bang: ‘I’ve been watching a great Danish show … what was it called?’

The Dracula star talks about filming on Zoom, if he could play Bond and the only Kubrick film he’s never seen

Sex, lies and celluloid: how realistic is Netflix’s drama Hollywood?

It’s got orgies, arrests, scandals and eccentrics. But is the central story – about gay and black people triumphing in 1940s Tinseltown – realistic? We sift the ugly facts from glossy fiction

This week’s best culture, at home – from Korean ballet to a David Nicholls-inspired radio play

The Observer’s critics recommend the best new arts shows to enjoy on TV, on the radio and online

Post navigation

← Older posts
Newer posts →

  • Rocky review – 50 years on, Stallone’s boxer remains a exhilaratingly gritty contender
  • Being Heumann to Avedon: the seven best films to watch on TV this week
  • Elke Sommer obituary
  • John Leeson obituary
  • The downfall of Russell Brand: from Big Brother and Hollywood to convicted rapist
  • Raise the Red Lantern review – Gong Li gives a decade-defining performance in an addictively ruthless masterpiece
  • I Play Rocky review – Anthony Ippolito adds knockout sweetness to the story of Stallone’s Hollywood triumph
  • Jimmy review – simple-minded James Stewart biopic is too straightforward
  • Think of England review – far-fetched tale of state-sponsored second world war porn turns deadly serious
  • Being Heumann review – stirring biopic of a pioneering disability rights campaigner
  • A Dog’s Perfect Christmas review: Netflix kicks off holiday movie season with a whimper
  • Tinto Brass, director of Caligula and maestro of Euro erotica, dies aged 93
  • ‘He lent me his RSC Oberon cape for my school play’: Patrick Stewart remembered by readers
  • Ramayana: Rise of a Legend review – India’s most expensive film ever becomes spectacular, huge-scale epic
  • Callum Turner emerges as James Bond favourite as Pierce Brosnan endorses actor: ‘He’s so strong’
  • Crawlers review – killer-spiders movie offers giant-arachnid action alongside anticapitalist commentary
  • Merry Christmas Aubrey Flint review – Dickensian festive Britpic decorated by selection box of familiar faces
  • Amazing Grace review – blazing Hannah Walters struggles to save a lonely caller at the end of his tether
  • Judi Dench says Daniel Craig ordered her death. James Bond just got a lot scarier
  • Peter Medak obituary
  • China’s first AI-generated film is a flop. Some still see it as the future of cinema
  • Best TV shows and movies streaming in Australia this month
  • Mum, I’m Alien Pregnant review – slime and silliness in amusing New Zealand comedy horror
  • Andrew Scott drama Elsinore leads British independent film award nominations
  • ‘His voice was too queer – so they silenced him’: how Spain’s national poet Lorca finally became a gay icon
  • Ghost Town review – the phantoms and lost souls haunting a Japanese city after the 2011 earthquake
  • Carrie at 50: Brian De Palma’s fiery masterpiece still has the power
  • Manipulation review – preposterous Da Vinci Code-esque thriller like being trapped in a Ferrero Rocher ad
  • New Group review – schoolkids build human pyramids in bizarre Japanese horror-satire on conformity
  • Dustin Hoffman says filming The Graduate was ‘a terrible experience’ due to Mike Nichols’ ‘sadism’

Contact www.brillfilms.com   Terms of Use